Posts Tagged ‘Carl Perkins’

Parlour to Parlour, Episode 1: Meredith Axelrod

parlour_to_parlour

We now begin the Parlour to Parlour journey in earnest, starting very close to home. Meredith Axelrod was living just a short block away from my Lower Haight apartment in San Francisco when I was introduced to her. This 24-year-old Chicago native was drawn to San Francisco by “the legend that the freaks and quirky people gather here,” she told me. “I wanted to meet them.”

In my old apartment building in San Francisco’s Lower Haight neighborhood, there was a couple living in the unit above me whose company I always enjoyed. Gal and Michelle were quiet, for one. On top of that, they were always a pleasure to bump into when switching off loads of laundry at the washing machine, or just passing in and out of the front door. Best of all, they were usually up for some live music, and I was more than happy to keep them in the loop whenever I was planning on venturing out to local rock venues like the Independent or the Hotel Utah. (more…)

The Popdose Interview: Justin Townes Earle

Justin Townes EarleJustin Townes Earle is a 27-year-old singer/songwriter who grew up in Nashville, and the son of Americana legend Steve Earle. Justin records for Bloodshot Records. His most recent album, his third, is the critically praised Midnight at the Movies.

After developing some bad habits when he was playing in bands (including his father’s) as a younger man, Justin cleaned up his act and began to focus on his career. “You don’t have to be fucked up or torture yourself to write songs,” explains Justin, “I used to write a lot, a whole lot, and half those songs I don’t even remember. Now, I sit there and I write it and I finish it and I keep it.”

I’ve had the opportunity to see Justin perform live twice. Once on a cold, rainy autumn day in Brooklyn, and more recently at SXSW. He is one of the most charismatic performers that I’ve seen in recent years. I’ve said it before, and I’ll say it again, this guy is going to be a very big star. He is also one of the smartest, most interesting, and outspoken people that I’ve had the pleasure of interviewing. Read on, you’ll see what I mean. (more…)

We Wuz Robbed! Great Number 2 Hits of the ’50s

Last year, in the midst of compiling my “Worst Number One Songs of the Rock Era” series, I began contemplating the sad, sorry fate of those records that have come up just short of the top slot on Billboard’s pop charts. After all, nobody celebrates even the greatest, or biggest-selling, #2 hit as a colossal achievement, the same way even the worst #1 hit ever (“Honey”?) is honored. You don’t see Fred Bronson compiling five editions of The Billboard Book of Number 2 Hits, do you?

Put it this way: “Waiting for a Girl like You” sat at #2 for 10 weeks in 1981, behind a bunch of fat guys doing aerobics. “I Want to Know What Love Is” got to #1 for two weeks in 1985. A quarter-century later, which song is considered Foreigner’s biggest hit?

So, beginning this week we honor some of those great songs that, for whatever reason, never got that Casey Kasem drumroll on American Top 40. And when I say “for whatever reason,” I mean it: Sure, many times a single has simply been blocked by a bigger, better rival, but heaven knows there have been plenty of payola/cocaine/label/radio shenanigans through the years that have kept a deserving song from ascending to glory. As I explored last year, the Top 40 has never been a perfect beast; who knows how many times a single has gotten stuck at #2 because some program director’s girlfriend just adored those cute Osmond boys?

Today we start with five singles that never reached the top during the post-“Rock Around the Clock” 1950s. But first, a brief explanation of my methodology for including records in this survey. Initial choices were based on quality; if one’s first response to a song title is “I can’t believe that didn’t make it to #1,” or if a #2 single seems (in retrospect) infinitely better than the song that screwed it out of the top spot, it’s here. Beyond that, over the course of the survey I’ll feature some singles that topped out at #2 during the latter stages of another song’s extended run in the top spot, figuring things might have been different if it weren’t for some amount of programming inertia at radio. After I identify my picks for each decade, I’ll list some other #2s and open the comments section for debate on who got shafted the worst.

Here we go! (more…)