Posts Tagged ‘Bernie Worrell’

Popdose Concert Flashback: George Clinton & The P-Funk All-Stars, 4/22/95

“Incongruous” is the only way to describe this night. First of all, UNH is perhaps the whitest venue in the whitest state in the union. Furthermore, the Godfather of Funk shared a bill with…The Samples? A quirky jam band more popular in Colorado than in all of the territory east of the Mississippi? Makes me wonder who was in charge of booking. It was out of place as the Jonas Brothers opening for Ice-T.

A buddy called me up and wanted to take me along to gets us a little funk education. He didn’t know much of George Clinton beyond “Atomic Dog” and the funny hair. En route, his schooling involved mostly learning the chants (”Make my funk the P-Funk, I want my funk uncut/Make my funk the P-Funk, I wants to get funked up”) and yelling them at the top of our lungs in the cah on the way to the cohn-suht.

He later got busted carrying a switchblade into the gig (are you kidding me?) but, since New Hampshire is close to Canada–the land of Rocky & Bullwinkle and the home of the nice–the pleasant security officers checked it at the door and let him have it back on the way out.

The show was worth at least twice the $15 general-admission cover, and that’s counting having to endure the Samples, which to my ears sounded like one long droning synth chord and cute harmonies sustained for oh, about four hours. In reality it was probably just a little shy of a two-hour set, but I’ve endured a lot of jam-band shows and these guys had to have been the worst, ever. Look up “stultifying” in the dictionary, and The Samples picture will be there. This band was such a peculiar opening act for the P-Funk All-Stars–they had no funk whatsoever, unlike the area jammers from the area like Lettuce and Jiggle The Handle, whose grooves could make us shake all the junk in our trunks.

Basically, while there were probably more than a few UNH students who knew what they were doing and some actual adults in the crowd who understood the whole funkifications of George Clinton and his branch of the rock family tree with Bootsy Collins and Bernie Worrell, it felt like this crowd had no idea what was about to transpire when the house lights dimmed and Dr. Funkenstein came out to throw down an absolutely magnificent set. Few of the guys behind Clinton were recognizeable, but according to Wikipedia, Kidd Funkadelic and Billy Bass would have been in the house. Both of them—and Clinton—made the Rock Hall in 1997, for what it’s worth. (more…)

DVD Review: Parliament-Funkadelic, “1976 Live: The Mothership Connection”

The parallels between 1976 and 2008 are undeniable. Back then, the economy was in shambles, suffering through a wicked bout of inflation. Late in the year, hope arrived in the person of Jimmy Carter, a Democrat who was elected president to put an end to eight dark years of Republican rule. Sound familiar?

Sadly, no such parallels exist within the music world. In 1976, record companies were on the verge of seeing some of their biggest sales ever. Artistic giants prowled the stages of the world. Concert venues were sold out everywhere. New York City was soon to give birth, nearly simultaneously, to both the disco and the punk movements, even as the city faced financial ruin.

Elsewhere on the musical landscape, funk was in its ascendancy, and the undeniable kings of the genre were Parliament-Funkadelic. George Clinton had founded Parliament as a barbershop quintet back in the ’60s, and that is literally what they were, as Clinton earned a living my styling hair while rehearsing with the vocal group. Parliament had a #3 R&B hit in 1967 with “I Wanna Testify,” but the winds of change were blowing, and it wasn’t long before Jimi Hendrix and Sly Stone showed up on the scene to change things forever. Of course, no discussion of funk can even begin without talking about the man who invented the genre, and James Brown was at the peak of his powers.

It was a combination of these musical influences, together with the rise of the black power movement, and the availability of psychedelic drugs that informed Clinton’s next move. While Parliament continued on, he created a rock band that he called Funkadelic. They toured the northeast, often sharing the bill with white bands like the Stooges, and the MC5, and also hit the black college circuit in the South and on the East Coast.

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