Posts Tagged ‘Alison Moyet’

Bottom Feeders: The Ass End of the ’80s, Part 62

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We’ve reached the end of the longest letter we’ve had in a while, and we leave it in style — and/or a pile of adult-contemporary crap. Take your pick. Enjoy the final week of the letter M as you listen to a lot more from the ass end of the Billboard Hot 100 chart during the 1980s.

Michael Morales
“I Don’t Know” — 1989, #81 (download)

MoralesIf you type “Michael Morales” into Wikipedia, you’ll get the profile of some convicted murderer. Now, the musician known as Michael Morales may have been pretty crappy, but the only thing he’s murdered are my eardrums. (Ba-dum-bump! Here all night, folks!)

In the world of Top 40 hits there are very few songs I would consider obscure, but Morales’s first two singles might fall into that category. In 1989 “Who Do You Give Your Love To?” went to #14, and his second, a cover of the Romantics’ “What I Like About You,” went to #28. Then “I Don’t Know” dropped, and you know what — I don’t know if I’ve ever heard Morales’s actual vocals. All three of these songs are so layered, processed, and fake sounding that I feel like I’m listening to a machine instead of a human. But if his vocals were so bad that they needed to be that processed, how did he ever get a deal in the first place? “What I Like About You” would go down as my least favorite cover song of the decade if it weren’t for Roger’s (Troutman) mind-melting 1981 cover of “I Heard It Through the Grapevine.”

Meli’sa Morgan
“Do Me Baby” — 1986, #46 (download)

It was a nice, cool night in 2006 when I came home from work and quietly ran into the record room without my girlfriend noticing. I put “Do Me Baby,” still in the picture sleeve, on top of the turntable. As I was unpacking my stuff from work, I asked her to go into the room and put on this new Prince cover I’d gotten because I thought she’d like it.

She told me to do it myself.

After a few more tries, I finally convinced her to go into the record room. When she picked up the 45, underneath it was a diamond ring.

Yes, I got engaged to Meli’sa Morgan’s cover of Prince’s “Do Me Baby.” A romantic at heart, I am.

Check out the video with Sadao Watanabe on saxophone:

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Lost in the ’90s: Alison Moyet, “Whispering Your Name”

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On Tuesday, we talked about Jules Shear’s “Whispering Your Name,” a failed single from his solo debut, Watch Dog. While the single and album flopped, it stayed in the hearts of many musicians and fans.  In 1984, Cyndi Lauper had a Top Five hit with a cover of “All Through The Night,” the second song off Watch Dog.  And ten years later, Alison Moyet would finally make a hit out of “Whispering Your Name.”

While Shear sang “Whispering Your Name” (download) from the point of view of a guy in love with a girl who still pines for her ex, Moyet kept the pronouns the same on her version.  As a result, Moyet’s take adds a sexual twist, as she sings to another woman.  While Moyet is happily married to husband number two, she obviously wasn’t afraid to tweak sexual mores a bit and make the cover all the more intriguing.

Even more intriguing was the single version of the track (download) which was miles away from the stripped down acoustic take featured on Moyet’s album, Essex.  The single mix makes “Whispering” a dance floor pleaser, complete with disco strings and a Chicago House beat.  The video version goes yet another step further, as Moyet’s Yaz mate, Vince Clarke remixed the single, making it a New Wave synth throwback.  And hey, look!  Dawn French!

A 12″ mix  (download) was worked to the clubs, and while I did hear the song quite a bit while clubbing in 1994, none of my sources show it charting anywhere on the Dance Charts.  Can anyone confirm it charted here?  As far as the UK goes, “Whispering Your Name” became Moyet’s biggest hit in quite some time, peaking at #12.  But sadly, as far as the States go, Moyet’s cover suffered the same non-charting fate as Jules Shear’s original.  Too bad, since I love all four versions.   The CD single is well worth the penny you can snag it for on Amazon.

“Whispering Your Name” did not chart.

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Lost in the ’80s: Jules Shear, “Whispering Your Name”

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I gave Jules a quick once-over a little over three years ago, so I think it’s high time I spotlighted another track of Shear beauty, this one from his stellar solo debut, Watch Dog. Bearing the distinctive production stamp of Todd Rundgren as well as guitar work from Elliot Easton, Watch Dog is one of the shining gems of 1983, or as it’s more commonly known around these parts, the Best Year for Music Ever!

Besides featuring “All Through the Night,” later a top-five hit for Cyndi Lauper, Watch Dog is jam-packed with hooks and memorable tunes like “I Need It” and “She’s in Love Again.” It’s a damn shame it was only on CD for a fifth of a second; used copies, should you ever be able to find one, run upwards of $100 or more. The brightest moment on the album has to be its opener, the heartbreaking “Whispering Your Name” (download), the story of a man who discovers his lover still has another in her heart thanks to her sleeptalking. Here’s where Rundgren’s production is patently obvious, but whereas it usually tends to overpower the artist in question, with Shear it works beautifully.

Let me take a moment here to rant about record companies and their stranglehold on out-of-print masters. EMI is sitting on both Watch Dog and Shear’s second solo album, The Eternal Return (1985), letting them rot in a vault somewhere. Music consumers, especially you wonderful people who read Popdose, know how easy it would be to digitize these masters and throw them up on iTunes or Amazon. So why the delay? Especially in this economy, where the low overhead makes this a slam dunk. Argh. Drives me nuts. Rant over.

Although it was released as Watch Dog’s lead single, “Whispering Your Name” failed to chart. The album didn’t move that many copies, either, but it obviously had fans, as Lauper’s cover of “All Through the Night” proved. Another artist a decade later covered yet another song off Watch Dog, and we’ll feature it on Thursday’s Lost in the ’90s. Be here, won’t you?

“Whispering Your Name” did not chart.

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Lost in the ’80s: Alison Moyet

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Alison MoyetThe recent announcement of a Yazoo (”Yaz” to us in the States) reunion tour set me to thinking … will Alison Moyet be performing any of her solo singles during the show, or will it be limited to Yaz’s limited, two-album discography?

While Moyet’s Yaz teammate Vince Clarke went on to greater fame with Erasure, Alison had her share of solo success, albeit far more limited in the U.S. The only taste of the Top 40 she had here was when her debut solo single, “Invisible,” squeaked in at #31, actually an impressive accomplishment since Yaz never reached higher than #67 for any of their singles.

When it came time to pick a second single off Alf, “Love Resurrection” (download) was the choice, and a fine one. “Love Resurrection” was another in a hot streak of classic singles co-written by producers Tony Swain and Steve Jolley, who made their name writing and producing for Bananarama and Spandau Ballet. Problem was what to do with Moyet in the video — in the original clips, she was covered in basically a burka, wandering around a desert. Her American label reshot the clip when it was released as a single here, putting Moyet in a live context. And a burka.

I realize Alison wasn’t exactly a petite video vixen, but they could have dressed her better than grabbing some of Bea Arthur’s “Maude” leftovers and shoving some 1985 shoulder pads in them. This awful video ended up making her look like Mrs. Roper twirling around the Regal Beagle after one too many mimosas. As a result, “Love Resurrection” landed with a resounding flop in the States, despite hitting the Top Ten overseas, an unfair fate for a quite decent song. It’ll be interesting to see if Alison and Vince touch on any of her solo material during the tour, since I can easily hear a synthed-up “Vince” version of this tune.

“Love Resurrection” peaked at #82 on the Billboard Hot 100 and #47 on the Hot Dance Music/Club Play Chart in 1985.

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