Posts Tagged ‘Bell Biv Devoe’

CHART ATTACK!: 8/18/90

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Hi, everybody! Welcome back to another edition of CHART ATTACK! So I’m assuming that every single one of you sat at your computers two Fridays ago, furiously refreshing my Twitter page to follow my exciting adventures at the Jack Wagner concert. What? You didn’t? You guys are jerks. That’s the last time I invite you to…watch me do something. Well, here it is in a nutshell: my two-hour drive wound up taking five hours in the rain and traffic. I showed up halfway through the show, which wasn’t necessarily a bad thing. I shouted for “Right Here Waiting” when he asked for requests and Jeff hit me. Then, he played “All I Need,” and…well, if you haven’t read it already, check out Jeff’s awesome account of the evening.

Anyway, last time we met here, we covered a summer week in 1992. I was convinced there were better weeks within the decade to be found. Let’s see if you agree — here’s the chart for the week ending August 18, 1990!

10. King of Wishful Thinking — Go West Amazon iTunes
9. Cradle of Love — Billy Idol Amazon iTunes
8. Have You Seen Her — M.C. Hammer Amazon iTunes
7. Do Me! — Bell Biv Devoe Amazon iTunes
6. Blaze of Glory — Jon Bon Jovi Amazon iTunes
5. Unskinny Bop — Poison Amazon iTunes
4. The Power — Snap! Amazon iTunes
3. If Wishes Came True — Sweet Sensation Amazon iTunes
2. Come Back to Me — Janet Jackson Amazon iTunes
1. Vision of Love — Mariah Carey Amazon iTunes

10. King of Wishful Thinking — Go West

I’m having a serious debate with myself right now. Do I admit to you that I really like this song a lot? That if it comes on the Lite-FM radio station, I totally won’t turn it off? And after that, do I admit to you that the first compact disc I ever owned was the Pretty Woman soundtrack, followed by Richard Marx’s Repeat Offender? Because if I tell you these things, you might think less of me, and I don’t want you to think less of me. So okay, I won’t tell you. Problem solved.

Go West, consisting of Richard Drummie and Peter Cox, was formed in England in 1982. Although they had a number of hits in their native country, the duo literally hovered around the Top 40 before 1990: “We Close Our Eyes” reached #41 (you can find out more about the single by checking out either Popdose series White Label Wednesday or Bottom Feeders) and “Don’t Look Down — The Sequel” reached #39, leading me to wonder how anybody hits the Top 40 with the word “sequel” in the title. (Only one other artist has done it — if you know who, shout it out in the comments!) It wasn’t until veteran A&R exec and producer Ron Fair included the song on the Pretty Woman soundtrack that Go West received their moment in the spotlight. “King” peaked at #8 and received an ASCAP award as well. You may recall one other Go West song, “Faithful,” aka “King of Wishful Thinking  — The Sequel,” which reached #14 in 1992. Both songs were written by Drummie and Cox in collaboration with Martin Page, the man behind “In the House of Stone and Light.” Go West are still together, although Peter Cox has released a few solo albums — including one that contains his cover of “What a Fool Believes.”

9. Cradle of Love — Billy Idol

If you were watching MTV in the early part of the decade, surely you remember the huge news of Billy Idol’s motorcycle accident: in February of 1990, Idol ran a red light while on his Harley and was hit by a car. He almost lost his right leg; he wound up having a steel rod inserted instead. Billy’s album, Charmed Life and the single, “Cradle of Love,” ended up serving as “comeback” releases for him. They might have been determined as such anyway, as he hadn’t released a truly new album since 1986’s Whiplash Smile and hadn’t released a single since 1987’s live version of “Mony Mony,” from the remix album Vital Idol. The hype surrounding his return to the industry, coupled with inclusion in an overrated movie (The Adventures of Ford Fairlaine) and a tremendously hot video (directed by David Fincher) all helped the song reach #2 in early August. Billy hasn’t reached the Top 40 since then.

Now here’s the bad news: Billy lost two movie roles as a result of his accident. You may have heard about the first one — his role in Oliver Stone’s The Doors was significantly reduced since he couldn’t really walk. But the second role he lost?

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I’m not kidding you. Billy Idol was James Cameron’s first choice to play T-1000 in Terminator 2. It’s totally true!

8. Have You Seen Her — M.C. Hammer

Okay, look. I understand that “U Can’t Touch This” was a huge hit. I’d even call it a deservedly huge hit. It’s awesome. The only thing wrong with it is that it gave Rick James more money for blow. But just because one song is a hit doesn’t automatically mean that every song after it should be given a free pass. This song is just terrible. Absolutely terrible. And even worse, it reached #4, beating “U Can’t Touch This” by four spots. How does “Have You Seen Her” beat “U Can’t Touch This”? This is bullshit. I’m glad he went broke.

I’m not just randomly bitching here. I can back this up.

Jason’s Top Three Reasons Why “Have You Seen Her” Sucks (more…)

Song-Off: Poison

Photo by Greenonephoto

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Bell Biv Devoe – “Poison”

Dave: “Never trust a big butt and smile.” Has there ever been a statement so true? And this coming from three dudes that sang “Mr. Telephone Man.” I love the fact the Ricky Bell, Michael Bivins and Ronnie DeVoe pushed themselves into a new genre, getting rid of the squeaky clean New Edition lyrics and coming out hard. There were so many generic New Jack Swing artists that it was exciting to hear someone really extend the genre a bit.

Will: And yet it bears remembering that while New Edition graduates Bobby Brown and Ralph Tresvant were able to make solo careers for themselves, these three guys needed to team up to create a viable musical product. And the key word here is definitely “product,” since no-one in the trio had the first thing to do with writing this song. Instead, they turned to new jack swinger-for-hire Elliot Straite, who would soon go on to provide another band (Color Me Badd) with their signature song (”I Wanna Sex You Up”).

Dave: Tick-tock, you don’t stop, do you, Will? If this is what you are defining as “product” then Bobby Brown and Ralph Tresvant wouldn’t have had careers either. Tresvant’s hit “Sensitivity” was a Jimmy Jam and Terry Lewis track and last time I checked they were still recycling the same old Rhythm Nation sound. And Babyface and L.A. Reid wrote a nice chunk of Bobby’s hits as well. You can’t really blame them for going and getting a hit record now, can you? What makes “Poison” so fresh sounding in the New Jack Swing genre is that Teddy Riley didn’t write it. And what makes a solo career so much better than a group? (more…)