I hadn’t even thought about the Strokes in quite awhile, never mind listened to them, before I spent about two weeks listening to nothing but the new solo album from Julian Casablancas while on the treadmill. It was probably a good thing, because I was really enjoying Phrazes for the Young. Then yesterday, I spent the entire day listening to the three albums from the Strokes and nothing else. Don’t get me wrong, I still think that Casablancas’ solo turn is an entertaining listen, but I just can’t stop thinking that it would be better with the rest of the Strokes. Phrazes makes me feel conflicted, and it kind of makes me mad. Why won’t they just make another fucking Strokes album already?
The Strokes were victims of what happens to bands when the perfect storm of hype carries them beyond their allotted 15 minutes of fame. I remember publications calling them the next Nirvana. It was a poignant prophecy in a way, if by being the next Nirvana meant making three really good albums that were raw yet polished at the same time, and then never being heard from again. It’s hard when people anoint you the savior of rock and roll before you’ve actually really done anything. The Strokes unfortunately bought into the idea that they had to change the world, when they should have just kept on making Strokes albums. Their music was better than good enough, and much better than any of the solo records their hiatus has produced. Phrazes for the Young is no exception, though it comes closer than the others. (more…)


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