Posts Tagged ‘Beck’

Parlour to Parlour, Episode 16: The Spring Heeled Jacks Original Swinging Jass Band

parlour_to_parlour

I knew that the Spring Heeled Jacks Original Swinging Jass Band’s debut album, The Dicky Comstock Show, was going to be good. The band’s bassist/arranger (and a very good friend of mine), Josh Morrow, had been sending me rough mixes as he and singer/guitarist/primary songwriter Nate Dunton worked on the tracks. What I didn’t know was that the album would be so good, so engaging — magical, even — that it would be one of the most-played albums in my collection during 2007. But as much as I enjoyed the record, it was maddening to know that so few ears had a chance to hear it.

On the one hand, it’s very easy to admire the steadfast ideals of the Jacks. For one, the music comes first. Whatever works best for the song is what Josh and Nate will do, regardless of who came up with what idea. And then there’s the time and care they spend on the tracks themselves. The first rough track Josh sent to me was back in July of 2006. The final Dicky Comstock Show album was revealed in 2007, and at least one track dating back to those sessions is still being tinkered with. No, this is no Smile/Chinese Democracy kind of saga. Facebook followers of the band know this, as they routinely leak tracks in almost-finished form and in experimental remixes. (more…)

Versionality: “Stagger Lee”

About a month ago, while I was working on my Soundtrack Saturday post about Shag: The Movie, I tweeted that I never got sick of hearing Lloyd Price’s version of the blues folk song “Stagger Lee,” which is what Annabeth Gish and Scott Coffey’s characters dance to during the shag dancing contest at the end of the movie. In fact, I think I listened to it about 20 times just in the few hours it took me to write that post. The first time I’d ever heard any version of “Stagger Lee” was while watching Shag, and every time I hear Price sing it, I think of that scene and just want to put on my shaggin’ shoes and go to town. (Okay, so I don’t really know how to shag, but whatever.)

Seeing my tweet about my love for Mr. Price’s “Stagger Lee,” the lovely Jeff Giles asked if I’d ever heard the version by Chris Whitley & Jeff Lang. I replied that I hadn’t, and within the hour an MP3 was waiting in my in-box. After listening to it and telling Jeff how much I liked it, a discussion about some of the other versions of the song began, ultimately leading to the idea of this feature, which I hope continues with the thoughts of members of the talented Popdose staff on other oft-covered songs.

Now, much has been written about the Stagger Lee story and even about the many versions of the song; I’m certainly not going to try and rehash everything for you here. Instead I’d encourage you to read this and this, and if that’s not enough Stagger Lee history for you, there’s always Wikipedia. Rather, what I wanted to talk about here is what I love about the song and its many renditions.

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Beck w/ MGMT @ United Palace, Wednesday, Oct. 8th

Beck @ United Palace Beck could have been a more engaging performer at Wednesday’s United Palace show, but what he lacked in personality on stage, he made up for in song.

The show was the opener of a three-day stand at the Washington Heights venue, and it was hard to tell whether he was tired from touring or simply playing into his persona of the moment. He kept the chatter to a minimum, and often closed his eyes or glanced down at the stage.

Beck, “Modern Guilt” (download)

His restraint somewhat echoes that of his new album, Modern Guilt, which he spent a surprisingly little amount of time showcasing, just playing six songs from it. Rounding out the laid-back feel of newer tunes like “Walls” and “Chemtrails,” he brought out poppier singles spanning his career: “Loser,” “Mixed Bizness,” “Devil’s Haircut,” “E-Pro” and “Where It’s At.”

Beck, “E-Pro” (download)

Known for his eclectic hybrid rock, the setlist boasted Beck’s many strong suits, from the bleeping, scratching synths of the electro-rap “Hell Yes,” to the acoustic lament of “Lost Cause” and the funky “Soul of a Man.”

Though his tours have boasted more elaborate set-ups, the stage lent an especially grand atmosphere, even beyond the already intricate detail of the church. Looking like a television or movie set, there was a large, colorful electronic display for a background, and vintage spotlights pointed at each band member. (The show was being filmed, so as it turns out, it was a set of some kind.) (more…)

The Year in Rock: 1996

Welcome to a series I began at He’s A Whore and am proud-as-punch to continue here at Popdose. While not able to mention everything that happened, I’ve touched upon some of the key events that made 1996 what it was, warts ‘n’ all.


Kiss announce plans to reunite with original members Ace Frehley and Peter Criss as part of a “farewell” world tour.

In March, Phil Collins announces his decision to leave Genesis.

That same month, the Sex Pistols announce plans for a reunion tour marking the 20th anniversary of the band’s formation. (more…)