Posts Tagged ‘Audio Engineers’

The Producers: Just for Kix, Loading LA Guns, and Scolding Billy Idol

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It has been over two weeks since I sent the two emails to Dee Snider’s web site and to his publicist. No reply so far, so I guess I won’t be holding my breath.

3944[1]I was called by my colleague Derek Shulman at Atco Records (Atlantic) regarding Kix in 1987. I wasn’t very familiar with them, but I did know that they were a high energy band who were very much in the AC-DC vein. I recall the night I first saw them that year, because they were playing at a Long Island rock club on a weekday night, and I had a difficult time understanding why their official start time was 1 AM. Even for a guy who considered himself a nighttime sort, this was absurd. I checked into the hotel next to the Nassau Coliseum, and spent the evening thinking that I should be in my pajamas, but tried to maintain enough energy and enthusiasm to leave the hotel for the night’s activity at 12:30 AM. I think the club was L’Amour’s, but I can’t be sure. It was a gold mine, jammed wall to wall with kids who by the midnight hour were drinking with a fair amount of abandon, and needing to hear some hard rock immediately.

The club was vast, and I waited around in front of the stage for about 45 minutes until the band came on at 1:30 or so. Sure enough, they kicked serious ass in that club, and I really liked their frontman Steve Whiteman. I also liked the guitar players, Ronnie Younkins and Brian Forsythe, who were serious shredders, but had a very calm and easygoing personal manner offstage. In stark contrast to Steve’s humor and Brian and Ronnie’s calm was Donnie Purnell’s angst and paranoia. He was the undisputed leader of the band, and the bass player and main songwriter. He rarely smiled, and seemed to feel that people were naturally going to try to take advantage of him. He was a fine musician and a dedicated professional, but he simply wasn’t very much fun to be around. (more…)

Hooks ‘N’ You: Robbie Rist Revisited

hooksnyou.jpgI’d just like to start this very, very belated follow-up to my piece on Wonderboy’s Napoleon Blown Apart album with a profound and heartfelt apology to the man who sat still for an extremely long time and answered my every question: Robbie Rist. We had a great conversation about his entire career, and I felt like I couldn’t do it justice unless I split it into two parts. The problem, however, was that I kept setting aside the second part of the conversation and intending to transcribe it when I got a free moment. What I forgot was that I never have free moments…and as a testimony to this fact, I am typing this intro while my three-year-old daughter is leaning against my arm, asking, “When are you going to be done, Daddy? Because I want to show you the seashells I got at the beach today.” Clearly, I’m a terrible father.

Okay, wait, she says, “No, you’re not.” So let’s just say I’m a dedicated journalist.

Anyway, I hope everyone who enjoyed the first half of my conversation with Robbie returns to check out this second half, as we discuss various artists he’s worked with during his career in music, and we also finally get around to asking him about his acting…and, yes, that includes Cousin Oliver. So let’s get back to where we left off, having just chatted about Napoleon Blown Apart and starting to ask about some of his other work…

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I wanted to run through a couple of other albums that you played on. I hope to do a column about the Barry Holdship Four’s The Jesse Garon Project, because I love that record.

Oh, right on! Yeah, I did some playing on that. He’s an awesome guy. (more…)