Posts Tagged ‘Alan Parsons Project’

The Friday Mixtape: 10/2/09

The important thing to remember is that I didn’t set out to make this mix as it is.

The initial concept was to pull out the box of CDs I seldom listen to and pull tracks from them. It is not a judgment call as to why the Beasties’ Hello Nasty is down there on the Island of Misfit Toys; I just don’t listen to the album much and, if I have a yen for the Boyz, I go for Ill Communication or Paul’s Boutique. If I am in a really regressive state of mind and nostalgia has me by the nosehairs, out comes A Flock Of Seagulls (which is amazing considering how tiny my nostrils are.)

(Who am I kidding? My nostrils are HUGE.)

There are songs here that I never listen to. The dust on Orgy’s Vapor Transmissionand the Pushmonkey CD are like instant mud – just add water. Some of these tunes are fondly remembered, some barely remembered and still others come from the “what was I thinking” file, but in combination, this constitutes the strangest mix I think I’ve ever achieved and, quite rightly, I’m afraid of it.

Somebody hold me.

A Flock Of Seagulls – Wishing (If I Had A Photograph Of You) from The Best of A Flock of Seagulls (1987)

Beastie Boys – Intergalactic from Hello Nasty (1998)

Eve 6 – Leech from Eve 6 (1998)

Keats – Hollywood Heart from Keats (1984)

Leaves’ Eyes – Elegy from Vinland Saga (2005)

Limblifter – Screwed It Up from Limblifter (1995)

My Little Dog China – Eggshells from Velvis Carnival (1994)

Orgy – Fiction (Dreams In Digital) from Vapor Transmission (2000)

Procol Harum – Bringing Home The Bacon from Grand Hotel (1973)

Pushmonkey – Handslide from Pushmonkey (1998)

Sweet – Burn On The Flame from Strung Up (1975)

T Bone Burnett – The Long Time Now from The Criminal Under My Own Hat (1992)

The Screamin’ Cheetah Wheelies – Boogie King from Big Wheel (1999)

Thomas Dolby – Airwaves from The Golden Age of Wireless (1982)

Triumph – Headed For Nowhere from Surveillance (1987)

Bottom Feeders: The Ass End of the ’80s, Part 66

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I must go ahead and thank Annie Zaleski, who commented last week about the group Chromeo. I’m frankly bothered and disgusted that their 2007 album Fancy Footwork has been sitting out in the world for two years — it even got a deluxe release last year — and not one person in my life tuned me into maybe the funkiest ’80s throwback group ever.

I’m disgusted at myself as well for not finding them on my own. How a marvelous funky-ass release like this could fly under my radar, I don’t understand. I can’t let others slip by, so now I must ask if there are other bands out there like this. iTunes led me to MSTRKRFT, who I’d heard of, but they aren’t quite as ’80s as Chromeo. Who else should I know about who sounds like they’re making lost Oran “Juice” Jones records? As far as this week goes, after listening to the Chromeo record all I have to say is: Ray Parker Jr. sounds even better!

Here are more artists whose names begin with the letter P, as we check out songs that charted no higher than #41 on the Billboard Hot 100 during the 1980s.

Pablo Cruise
“Slip Away” — 1981, #75 (download)

I’ve never really been a fan of Pablo Cruise but I have to admit that “Slip Away” is a pretty cool, laid back song. The intro to this track just makes me want to sit on my porch, close my eyes and enjoy a nice summer breeze. (I must be in a strangely good mood as shit like that last sentence doesn’t usually come out of my mouth.)

David Pack
“Prove Me Wrong” — 1986, #95 (download)

AmbrosiaWhat an absolutely miserable song from the former lead singer and guitarist of Ambrosia. I’m not sure this song has an identity. It starts off with those super-fake sounding keys and drums and seems to want to be some kind of R&B number and then about a minute in it breaks into a riff that could be the little brother of Kenny Loggins’ “Danger Zone” and then goes right back where it began. This track was actually the second cut on the White Nights soundtrack as well as featured on Pack’s first solo record, Anywhere You Go. The only thing I like David Pack for are the countless hours of enjoyment he’s given me thanks to the cover of the Ambrosia album One Eighty, which regularly gets referenced in my house as “men hugging each other.”

Pajama Party
“Yo No Se” — 1989, #75 (download)
“Over and Over” — 1989, #59 (download)

Another heavily played song in my trivia days, “Yo No Se” is a song that I remember hearing a lot in ’89 and ’90 and yet possibly never heard the name of the group. I only remember the name now because of said trivia matches. The song itself is probably one of my favorites of the freestyle genre, though that’s a little tough to say since so many sounded exactly the same. It’s at least one that I remember quite vividly. However, I could have sat here for weeks and never given you the name of the Pajama Party follow up song. I don’t ever remember hearing “Over and Over” and yet that performed better on the charts than “Yo No Se.”

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Dw. Dunphy On… The Alan Parsons Project Reissued

The Alan Parsons Project is a mess.

I’ll explain. First, the band name is a freak of necessity. Manager Eric Woolfson and producer Alan Parsons worked on a project based on the tales of Edgar Allan Poe. When asked what the group’s name would be, all they had scrapped out was a note describing it as “Alan Parsons project” and so it was. Parsons surrounded himself with talented vocalists like Colin Blunstone (The Zombies), David Paton (Pilot), David Pack (Ambrosia), Eric Stewart (10cc) and Alan Clarke (The Hollies); yet, in the end, the group’s most recognizable voice was the non-pro Woolfson discovered from his guide-vocal demos. While technically being progressive rock, there is a distinct lack of the virtuoso wankery that plagues the prog, and even as a fan I can’t defend the rock. The APP is smooth, clinically precise and often dangerously adult contemporary.

Now, with all that on the table, APP has given the world some great music over the course of their existence, from the almost Beach Boys-like “Time” to the pale funk of “Games People Play” to the Spector wall-of-sound tribute “Don’t Answer Me,” there are reasons why the band that wasn’t really a band had bona fide hits. Sony Legacy now has control over the Arista BMG catalog and is rolling out the next phase of their APP reissues including Pyramid, Eve, The Turn Of A Friendly Card, Ammonia Avenue and Gaudi. The volume and sonic quality of these new releases are vastly improved over the originals, but for anyone looking for a treasure trove of unreleased tracks, look elsewhere. Join us now for the play-by-play.

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Dw. Dunphy On… Freudiana

Multiple choice time on Popdose, kids. Make sure that pencil is a #2 and don’t forget to fill your circles completely. Your future depends on how you do on this test (snicker, snicker.) Okay, let’s begin!

1. The Alan Parsons Project was:

a) a pop / prog band from the late 1970s to the early 1990s

b) an adult contemporary band from the same time period that your parents thought were “neat”

c) a punchline in an Austin Powers movie

d) all of the above.

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