Everyone except the mayoral candidates whose asses I’m totally going to kick on November 3, that is. On that note, here’s my final attack ad of the campaign season:
Last summer Matt Wardlaw was quoted as saying, “Taco Bell and I have a relationship that dates back to an infamous church youth group trip in the late ’80s.”
So what else is Matt Wardlaw not telling us that he already did tell us but not without it being taken out of context?
For starters, just last week Mr. Wardlaw told Mayor Robert Cass, “Not if you were the last immigrant grocer on Earth!” But why does Mr. Wardlaw hate immigrant grocers? And does he plan to molest them the way he molested 14 innocent Mexican-American tacos in 20 minutes back when Republicans were still in the White House?
On November 3, don’t vote for a molester of tacos or any other foods made by hardworking, minimum wage-earning, American Dream-having immigrants. Vote for Robert Cass. Vote for him for Mayor.
Paid for by the Committee to Re-elect a Mayor Who Isn’t Addicted to Vinyl or Any Other Mind-Altering Substance.
The mayoral election is only 11 days away, and if the endless online chatter here in Bootleg City is any indication, voter turnout is sure to break all kinds of records! Keep in mind, of course, that if you break any and all kinds of vinyl records within the city limits, you’ll be shot on sight by Lindsey Buckingham. I’m sorry, but I can’t control that animal.
With four candidates vying to be this city’s next mayor — and each one of us drawing roughly 25 percent of the vote in the latest tracking polls — I had no choice but to create negative attack ads (as opposed to positive attack ads, which usually feature footage of me engaging in surprise tickle fights). They’ll begin airing next week, but because I like you so much and know you’ll vote for me simply because you need all the friends you can get (we’ll discuss your wardrobe later), I’d like to offer you a verbal preview of each ad.
First up, the most inspirational opponent of the bunch but also, oddly enough, the least lively:
Bob Marley wants to be your next mayor. If elected, he promises to “stir it up” at City Hall and restore “one love” to Bootleg City.
All he asks is that voters “get up, stand up” to elect Mayor Robert Cass out of office. But how can Mr. Marley get up or stand up when he’s been lying down … for the last 28 years?
Could you be loved by Bob Marley? Isn’t the more urgent question “Could you be dead, Bob Marley?”
The answer is yes. Because he is.
On November 3, vote for a candidate who’s still alive. Vote for Robert Cass for Mayor.
Paid for by the Committee to Re-elect a Mayor Who’s Never Shot a Sheriff.
I believe the children are our future. I also believe my future in politics would’ve been cut tragically short on November 3 if Jethro Tull frontman Ian Anderson hadn’t returned all the children of Bootleg City to their parents in one piece yesterday. He was angry that he’d traveled all the way here from England to receive a 35,000-year-old flute, which, due to a clerical error of some sort, turned out to be only 35,000 seconds old. Unlike the children of Bootleg City, the flute was returned in several pieces, but only after being met with strong resistance from my skull.
I’m relieved, of course, that the children are back safe and sound — as is my official hagiographer, who was still working off his hangover a couple hours ago — but I can’t help but be disappointed in Mr. Anderson’s timing. Sorry to nitpick, but if you’re going to steal a town’s entire tween-and-under population in an election year, it makes more sense to return them the day after Halloween, right?
That way there are only a few days left until the election, the whole abduction can be blamed on a combination of evil spirits and a Sweet Tarts sugar high, and the incumbent mayor can look like a hero for never giving up hope that the children would be returned, even if, technically, he gave up hope a half hour after they disappeared. Besides, with 18 days left until the election, there are countless ways my opponents or random circumstance could force me to screw up again through no fault of my own.
As election day approaches, it’s important for a political candidate like myself to line up celebrity endorsements. One of my opponents, David Byrne, has the support of famous people-slash-political activists like Jane Fonda and Danny Glover, while another opponent, Bob Marley, has lined up a bunch of dead celebrity endorsements, including Robert Palmer, Nina Simone, Mickey Rooney, and John Lennon, who would’ve turned 69 today. How am I supposed to compete with—
… My sources have just informed me that Mr. Rooney is still alive. I’m sure they’re wrong, but I don’t want to embarrass them, so I’ll check Wikipedia after I get home.
So far the only endorsement I’ve gotten is from Jethro Tull frontman Ian Anderson, who made the trip to Bootleg City only after I convinced him that I’d gotten my hands on the world’s oldest instrument, a 35,000-year-old flute discovered by archaeologists in Germany last year. Once he arrived, I explained that my e-mail contained a few extra zeros, not to mention a gratuitous three and five.
Mr. Anderson wasn’t thrilled about traveling thousands of miles to receive a brand-new flute made in the Little Germany neighborhood of Bootleg City, but he did seem to enjoy the flute whipping he gave me, which was apparently a first. I was inspired to create a new tourism campaign with the following tag line: “Bootleg City: Experience the Unexpected (Just Be Prepared for Some Violence).”
I convinced Mr. Anderson to stay and give a talk to all the children of our city about the consequences a rock musician faces when he continues to play flute solos into his 60s. I left the City Auditorium during his speech so I could send my condolences to all the former Mrs. Mickey Rooneys of the world, but when I returned, the children were gone.
Some of these kids’ parents are still waking up from that disastrous Wizard of Oz screening. What am I going to tell them? “Sorry, folks, but a modern-day Pied Piper whose band won a Grammy in 1989 for Best Hard Rock/Metal Performance, Vocal or Instrumental, has run off and taken every child in the city with him. It’s a mystery as to why. I mean, everybody knows that award should’ve gone to Metallica.”
It’s hard not to get paranoid when you’re an elected official.
First there was the August catnapping that turned out not to be a catnapping. (Cats who take naps don’t make me paranoid, hence the use of the compound word. Nevertheless, they’re always watching. Don’t forget that.) But then came September’s disastrous outdoor screening of The Wizard of Oz and those particularly potent poppies planted purposely in front of the screen.
You could chalk that one up to garden-variety stupidity on my part since I’m the one who ordered the poppies, but let the records and tapes and whatnot show that I’ve never tried to hide that stupidity from my constituents, nor have I ever been smart enough to know where to hide it in the first place. But what if the poppies were switched out by one of my opponents in the upcoming mayoral race to make me look bad?
I don’t know much about this Bob Marley character, but if his performance on the “Welcome to New York” bootleg is any indication, he was a real hack: a quarter of his set is devoted to covers of Eric Clapton (”I Shot the Sheriff”) and Johnny Nash (”Stir It Up”) songs, and he doesn’t even play his best number, the immortal classic “Red Red Wine.” When I discovered that he ripped off the theme to the Saturday-morning cartoon The Banana Splits for his song “Buffalo Soldier,” I was even more convinced he’s no “legend.” Not even his hilarious performance in the Robin Williams comedy Club Paradise could erase the damage that had been done.
Speaking of TV theme songs and outright lies, I received an overwhelming response to my request for bootlegged TV themes last month. That is, if you count one response as overwhelming. This week, in addition to Mr. Marley and the Wailers’ concert, I offer you J.D. Souther’s first-season-only theme song for the Richard Lewis-Jamie Lee Curtis sitcom Anything But Love (1989-’92), the radio-ready version of Lee Majors’s theme to The Fall Guy (1981-’86), and two versions of the theme song for Glenn Gordon Caron’s dearly departed Now and Again (1999-2000), performed by Ariel Ryder and Narada Michael Walden.
Thanks to “Friends of Popdose” Ken (who got the ball rolling on this idea in January) and David for the Anything But Love and Fall Guy themes, respectively. Gentlemen, please keep in mind that your new FOP status entitles me to ask for donations whenever I please. Say, that reminds me — if anyone can explain why I’ve never seen Lee Majors’s first TV hit, The Six Million Dollar Man, in syndication or on DVD, Ken and David will pay you six million dollars.
So I’m eating pork rinds naked at my computer, idly wiping my greasy hands on my thighs while the dog slouches in a corner licking her chops, and I come across an e-mail invitation to a CD release party to celebrate the launch of Matthew McConaughey’s new record label.
I’ll pause for a moment to let the full horror of that image sink in: Matthew McConaughey has his own record label.
Remember, this was a dude who, after his breakthrough performance in Dazed and Confused, was touted as a New Leading Man. His rugged good looks and laid-back charm drew comparisons to the titans of Old Hollywood—Gary Cooper, Clark Gable, Cary Grant. Instead, he’s turned out to be something of a John Agar: a working actor, name above the title, sure, but not someone who can “open” a movie on his own. So what the hell happened? How did this guy, who at one point looked like a worldbeater, begin his slow slide to mediocrity? Well, listen—I’m not one to tell anybody how they should get their kicks, but let’s face it: Matthew McConaughey smokes a fuckload of pot. Now, call me crazy, but I’m thinking that might have something to do with it. Still a handsome cat, mind you, but he’s starting to get a little… resinous.
Now, when you’ve got that much THC in your system, your decision-making skills are bound to be impaired. You might even forget where you are; McConaughey seems to think he’s still living in the pre-Napster 1990s, when record labels were still remotely relevant and every celebrity was expected to have his own. (He’s also got a clothing line, which is a slightly more ’00s-era business model.)
Okay, we can argue the wisdom of that later; but what about the music? Who has been signed to j.k. livin’ Records? What undercelebrated artist will be the first to benefit from the marketing muscle of Matthew McConaughey’s name recognition factor? (more…)
Now is the time of year when thoughts turn to the warmer days of spring and summer just ahead. It’s also the time of celebrations. Chinese New Year or Spring Festival is celebrated between January and February. The old Celtic holiday of Imbolc on February 2nd marks the halfway point between the Solstice and Equinox. February is Black History Month. Valentines Day, Presidents Day. We have a lot to occupy ourselves while we wait for spring. Robert Nesta Marley’s birthday is February 6th, and so today’s Test of the Boomerang features a Bob-inspired mix of music to warm up with during these waning cold days.
There are some cuts from Bob himself, as well as Stephen “Raggamuffin” and Damien “Jr. Gong” representing the rest of the Marley family. You’ll hear from the great Bill Laswell (born Feburary 12th) with the Algerian band Maghrebika, as well as a cut from Laswell’s brilliant Bob Marley tribute, Dreams of Freedom: Ambient Translations of Bob Marley in Dub. I’m also sharing with you some music by the lost great band Catalyst, whose essential collected discography set, The Funkiest Band You Never Heard Of, seems to sadly have gone out of print yet again. If you find it at a decent price, definitely pick it up. Some brilliant stuff there.
Last on the playlist today is a live recording from the Grateful Dead, taped on March 21st, 1991. This is a improvised jam on “Stir It Up” that appeared in the second set out of “Fire on the Mountain” and leading into the “Drums” portion of the night. The inclusion of new keyboardists Bruce Hornsby and Vince Welnick in 1990 infused some new energy and a renewed sense of adventure to the band, and this is a good example of that. A lot of fun.
Enjoy the tunes, folks. Stay warm. Beware of black ice, and I’ll meet you all back here next week. (more…)
Welcome! This week, in honor of the audacity of former Illinois Governor Rod Blagojevich (who was impeached last week by a somewhat lopsided vote of 114-1), the subject is False Accusations. Next week, we’ll be moving to a new time slot – every week will start off with a new Song-Off or Song-Off Jr. that drops at the stroke of midnight on Monday morning. I’m sure you’re all familiar with this pair of classic songs, so without further ado…
Last week, rock legend Marc Bolan and T. Rex knocked Greg Graffin and Bad Religion into last century, as “Twentieth Century Boy” took home 65% of the vote. Next week, we’ll be kicking back and enjoying the view as we take on the topic of Vantage Points.