I said something that sent a jolt of disbelief through the ranks of Popdose. I have been known to take my opinions to the far side, but this one threatened to betray an ignorance I didn’t know I harbored. Let me spell it out and see if I’m as far off base as some have claimed me to be:

Madonna will not be remembered for her music as much as her controversies. In fact, the latter is likely to shadow the former so much that her output as an artist will become an afterthought. And while Mariah Carey’s vocal acrobatics have become the standard pop style (thereby irreparably screwing everything up), Maddy’s antics have become the standard conduct by which all young up-and-comers must match or else not be noticed at all.

Your first salient question would be, “Dunphy, do you even like Madonna’s music?” Honestly, it’s not that I dislike her music at all. No, I’m not a fan and no, I don’t own any of her albums, but I can say unequivocally that she’s made three truly great songs in her career, a lot that I like in passing, and some that are total crap for the sake of spiking the media. The three great songs are, in no particular order, “Live To Tell,” “Oh Father,” and “Frozen.” All three indicated to me that she could radically depart from her patterns and deliver. There is nothing on her latest, Hard Candy, that comes close to the style and sentiment of the aforementioned tunes, even though that album is being hailed as a return to form.

Ideally, that’s what we should be talking about, right? That album? The music? Sure, Maddy’s a PR animal and seeks attention the way sharks seek chum, but she’s a singer and that ought to be the first thing that comes to mind, no? (more…)