Posts Tagged ‘Coraline’

Film Review: “9″

9-1Before we begin, a brief warning to all parents considering taking the wee ones to see Focus Features’ latest, 9. Be certain that whatever kids you’re taking are stout of heart, because there are some creatures within this film–and the actions they take against the main characters–that may seriously frighten younger children. The film’s rated PG-13 for a reason, so consider yourself duly noted.

As for 9 itself–only the second animated film from Focus following their highly successful Coraline–the movie is amazingly entertaining and visually striking. In spite of its ending, which left me sort of flat, it’s very possible this film might make it onto my Top 5 list at the end of the year.

9 takes place in a not-too-distant future, wherein humanity has been betrayed and destroyed by the highly intelligent machines they’ve built. Any similarities to the Terminator franchise end there however, immediately upon the introduction of the titular hero (voiced by Elijah Wood)–a stitchwork figure only inches tall, brought to life by an infusion of part of the very soul of its creator…the scientist who created the machines’ A.I., ironically to usher in an age of peace. The peace has been achieved, all right: the peace of the grave, brought to vivid life via scenes of ruined landscapes and brief glimpses of dead bodies, among them a mother still clutching her child.  (more…)

DVD Review: “Coraline”

Neil Gaiman is a writer of fairy tales. Sure, some of those fairy tales involve characters who pay other characters to do bad things, but at the heart of every Grimm tale or Aesop fable is a dark room you’ve been told not to enter. Gaiman is acutely aware of the dimensions of that room and knows how to describe it, be it in his award winning work on The Sandman comic series, or his novels Stardust or American Gods. The problem is that the Hollywood types that subsequently make movies of his stories don’t know that room and, truth be known, don’t want to know that room. You can’t have the wolf eat Grandma without Red Riding Hood performing a magical resurrection; you just can’t.

And so, Gaiman’s particular vision has never really been realized until Henry Selick’s Coraline. The title character seeks escape from her new home — and from her parents, who never give her the constant attention she craves. Stumbling across a portal, she is whisked away to a fantastic alternate world where everything is served up for her happiness. Where her own mom and dad are stressed and inattentive, the Other Mother and Other Father dote and sing and cook fantastic meals and never have a problem with little Coraline, except in the way she won’t conform to them by sewing those black button eyes onto her face. (more…)

The Bigger Picture: In Glorious 3D!

200407955-001It is a time of economic turmoil. The markets are going berserk; reacting like the headless chickens we already knew them to be. Our nation faces numerous crises both domestically and overseas. And all the while, Hollywood is experimenting with a “new” trend to attract viewers, involving a pair of goggles that were only futuristic looking when Leave It To Beaver was considered edgy.

Remarkably, I took in my first 3D movie last weekend when I went to a late-morning showing of Coraline. 3D has been around my whole life in various other instances, but those glasses really haven’t changed much at all. Hey, it’s cool to be retro.

I recall getting those glasses with coloring books when I was very young. Even then I remember being very unimpressed. I always wondered if I was doing something wrong, sort of like those posters you have to squint at to see the poorly defined sailboat.

Flash forward to the beginning of February. 3D glasses we being given away in grocery stores for Dreamworks’ Super Bowl promotion of Monsters Vs. Aliens. I got my pair and headed down to a party thrown by a bunch of geeks who work for Dreamworks Animation. What better group of guys to be with to experience such a gimmick?

The second half ended and we all donned our dorky glasses and gazed into the screen. Ooh!  They started off with a paddleball flying into your eyeballs. The whole room reacted. Not a bad start. After this initial excitement, the air slowly seemed to be sucked from the room. The promo ended and the comments began. The general consensus was that it was unimpressive, and these were the guys who were actively involved in it. They all told me that the trailer didn’t use the technology as well as the feature will and that part of this was due to the cheap quality of the glasses. Then we heard another “Ooh!” as the TiVo in the other room finally caught up to the paddleball shot.

A few weeks later, I was sitting in the theater waiting for Coraline to start. The glasses were much fancier than the ones I had gotten from the grocery store, but these ones had the fingerprints of the previous viewers on them. I wondered if the experience would be any better than DreamWorks’ Super Bowl experiment. I looked around me to see the theater filling up with children and my hopes for a better experience were dashed. I like kids, but theaters filled with them never are enjoyable.

My other main concern for this new 3D push is that filmmakers will rely too much on the technology. This is a common problem any time new technologies are pushed. Remember how overused the rotating slow-mo camera of The Matrix became? The problem is that many films will likely use the 3D technology simply as a distraction. The paddleball flying out of the screen is cool and all, but somewhat shallow if it’s only done to impress the audience. (more…)

No Concessions: An Animated Discussion (”Waltz With Bashir” and “Coraline”)

noconcessionsI’m not a huge fan of animated features. The Disney classics may have spoiled me: Like comets, they only came streaking into theaters once every few years, and the experience of going to see a reissue with my family was as exciting as actually seeing it. (Plopping Bambi or Dumbo into the DVD player isn’t the same thing.) My daughter has the Pixar movies, and the Pixar knockoffs, to look forward to on the big screen, but the specialness of animation as an art form has been lost given the sheer mass of the stuff — some top-notch, some dreck — coming in over the airwaves.

Nevertheless, something always manages to break through the clutter. Last year it was the Iran-derived graphic novel adaptation Persepolis; this year, the Israel-made Waltz With Bashir, a worthy contender for the Foreign Film Oscar. It’s tempting to say that the only way to convey the crisis-wracked history of the Middle East is to turn it into a cartoon, but not everything clicks as animation. Think of last year’s Chicago 10, with its useless rotoscoping of actors. But Waltz With Bashir is closer in spirit to the outstanding film version of A Scanner Darkly, taking us into a nightmare zone that first registers as a subconscious, difficult-to-articulate dread, then snaps into a harsher reality.

In Israel, writer-director Ari Folman created In Treatment, the analyst show that HBO has Americanized, and Waltz With Bashir is another trip to the couch. This time, memory itself, individual and collective, is being scrutinized. The beginning is jolting: Crazed dogs running amuck in Tel Aviv seem to attack the fleeing camera, before alighting on the home of a helpless middle-aged resident. We learn that this is the dream of Boaz Rein-Buskila, a friend of Folman’s, and we learn its significance. As a nervous greenhorn in the Israel army, one dispatched to Lebanon for the 1982 war, he was judged incapable of killing the enemy, so was assigned to shoot the dogs that warned the Palestinians of their approach. The ghost animals prey on him nightly. (more…)