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You know the scene. Hell, if you grew up in a certain era, it’s practically tattooed on your eyelids. Lloyd Dobler (deftly played by John Cusack) stands in the driveway of the home of his beloved, Diane Court (Ione Skye). It’s early morning. He has his boom box, and his Peter Gabriel cassette. He raises the boom box above his head …
To celebrate the 20th anniversary of the release of Cameron Crowe’s directorial debut, Say Anything…, Fox has released the film on Blu-ray. In addition to the film itself, the disc includes some worthwhile new bonus features including a revealing documentary that looks back at the film 20 years later, a conversation with Cameron Crowe, and even a trivia track that includes over 200 questions about the film. There’s also a cast commentary which was originally recorded for the DVD version, and alternate, deleted, and extended scenes.
Lloyd and Diane are classic high school outsiders. She’s brilliant, and beautiful, with a bright future in front of her that includes a fellowship that will take her to England to study. At the same time she’s lonely, and insecure. Her parents divorced five years earlier, and when given the choice, Diane opted to live with her father, brilliantly played by John Mahoney. Lloyd, who lives with his sister (played by his real life sister Joan Cusack), has no really discernible future, unless kickboxing, “the sport of the future,” catches on (which of course it did). But he’s an eternal optimist, and you have the sense that he’ll land on his feet no matter what happens. (more…)
So I had a great idea. An entire post about fake rock bands — groups made up for your cinematic pleasure that, in spite of not actually being real bands, managed to put out a couple decent tunes for the soundtrack. The definitions of real and fake in this super-sub-category are wishy-washy. Some of these actors actually play their music, others don’t and are lip-synching to studio performers. Some of the groups represented are meant as serious depictions, while others are strictly satirical. Some aren’t getting represented at all here (inferring that if the key member of the band is named something like 
, your crappy movie didn’t make the cut.) Yes, a great idea, and an original idea! No one on the Internet has dared to do anything like this, not even my colleague 
If we’re starting with the obvious, then we’re obviously starting with Spinal Tap, the metal band consisting of David St. Hubbins (Michael McKean,) Nigel Tufnel (Christopher Guest) and Derek Smalls (Harry Shearer.) In the now ubiquitous mockumentary, the actors actually recorded their own tunes, which is a rarity. Then again, the songs weren’t meant to be taken all that seriously, but to be the foil for generational musical satire. Ranging from hippy-dippy psyche-folk with “Listen to the Flower People,” to Yardbirdsian skiffle rock with “
was meant to be a joke. (A point of irony — “Gimme Some Money” was actually used in an American Express commercial, before the credit market was revealed to be as bogus as some of these bands…)
. Sure, there was plenty of help from special guest musicians like Dweezil Zappa, Joe Satriani and Slash, but it was still Tap at its core, and still satirical. It would be hard to hear “
Listen to that echo-laden piano track: it positively reeks of sadness, yet the few words that the band sprinkles into the song are not sad ones. “This time around, you can be anyone / This love of ours…” On second thought, I’m not sure exactly what that means, and I’m sure that was the point. Each listener takes a different journey with a song like this. It may not even be to a fixed point in time; just somewhere…else. For me, it made me feel like I had left something, or someone, behind, and this song was my guide to find it. Or maybe something had left me behind. Either way, it fills me with an overwhelming sense of loneliness. Sweet, beautiful loneliness. And as Kurt Cobain once put it, sometimes I miss the comfort in being sad. This song does it for me every time. 