Posts Tagged ‘Billy Preston’

CHART ATTACK!: 11/3/73

Folks, I’ll be the first to tell you that our last CHART ATTACK! was just a little depressing. Marky Mark? Ugh! Color Me Badd? Ugggggh! Bryan Adams? Uggggggghhhh!  Good news, though: I’m pleased to report that this week’s Top 10 is much, much better — sure, there are some mild clunkers, but the majority of these songs are absolutely fantastic. See if you agree as we attack November 3, 1973!

10. All I Know — Garfunkel   null
9. Space Race — Billy Preston
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8. Let’s Get It On — Marvin Gaye null
7. Ramblin’ Man — The Allman Brothers Band null
6. Heartbeat – It’s a Lovebeat — The DeFranco Family Featuring Tony DeFranco
5. Paper Roses — Marie Osmond
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4. Half-Breed — Cher null
3. Keep On Truckin’ (Part 1) — Eddie Kendricks null
2. Angie — The Rolling Stones null
1. Midnight Train to Georgia — Gladys Knight & the Pips null

10. All I Know — Garfunkel (download)

Following the breakup of Simon & Garfunkel in 1970, Art Garfunkel removed his focus from the music business; for three years, he focused on his acting career, appearing in Mike Nichols movies such as Catch-22 and Carnal Knowledge, taught mathematics at a private school in Connecticut, and studied classical music in Europe. Finally, in 1973, he assembled a group of songwriters (what, you thought he was going to write songs himself?) and recorded songs for a new album, entitled Angel Clare. The first single, “All I Know,” was written by Jimmy Webb (the first of many Garfunkel/Webb collaborations) and was his first solo entry on the Top 10 — and by “first,” I mean “only,” though he did have three #1 hits on the Adult Contemporary charts. The song is exactly what you’d expect: musically, it’s “Bridge Over Troubled Water” minus the bridge or troubled water, and lyrically, it’s deep into Mellow Gold territory. Art’s voice sounds a touch creepy here on the original, especially any time he gets near a low note. Still, it’s quite pretty, and you really can’t go wrong with songs like these, especially ones that feature Webb’s beautiful piano. The only thing I don’t understand is why, for his first few albums, Art was only billed as “Garfunkel.” Was he concerned that if he added the “Art,” people wouldn’t know who he was? How many Garfunkels are out there, really? If he wanted to capitalize on familiarity, perhaps he should have billed himself as “& Garfunkel.”

I found a nice video of Art Garfunkel performing “All I Know” on Saturday Night Live, but it’s on a Chinese website and I can’t figure out how to embed it. Still, it’s worth a watch; the song is much more effective in this stripped-down incarnation.

9. Space Race — Billy Preston

I personally had never heard “Space Race” before this week, but if you watched American Bandstand regularly, chances are you’ll recognize it as the music played during the mid-show commercial break, from 1974 until the show’s end. It worked great for that purpose, too — a sequel of sorts to 1972’s “Outa-Space,” “Space Race” is a thick slab of instrumental funk with a fantastic groove. But here’s the thing: on American Bandstand, you never got to hear more than a few seconds of the song. At around a minute and a half, it becomes pretty clear that a better title would have been “Holy Crap You Guys, I Just Got a New Keyboard and Look at All the Cool Sounds I Can Make, Wah Wah Wah Wah!” I can’t help but wonder if this song is what inspired Daryl Dragon to buy a Casio, and that just breaks my heart. Still, I can’t give Billy Preston too much grief. Apart from having the world’s greatest afro, the man was an unbelievable talent. And who doesn’t love the hell out of “Nothing From Nothing”?

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Bottom Feeders: The Ass End of the ’80s, Part 70

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As the days go by, I’m learning more and more that my son, who’s now one year old, seems to respond to music. Whenever my wife turns on CMT or I pop on a record, he stops in his tracks, stares at the noise coming out of the big machine, and then starts bobbing his head — actually, his entire upper body — to the tunes.

So, as of last Thursday I’ve decided to play him a “classic” record each morning as we’re getting ready for the day — you know, with the hope that he’ll grow up liking daddy’s music (God help him). I’ve had four opportunities so far and I’ve chosen Peter Gabriel’s So, Arcadia’s So Red the Rose, the Time’s Ice Cream Castles, and INXS’s Kick. He seemed to like Peter Gabriel and was dancing all over the place during “Red Rain” (the first time I’ve ever seen anyone dance to that song). He also bobbed his head quite a bit during INXS’s “Guns in the Sky,” and Arcadia’s “Election Day” had him swaying back and forth. Unfortunately, Morris Day and the Time seemed to do nothing for him, but I still have plenty of formidable years ahead to get my son to blow his funky horn like dad.

Now, back to the ass end of the 1980s, i.e. songs that charted below #40 on the Billboard Hot 100 during the Reagan years, featuring our final week of artists whose names begin with the letter P.

Billy Preston
“I’m Never Gonna Say Goodbye” — 1982, #88 (download)

Billy Preston & Syreeta
“One More Time for Love” — 1980, #52 (download)

Billy Preston’s smash duet with Syreeta, “With You I’m Born Again” puts me to sleep, so if I’m listening to Billy’s singles chronologically, I just never get to these. Man, “With You” must be the slowest ballad to chart in the decade. Not like either of these tunes here are barnburners, either. I’m pretty sure “One More Time for Love” is actually a really good song, but I haven’t been in the right mood to verify that in ages.

Pretenders
“Stop Your Sobbing” — 1980, #65 (download)
“Thin Line Between Love and Hate” — 1984, #83 (download)
“My Baby” — 1987, #64 (download)

Here’s one of those artists that I’m going to learn a lot about by reading the comments. They’re pretty much universally loved, but I, of course, can’t stand their music and think they are way overrated. But as with pretty much every artist I hate, there isn’t one thing I can pinpoint or one moment where I realized it, but there has never been a point in my life where I have cared to hear a Pretenders song. The 1986 #10 hit “Don’t Get Me Wrong” is the closest I come to enjoying one of their songs. I’d be completely content if I never heard any of these three songs again.

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