Posts Tagged ‘Blink-182’

Mix Six: “The 2000s”

DOWNLOAD THE FULL MIX HERE

I used to watch Thritysomething during its original run and on re-runs on Lifetime because, well, I’m a sensitive new age guy, I guess.  Maybe it was the fact that my girlfriend (who later became my wife) was a big fan of the show and I just kind of got sucked into it. Or maybe, it’s because the show was so full of navel-gazing angst that, for me, it was hard to resist.

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One of the minor characters who was integral to the narrative arc was Miles Drentell — the owner of D.A.A.  D.A.A. was one of the most influential advertising agencies in Philadelphia, and it seemed that the weird world of manipulation/advertising was wrought, in part, by Miles.  During one episode, he and Michael Steadman (moral anchor of the series) were eating dinner with some mucky mucks from the heartland and talking about an ad campaign. Steadman and the Midwest mucky mucks were hitting it off, and Miles, increasingly alienated by the conversation, blurted out an aphorism that my wife and I quote from time to time:  “The Decimalization of time is so arbitrary…”  And so it seems to be when it comes to popular music.  If I say “The ‘70s” what comes to mind when it comes to music?  The folksy stuff of the early ‘70s?  Disco?  Arena rock?  How ‘bout the ‘80s? New Wave? Michael Jackson? Rap?  Richard Marx? The ‘90s?  Grunge?  Rap?  Boy Bands? Britney?  Okay, enough questions … I think you get my drift.

Well, what about “The 2000s?” (Crap, I thought I was through with questions!) It’s a decade that hasn’t really defined itself with a genre of music the way its predecessors did. But here we are at 2009, and if we’re slaves to the notion of decades, then 2010 means it’s the start of a whole new world.  Could it be because of the way in which the Internet has fragmented music consumption, radio taking fewer and fewer risks when it comes to formats, and MTV creating niche channels that cater to certain demographic groups, that the power of a medium to frame the tastes in popular music has resulted in “The 2000s” not having defining characteristics that are easily distilled into unique one or two-word terms? (more…)

In Memoriam: Jerry Finn

I’m stunned and saddened to hear the news that producer / mixer Jerry Finn passed away yesterday as a result of the effects of a brain hemorrhage which occurred last month. Given how important Finn’s work has been to the legacy of the genre referred to as punk-pop, I’m anticipating that there will be many tributes forthcoming on various websites, but I wanted to make sure that Popdose would be counted among that number.

I’ve gotta be honest with you: the name “Jerry Finn” didn’t really mean a whole lot to me until he was announced as the man who would be producing Morrissey’s You Are The Quarry album. I’m a Mozzer apologist from way back, but as much as I came to love 1997’s Maladjusted, I also knew that it was far from his best work. If the man was ever going to get off the greatest-hits circuit and earn back his status as a college-rock god who still had something to say that was worth hearing, he was going to need to step up his game. Enter Finn, who added a much needed crunch to Mozzer’s sound.

From the moment I heard the first single from You Are The Quarry“Irish Blood, English Heart” – it was obvious that Morrissey was back in a big way…and that if this album was to be a commercial success, then he would owe much of that success to Jerry Finn. And when the time came to write my review of You Are The Quarry, I took a step back, did my research on Finn’s background, and was flabbergasted to find that I had no less than a dozen albums in my collection which featured Finn’s name within their credits. (It was actually a little embarrassing. I’m usually much better at noticing production info.)

Is it overstating things to suggest that Jerry Finn is to punk-pop what Butch Vig was to grunge? Perhaps, but not by much. The guy had his fingers in a lot of pies over the course of his career, and a lot of those pies proved to be…well, okay, I’m going to abandon this pie metaphor, but suffice it to say that many, many millions of albums have been sold in the last decade or so that feature the name “Jerry Finn” as producer, mixer, or engineer. Green Day, Blink-182, Morrissey, AFI, and Alkaline Trio might be the most prominent names with which he’s been associated, but there’s much more to his resume than those folks. I guess it’s somehow appropriate that Finn’s last work was with the man who brought him to my attention in the first place: Morrissey, whose next record, tentatively titled Years of Refusal, is due to emerge in early 2009.

Here’s a collection of MP3s to pay tribute to the work of Jerry Finn. Frankly, it was a little spooky the way the titles of some of these songs lent themselves so perfectly to a farewell, but may he rest in peace, and may he not be forgotten. (more…)