Posts Tagged ‘Crazy Horse’

The Friday Mixtape: 7/17/09

“Favorite Zeroes”

“Music is enough for a lifetime, but a lifetime is not enough for music.”—Sergei Rachmaninov
“Music and rhythm find their way into the secret places of the soul.”—Plato
“A wop-bop-a-loo-bomp. Alop-bam-boo.” —Little Richard

Fall Out Boy – Thriller (Rob’s Brady Mix) original track from Infinity on High (2007)
Peter Gabriel – On the Air from Peter Gabriel 2 (1978)
Kelly Buchanan – Favorite Zero from Kelly Buchanan (2008)
Lucky Soul – My Brittle Heart from The Great Unwanted (2007)
Sleater-Kinney – Light Rail Coyote from One Beat (2002)
Bob Mould – Underneath Days from Body of Song (2005)
Magnolia Electric Company – The Dark Don’t Hide It from What Comes After the Blues (2005)
Rancid – Disconnected from Let the Dominoes Fall (2009)
Red Light Company – With Lights Out from Fine Fascination (2009)
Social Distortion – Highway 101 from Sex, Love, and Rock ‘N’ Roll (2004)
Hold Steady – Yeah Sapphire from Stay Positive (2008)
Audioslave – One and the Same from Revelations (2006)
Neil Young & Crazy Horse – Too Lonely from Life (1987)
Sammy Hagar – Back into You from Sammy Hagar / I Never Said Goodbye (1987)
Rolling Stones – Heaven from Tattoo You (1981)
Red Hot Chili Peppers – Dosed from By the Way (2002)
Velvet Crush – Why Not Your Baby from Teenage Symphonies to God (1994)

Blu-ray Review: Neil Young, “Neil Young Archives, Volume 1 (1963-1972)”

Neil Young - Archives Volume 1Okay, I confess. I’ve never had to review as massive a project as massive as Neil Young Archives, Volume 1. I was fortunate enough to get a Blu-ray set, which is all of 10 discs long. What I didn’t get was the fancy box and anything that might be in it, so I can’t speak about that stuff. What I did get was the ten discs in an ordinary folder, and a somewhat inaccurate document of the track list, especially as it pertains to the hidden tracks.

I will also say that unlike many other would-be reviewers, I listened to and watched every minute of every disc, both the main elements, and the bonus features. I searched every menu for Easter eggs, I clicked on every hidden track that I could find. I wasn’t satisfied until I was sure that I’d seen and heard everything on each disc. Talk about a journey through the past!

Just think, Archives only covers Young’s career up until 1972. There are more than 35 years worth of archives still to be released. (If the future sets take as long to reach the public as this one did, I probably won’t be around to review the next one.) A number of video clips throughout the set show Young reviewing his archives with photographer/archivist Joel Bernstein and art director Gary Burden. These clips are from February, 1997. So why is it that it took 12 years from that point to assemble the first volume? There’s no doubt that a lot of work went into this, and I’m sure that there were clearances to be worked out, but 12 years’ worth? After immersing myself in this work, I’m prepared to give Young the benefit of the doubt and believe that he waited for the technology to catch up so that he could release this material in the highest quality format. Apparently the advent of Blu-ray marked that point for him. (more…)

Lo-Fi Mojo: “Farmer John”

Lo-Fi Mojo

Like most listeners, the first time I heard the song “Farmer John” was on the Neil Young & Crazy Horse return-to-form album Ragged Glory in 1987. It seemed almost tailor-made for the proto-punk, garage rock stylings of the sometimes barely-competent but always glorious guitar skronk of Crazy Horse.

The song’s got a history all it’s own, however. It’s one of those chestnuts that gets unearthed every decade or so. That’s a sign of either staying power or novelty, usually…in this case, perhaps a little of both.

The definitive version, and the one that Young & Crazy Horse and any other act to cover it since the ‘60s is referencing, is from 1964, by The Premiers. Featured on the Nuggets box set, it has one of the strangest openings you’re likely to hear on record.

“Has anybody seen Kosher Pickle Harry?,” asks an unidentified emcee. “Noooo,” a group of revelers drunkenly (?) bawl. “If you see him, tell him that Herbert is looking for him.” More crowd noise ensues (including a shouted “Who’s Herbert?”). Then the band is introduced to screams of delight before it kicks into the simultaneous drum-guitar-sax opening stomp. Party noise threatens to overwhelm the song throughout the roughly two minute duration, with drunken, pitchy harmonizing (“Oh WAY Ohhhhh”) adding to the general sense of mayhem. Crazy, man, crazy. Dig it. Most of the “audience” noise was courtesy of the all-girl Chevelles Car Club, on hand at the Hollywood studio where the cut was recorded.

The song became an unexpected breakout hit, moving from local to regional to national fame within weeks, ultimately reaching #19 on the charts in that summer of ’64.

”Farmer John,” like so many other hits of that era, was a rocked-up (read: “Louie Louie”’ed) remake of an earlier, more basic ‘50s R&B song. Don & Dewey were a Los Angeles-based vocal duo. “Don” is none other than Don “Sugarcane” Harris, best known as the electric violinist on Frank Zappa’s Hot Rats, Burnt Weeny Sandwich and Weasels Ripped My Flesh albums, as well as his appearances as a sideman with John Mayall & The Bluesbreakers.

The Searchers (of “Needles and Pins” and “Love Potion No. 9” fame) also covered the song, in 1963, a version of which I could not track down. But, Grace Potter & The Nocturnals have been playing this gem in concert for a few years now, a version of which is below.

Don & Dewey – “Farmer John”
The Premiers – “Farmer John”
Neil Young & Crazy Horse – “Farmer John” [from Ragged Glory]
Neil Young & Crazy Horse – “Farmer John” [from Arc/Weld]
Grace Potter & The Nocturnals – “Farmer John” [Live]

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