Posts Tagged ‘Can’t Slow Down’

You Again?: Foreigner, “Can’t Slow Down”

youagainbanner

I didn’t think anyone could be a more perfect candidate for this series than Dan Fogelberg, but I was wrong. This, folks, is a band that shouldn’t have new music. Hell, even the last Foreigner album was a record out of time and space, and that came out in 1995. By now, these guys should be collecting buffet passes for America’s finer casinos and playing “Hot Blooded” twice a night for politely appreciative crowds of Camaro owners and shut-ins. Maybe a stray new track or two on the compilations that dribble out once or twice a decade, sure…but an entire album of new Foreigner songs? They’re kidding, right?

But wait. Back up a minute, because that ‘95 Foreigner record — it was called Mr. Moonlight, stop laughing — was actually really good. And so, God help me, is Can’t Slow Down, the two-CD, one-DVD recession-busting value package that the current version of the band is peddling through a Walmart exclusive.

Let me be clear. I listened to, and loved, more than my fair share of ’80s AOR; if there was a rocker attempting a desperate late-career comeback during the decade, I was there, plunking my money down on the counter at the record store to own the undignified flailings of everyone from Chicago to Heart to Bad Company. I’ve never had any special affection for Foreigner, though; by the time I started collecting music, they were polluting the airwaves with “I Want to Know What Love Is,” which was followed by the even shittier “I Don’t Want to Live Without You” — and the less said about 1991’s Lou Gramm-less Unusual Heat, the better. Many a rock band has crumbled under the weight of platinum records, but Foreigner was unique — no sooner did they achieve mainstream success than Gramm and Jones were at each other’s throats, splitting and reuniting twice after 1990, destroying in the process not only Gramm’s burgeoning solo career, but Foreigner’s too. Of course, they would have been wiped off the map when grunge slouched onto the scene in the early ’90s, but they should have at least been intact, instead of dissolving from one of Atlantic’s crown jewels into a motley crew of hired hands tagging along with Jones on a series of progressively sadder tours. (more…)

Dw. Dunphy On… An Open Letter to Mick Jones

This week, I’m taking a cue from Popdose’s own Uncle Donnie (and not from my cousin Donnie, thank you very much) to offer up a little pre-emptive career advice. It was made known recently that Kiss would be releasing a three-disc, brand new album soon, it would be an exclusive to WalMart, and it should have the Lazarus-like qualities found in Journey’s last album, Revelations. Oh, I had something to say about it, but only after its release, as one of the curious benefits of being a WalMart exclusive is that you don’t have to market your band to the critics – meaning you critics are probably not getting promotional copies with which to skewer the provider. You’ll buy your review copy like everybody else.

What does all this have to do with Mick Jones? Well, aside from the fact that the Clash’s Mick Jones gets all the love while Foreigner’s Mick Jones has to keep reminding folks he’s not the Clash’s Mick Jones, Kiss just pooped on his band’s parade ground, for only a week or so prior to Kiss’ announcement for the upcoming Sonic Boom, Jones was lightly basking in the pale, lukewarm glow of his band’s own impending WalMart release, Can’t Slow Down. He has a few handicaps already doing the exact opposite of his CD’s title. First of all, Lou Gramm is not the vocalist on the album. Since his conversion to Christianity, his bouts with cancer and the plain old truth that he doesn’t sound much like Lou Gramm anymore, Foreigner has necessarily had to employ the services of former Hurricane vocalist Kelly Hansen. I refuse to take shots at this situation because, for all I know, Hansen might be a great addition. I’ve never heard him sing, so he’s getting a pass. However, he’s not the only addition to the group. Mick Jones is the sole original member of Foreigner now. But these things happen to bands after 30 or so years. At any rate, this new album was getting a fair amount of write-up on the rock blogs and such until, whap, Gene Simmons went and barfed Karo syrup and red dye #5 all over Can’t Slow Down. Those same blogs are now inundated with Kiss blurbs on a daily basis. (more…)