Howdy, everybody! Hope you’re all enjoying the last of your summer days, while I sit indoors and listen to ten artists who are likely never be found on the Top 10 — hell, probably the Top 40 — ever again. Let’s take a look back at the week ending August 28, 1982!

10. Take It Away — Paul McCartney Amazon iTunes
9. Wasted On the Way — Crosby, Stills & Nash Amazon iTunes
8. Vacation — Go-Go’s Amazon iTunes
7. Keep the Fire Burnin’ — REO Speedwagon Amazon iTunes
6. Even the Nights Are Better — Air Supply Amazon iTunes
5. Hard to Say I’m Sorry — Chicago Amazon iTunes
4. Hold Me — Fleetwood Mac Amazon iTunes
3. Abracadabra — Steve Miller Band Amazon iTunes
2. Hurts So Good — John Cougar Amazon iTunes
1. Eye of the Tiger — Survivor Amazon iTunes

10. Take It Away — Paul McCartney

I consider myself relatively well-versed in Paul McCartney’s post-Beatles career (though I do not know a single song from Press to Play), and yet I think I need someone who knows his stuff a little better to explain what the difference is between this song — a Macca solo song from Tug of War — and a Wings song. Production-wise, this doesn’t sound much different from “Listen to What the Man Said.” But what do I know. “Take It Away” features Ringo on drums, who also appears in the video with Tug of War producer George Martin on piano. I didn’t like this song the first time I heard it, but like so many of his songs, I just can’t get it out of my head now.

9. Wasted On the Way — Crosby, Stills & Nash

In 1982, Crosby, Stills & Nash peaked here at #9 (their second highest charting single behind 1977’s “Just a Song Before I Go”), and also had a #18 hit with “Southern Cross.” Do you think they were thinking, “Hello, ’80s!”? Because that certainly didn’t happen. Not that it matters, but “Wasted On the Way” was their final Top 40 appearance.

Interesting story behind Daylight Again, the album containing the single: it was intended to be a Stills & Nash project, mainly due to Crosby’s never-ending drug problems. They went straight to the B-list for possible replacements, including Art Garfunkel and the Cryptkeeper Timothy B. Schmit, but the folks at Atlantic Records pretty much told ‘em they had to get Crosby or the album wasn’t happening. Crosby and Nash tried to hold their ground, even paying for the recording sessions out-of-pocket, but eventually relented and asked Crosby to join the project. Personally, my imagery goes straight to Crosby in a Hawaiian shirt, being dragged on his back by his ponytail into the studio while eating a slice of pizza, never quite realizing what’s happening, and the scary thing is that it might not be far from the truth.

For all that I love harmony and acoustic music, I’ve never been much of a CSN fan. One of the guitarists in my band is always asking me why I don’t care for CSN, so I was excited to tell him that I actually like this one. You know what he said? “Oh, that one’s so wimpy.” I said, “…As opposed to what?” Either way, I do think this is a nice song. I think the instrumentation on the studio version is pretty much unnecessary; I like this live version from 1982 instead. You really do get the sense that Crosby has no idea where the hell he is. Check out the part where he makes the “shhh” motion, either to an already-quiet audience or the goblins doing a rain dance in his head. It doesn’t matter, though; they sound fantastic.