The career-spanning, four-disc box set Do What You Want, Be What You Are: The Music of Daryl Hall & John Oates comes out October 13, and in anticipation of its release, the 1980s pop superstars recently made a special stop in Bootleg City for an interview. (Okay, so their tour bus caught a flat. They were reluctant to talk at first, but once I proposed an alternate option — community service — they perked right up.)
Me: You two have been making music together for nearly 40 years. What do you consider to be the secret to your success?
Oates: Well, Daryl and I have a healthy balance of give and—
Hall: (interrupting) Take one-fourth of John and three-fourths of me and you’ve got the winning formula. We’re the Beatles of the post-Woodstock generation, no question. It was the same with them in their day: three-fourths Lennon and McCartney, one-fourth George, and one-fourth Ringo.
Oates: I’m pretty sure that adds up to—
Hall: The most successful rock ‘n’ soul group of all time, right after the Beatles. Exactly.
It’s no secret that tribute albums and charity compilations can be hit-or-miss affairs at best. In the case of the latter, all you can really do is be happy that you’re supporting a good cause, and hope that the music is more hit than miss. Two important charity albums have recently appeared, and when I say important, I don’t just mean for the causes they’re helping, but also for the virtual who’s who of contemporary indie artists that has contributed tracks to them. If you could somehow assemble all of the buzz that these artists have collected, you could light the universe. In other words, to the naked eye, it’s a music blogger’s dream.
The Red Hot Organization has been using pop culture to fight the good fight against AIDS since 1989. They have released 14 albums together with related television shows and media events, and have raised $7 million to date. Their most recent project is called Dark Was the Night (4AD Records). It’s an enormous 30-song effort that has been curated by brothers Aaron and Bryce Dessner of the National. In addition to a track from the National, contributors include Bon Iver, The Decemberists, Arcade Fire, Sufjan Stevens, Grizzly Bear, Andrew Bird, Feist, and a host of others.
Let me say right up front that apparently Bon Iver can do no wrong. From Justin Vernon’s nearly perfect debut album, For Emma, Forever Ago, to his recently released Blood Bank EP, and now, this album’s best track “Brackett, WI,” there have been few, if any, missteps. Vernon is also involved here in an intriguing collaboration with Aaron Dessner called “Big Red Machine.”
Sufjan Stevens’ contribution, “You Are the Blood,” reminds me that it’s been too long since we’ve had new music from him. Antony and Bryce Dessner duet on a beautiful version of the traditional “I Was Young When I Left Home.” Yes, Feist is here, combining with Ben Gibbard of Death Cab For Cutie on “Train Song,” and with Grizzly Bear on “Service Bell.” (more…)
Me: You two have been making music together for nearly 40 years. What do you consider to be the secret to your success?
