Posts Tagged ‘Bob Geldof’

Pop Goes the World: “Ruby Trax,” Disc 3

Last but certainly not least, Disc Three of Ruby Trax. And there is just no gray area when it comes to the opening song.

In late 1992, the idea of Jesus Jones covering Jimi Hendrix was viewed one of two ways: it was either the most awesome idea ever, or grounds for justifiable homicide. (Bear in mind, this came a full year before the Hendrix tribute album Stone Free, where everyone from the Cure to PM Dawn took Jimi’s songs for a ride.) He’s the greatest guitarist of all time, and they…play keyboards! (*Shake fists at God*) As Popdose resident remix geek, I’m guessing you already know which side of this debate I’m on.

Jesus Jones’ historical legacy is of the one-hit wonder variety, but let’s remember something: their 1991 album Doubt was a damned fine record, and in fact spawned two Top Five hits, not one. (Whither, “Real Real Real”?) So if Mike Edwards decides in 1992 that he wants to tear a Jimi Hendrix song to ribbons, no one is going to tell him no, nor should they have. The end result, a version of “Voodoo Chile” that sounds like the Chemical Brothers before there were Chemical Brothers, stands as the second to last great thing Jesus Jones would do. (Forgive me, but I’m still fond of “The Devil You Know.”) The drum tracks rocked without delving into industrial noise, and the guitar squeals have an otherworldly sound that would have brought a smile to Jimi’s face. And let’s not forget what a unique vocalist Edwards was for the time. That raspy tenor of his was unmistakable.

Wow, I can’t believe I just dedicated two paragraphs to Jesus Jones. Let’s move on. (more…)

Bottom Feeders: The Ass End of the ’80s, Part 35

I made a mistake recently. I think I opened a door to a world of bad ‘80s music hurt that I had been trying to keep closed. See, I went to Prex, and going to the Princeton Record Exchange can be both a rewarding and a disappointing trip for me.

It was late November that I went for the first time in ages — so long ago that I can’t remember when. Frankly, that’s too long to miss out on one of the greatest used CD and record stores I’ve ever seen. The reality is, I go for the records. I go for the $1 bins that are stashed on the floor beneath all the expensive records and under the feet of customers there to pay big dollars for a nice clean copy of some Replacements LP. I sit on the floor and risk losing feeling in my legs for the chance to look through probably a few thousand $1 records (and occasionally there might be some nice Princeton University student with a skirt on). Since the ‘80s are pretty much made for the $1 bins, I usually only find a handful of records that I don’t own, even with a nice turnover and only visiting once or twice a year. So I usually really look forward to going only to walk away slightly disappointed at my take. This time, not only did I not walk away disappointed, I might have opened the door to something I shouldn’t have.

As I’ve mentioned before, I own a hard copy of all but one song on the Billboard Hot 100 chart in the ‘80s. I own maybe three-quarters of the rock charts, 60% of the R&B chart, maybe half the dance chart and by default, I own the majority of the Adult Contemporary and Bubbling Under chart. The one I haven’t mentioned here is the ’80s Country Chart. About two years ago I got the Billboard Country Chart book for Christmas, thinking it was time to move the collection in that direction as well, but I quickly found out that not only did I not own very much that was on the country chart, but that pretty much every record ever made in that genre seemed to chart. We’re talking four or five songs from every record and artists putting out records every six months. We’re talking a billion songs that hit #1 for only one week, therefore creating a tremendous turnover. We’re talking opening up a can of something that I didn’t have the money for. And then Prex happened.

Someone must have sold their entire ‘80s country collection to the Princeton Record Exchange just in the few weeks before I came. One after another, there was a $1 record that I didn’t have. I had to pick up at least 150 of these puppies before I didn’t think I could carry any more home. I probably could have had another 150 if I really wanted to. And while this was an extremely rewarding trip, I think I’ve now opened the door to collecting country music – something that I don’t want to listen to and will simply break me if I try to get all of it. Damn Prex to hell for being such a great store.

I have no country music for you this week, though, as we trudge on through the muck that is the ass end of the Billboard Hot 100 Chart, with more G artists. (more…)

Popdose Interview: Eric Bazilian of the Hooters

Yeah, yeah, we know what you’re thinking: “The Hooters? Are they even still together?” Well, actually, if you’d asked that question between 1995 and 2001, the answer would’ve been a resounding “No.” After the tremendous success of the band’s 1985 breakthrough, Nervous Night, their commercial success in the States began a gradual descent; simultaneously, however, their stock was rising overseas. When the band took a break in 1995, singer-guitarist Eric Bazilian proceeded to keep very busy as a songwriter, working with everyone from Midge Ure to Jon Bon Jovi, but when the gang got back together in 2001 he was right there with them. The Hooters did a fair amount of touring in Germany, Switzerland, and Sweden, but it wasn’t ’til 2006 that the band finally started doing some shows in the U.S. The next thing you know, the band was back in the studio to record Time Stand Still, their first album in 14 years. Popdose had the good fortune to speak with Eric about the history of the band as well as his solo career, touching on subjects like the Hooters’ omission from the Live Aid DVD, what it’s like to meet three out of four Beatles, and what a glorious gift it was to have Joan Osborne record “One of Us.”

(more…)