Posts Tagged ‘Amy Holland’

Into the Ear of Madness: Week 21 — The Passion Burns Deep

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Over the next year Terje Fjelde has agreed to listen to nothing but David Foster on his iPod. He’s loaded the thing with over 1,200 songs produced, arranged, composed, and/or played by David Foster. A deal with the devil? He keeps wondering.

When I heard “Love Theme from St. Elmo’s Fire” for the first time in 1985 or 1986, it was the also the first time that I became aware of David Foster. I had a friend at the time, a spoiled little brat who used to sport a white skipper hat and a ponytail, kept about 25 pastel-colored linen suits in the style of Don Johnson in his walk-in closet along with matching espadrillos, and drove a banana-colored Citroen Visa — and of course he and his family were always the innovators: they were the first ones on our street to own a Betamax, the first ones with a modem and he was the first kid to get an Amiga (an ancient personal computer). We always used to laugh at his poor gaming skills, though, especially on this insanely addictive timewaster called Marble Madness, and when we did, he turned all red in the face, promptly turned off his computer and threw us out of the house. Every time. Then we laughed even harder — he was such a poor loser.

Ah, good times.

Anyway, he was also the first kid to buy a CD player, and I will never forget the day that he and I and some other guys went to the library and picked up a couple of CDs to put his new brand new player to the test. I hadn’t seen the movie yet, but I had heard “St. Elmo’s Fire (Man in Motion)” on the radio, and it was about the coolest thing I had ever heard, so I pleaded him to bring along the St. Elmo’s Fire soundtrack. He was more of a Mantronix (!) man, but he reluctantly agreed. (more…)

Bottom Feeders: The Ass End of the ’80s, Part 17

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Every now and then I like to talk about what I have deemed “inappropriate ghetto moments.” These moments occur when I have the windows open in my car, the stereo turned up really loud (there isn’t any other volume), and some really bad song is playing as I’m driving through the ghetto.

Now, this doesn’t happen often. Most of the time I drive straight home from work and I don’t pass through the ghetto at all. But on days where I stop to get some food on the way home, I have to take the long way back and, well, there goes the neighborhood. We’re definitely talking a lot of 40 oz. bottles of fine malt liquor, one or two crack whores, and maybe someone starting a fight outside of the Fried Chicken Shack. Oh, and the homeless man with the broken right leg. Yet even with this sunny description of the area, my fat belly often yearns for a double cheeseburger from some grease pit, so I risk it.

Anyway, the story is not about the food I eat but rather the songs coming out of my speakers. The first time I ever spoke about “inappropriate ghetto moments” came as I was riding down the street and a group of thugs were stollin’ along the sidewalk while I was playing El DeBarge’s “Who’s Johnny.” (Yes, I realize this song comes up all the time in my posts. I swear I listen to it way more than anyone should.) Another time was a 12-inch remix of “Electric Youth” by Debbie Gibson. And it usually doesn’t hit me right away either. After a half dozen people give me weird looks, it’s only then do I realize the reason and stop singing along.

So how do I top Debbie Gibson, you ask? Well, I think I did last week. I had four dudes walking down the yellow line in the middle of the street as I pulled up blasting the very beginning of “Ears of Tin” by Jethro Tull, off their Rock Island record. If you don’t know this song, it starts off with a fierce flute passage (typical), and of course nothing says “I’m a big pussy, please carjack me” like Riverdance-sounding bullshit bumpin’ outta da hooptie. And this time I was going through the ghetto for nothing more than a sweet tea — if I’m going to die it’d better not be while listening to Jethro Tull and sipping sweet tea. That’s far less cool than my plan of dying when I’m 90 during an orgy with barely legal teens after realizing my Levitra-induced erection has lasted more than the four hours they warned me about on the commercial. This, of course, only holds true if they don’t create some kind of bionic penis in the next 60 years. If they do, then maybe death by Tull will have to do.

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