Posts Tagged ‘CMJ’

Dispatches from CMJ, Day Two: Sister Suvi, Drink Up, Buttercup, Project Jenny, Project Jan, Women, Ane Brune, So Many Dynamos

so many dynamosRemember how day one of CMJ was all about the blogs? Well, day two was also sort of all about the blogs, or at least one in particular, NYC-based Ear Farm, offering up the most appealing daytime option with its free showcase of bands as eclectic as its voices and subjects.

Arriving late, I unfortunately missed the Howlies, but got there in time to catch Sister Suvi, a weighty-rock threesome from Montreal/Toronto, consisting of bass, drums and either ukulele (!!) or guitar. All three members pitch in on singing from time to time, but the chesty/throaty voice of frontwoman Merril Garbus is really what adds the final blow to their punch.

Drink Up, Buttercup were as ridiculously fun as anyone could imagine a band with that kind of name would have to be. Hint: it included a garbage can, a melodica, and a closer with handclaps and a performance in the audience. Their percussive, choral, perky pop reminded me of fellow Philadelphians Papertrigger. If these two went on tour together it would be so FUN. It would be the shout-a-long, pound on whatever you can find event of the year. Please, someone, make that happen.

Drink Up, Buttercup, “Mr Pie Eyes” (download)

Taking the stage suited and with projector screen, Project Jenny, Project Jan played speedy, aggressive electronica, demanding to know, “Why are you so paranoid?” but if anyone was feeling paranoid, it could very well have been because they were the perfect soundtrack.

Sam Champion and Takka Takka were yet to come – but even music journalists need to relax and eat, and during CMJ, it’s impossible to take a breath without wondering what you’re missing. (more…)

Dispatches from CMJ, Day One: Emmy the Great, the Sammies, Shearwater, Ponytail, Passion Pit, Gang Gang Dance

PonytailThe first day of CMJ (or the College Music Journal’s Music Marathon, should you prefer to be proper) this year was all about blog showcases, with New York City’s music and pop culture scribes scurrying off to give press to their own, most popularly The Music Slut, Pop Tarts Suck Toasted, Brooklyn Vegan and Stereogum.

Brooklyn Vegan’s showcase opened late but strong with Emmy the Great, who also got stage time at the Music Slut’s showcase. The UK songstress was the kind of sweet you want to eat up with a spoon, a big dish of love songs with a sauce of wit and a warble cherry on top. There’s a reason she can get away with adding “the Great” to the end of her name.

Emmy the Great, “Short Country Song (Demo)” (download)

There was a second band, the Sammies. There were also $3 drink specials. This was a good time to get them.

The “Surprise Guest” was Shearwater, and not much of a surprise, as people were already spoiling it while waiting outside to get in – not to mention that the Music Hall of Williamsburg had posters advertising them everywhere. Did they know it was a surprise? (Not that it really mattered.) Shearwater are bigger and brassier live, but still just not my thing.

Ponytail were surely the most talked about band of the evening. Hailing from the known by now for being a little ridiculous Baltimore scene, they can easily be described as a less annoying Deerhoof (yeah, I said it), and also, sure, any of those other avant-pop-jam bands that are slightly more on the accessible side, like Battles. Frontwoman/singer Molly Siegel stood, knees bent, arms out, palms up, mouth open and grinning wide as though she were making an offering to the gods or having the most orgasmic experience of her life – perhaps both. She also sang mostly in gibberish, or perhaps in the case of worship, her own form of tongues. Whatever the case, her delight was contagious, and I was far from the only one to think so. (more…)