Posts Tagged ‘Boz Scaggs’

The Popdose Guide to the Steve Miller Band, Part 1

That’s it. I’ve had it. Or in the immortal words of Frank Costanza, I got a lot of problems with you people.

Steve Miller at San Francisco's Fillmore in 2008

For months upon months, I’ve watched as Popdose readers have slammed the guy who got me into pop music as a pre-teen – and has held a special place in my heart ever since.

That guy is none other than Steve Miller.

Laugh if you want to. But your image of Steve Miller is probably only from “The Joker,” “Abracadabra” and (shudder) “Bongo Bongo.”

My perception of him is quite different. Because in my eyes, it’s the pre-fame Steve Miller that’s pretty special.

Did you know that the late Les Paul was his godfather and taught him his first guitar chords? That the great T-Bone Walker introduced him to the blues? That his youthful days in Chicago included jamming with the likes of Muddy Waters, Buddy Guy and Paul Butterfield? That his early band once backed Chuck Berry on a live record? That on his first few albums, his bandmates were longtime friends Boz Scaggs and Ben Sidran? That his third album included a jam with none other than Paul McCartney while he was still a Beatle? That legendary keyboardist Nicky Hopkins played on two albums and co-composed a song with Miller? That among the many fans of this underrated guitarist are master axemen such as Eric Johnson, Robbin Ford, George Thorogood, Jimmie Vaughan and Joe Satriani? (more…)

Soundtrack Saturday: “Two of a Kind”

A couple months ago I was browsing around the vinyl section at my local Half-Price Books when I came across a near-mint copy of the soundtrack to Two of a Kind (1983), the film that reteamed John Travolta and Olivia Newton-John after Grease, the highest-grossing movie of 1978. Now, I know that when I wrote about Staying Alive (1983) last fall I was giving myself some shit for writing about a Travolta movie, and I promised myself it would be the only Travolta movie I’d write about. But when I found this soundtrack, I knew I’d have to break that promise. I mean, a movie like Two of a Kind is made for this column, don’t you think? And yes, I know it’s been brought up on Popdose before, along with its soundtrack, but it hasn’t been covered yet by me!

As with many of my favorite bad movies from the ’80s, Two of a Kind is one of those films I used to watch on cable all the time as a kid. I imagine it drew me in because of my love for Grease and Newton-John (“Physical” was my jam for much of 1982). I still have a soft spot for it, even though it is pretty terrible, but I prefer to think of it as one of those terrible-in-an-amazing-way movies.

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Into the Ear of Madness: Week 24 — Surrender

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Over the next year Terje Fjelde has agreed to listen to nothing but David Foster on his iPod. He’s loaded the thing with over 1,200 songs produced, arranged, composed, and/or played by David Foster. A deal with the devil? He keeps wondering.

I received the new David Foster CD/DVD in the mail yesterday along with his autobiography, Hitman! Forty Years of Making Music, Topping Charts & Winning Grammys.

I wasn’t ecstatic in any way – I jumped up and down a couple of times and did a pirouette in front of my bewildered wife – nothing major. The CD concept was a bit of a disappointment — no studio recordings, merely a selection of audio files from the PBS Special Tribute Concert featured on the DVD. I didn’t expect this Vegas extravaganza to affect me in any way, and a small part of me didn’t even want to see it. After all, what could Eric Benet, Michael Johns, or Katharine McPhee bring to the table? Sure, I used to adore David Foster, but I’m not that guy anymore – I haven’t been for the past 15 years. David Foster’s syrupy ballads doesn’t move my heart these days; John Coltrane and Bill Evans do.

And even though I always tell people I’m so uncool, it’s really just a way to downplay people’s expectations. I’m secretly convinced that I’m about the coolest person on this side of the North Pole. I have a giant ego and no doubt a seriously disturbed positive self-image. And most importantly, David Foster, Peter Cetera or “I Swear” have no place whatsoever in this delusion. So, when I sat down to watch the DVD, I was prepared to laugh at Peter Cetera’s spasmodic performance jerks. I was prepared to tsk and groan in despair as this poperatic catastrophe evolved before my eyes and ears.

Then something funny happened. I was about to turn away as Kenny G entered the picture two minutes into the concert, but once again the seductive tones of “Love Theme from St. Elmo’s Fire” had me transfixed. I suddenly took in the beautiful autumn leaves flowing over the background screen, I found myself smiling at Foster’s playful glances at his audience. And good, old Kenny G — he looked pretty great for a 52-year-old, didn’t he? NO! I did not think that thought! But I did. (more…)

Into the Ear of Madness: Week 13, The Dawn of a New Decade

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Over the next year Terje Fjelde has agreed to listen to nothing but David Foster on his iPod. He’s loaded the thing with over 1,200 songs produced, arranged, composed, and/or played by David Foster. A deal with the devil? He keeps wondering.

I’m procrastinating. I really don’t want to think about David Foster today, Neither do you, of course, but I’m bound by my promise to write about the guy every week for a year, so I’m kinda stuck here.

The weather’s really beautiful — and that rarely ever occurs in Norwegian summertime. I’m hangin’ out with my friends and family by the mountainside, and all I really want to do is to join them for a beer or maybe play some soccer – but I’m stuck in my room with freakin’ David Foster. Am I sensing fatigue? Well, maybe a little bit, but it’s just a phase. I’ll be back at the top of my game next week, I promise — when the weather has returned to its usual cold, grey self. Autumn is just around the corner.

Anyway, we’ve covered the ’70s pretty well so far, wouldn’t you agree? It’s worth mentioning that Foster’s career got its first big boost in 1979, when he won a Grammy for co-writing Earth, Wind & Fire’s “After the Love Is Gone” with Jay Graydon and Bill Champlin. This award set him up for all kinds of wonderful adventures in sound as the ’80s dawned, but I figure everyone knows the tune, so we’ll just skip it gently. (more…)