Posts Tagged ‘Dave Matthews Band’

Mix Six: “Sax in the ’80s”

mixsix

About once a month I’ll send off an email to Ted with suggestions for Mix Sixes. Usually he incorporates them into his post, which I greatly appreciate. This past Friday I came up with something ludicrous and sent it with the message, “Ted, here’s a Mix Six for when you’re really desperate.” Little did I know that my good friend Mr. Asregadoo was going to take some time off. His email back was “Hey this would be fun, Scott, why don’t you do it up for next week?”  To me it read, “Great job, Scott, I’m on my way out the door so… whydon’tyoudotheMixSixformenextweekseeya.” Door slams!

Thanks, Ted.

So now you’re all stuck with my lame-ass “Sax in the ’80s” Mix. Enjoy!

Oh, and I apologize for not having the true mix up for y’all. I don’t have the software to do things up properly.–Scott

Before Dave Matthews made the saxophone cool again (RIP Mr. Moore), several of bands in the 1980s (mostly early ’80s) were incorporating the famous woodwind instrument into their sound, and I’m not just talking about a certain dude from Jersey (or that other dude from Jersey who sounds just like the first dude from Jersey and whose music was used for a cult film called Eddie and the Cruisers). In fact, several modern rock bands had sax in them as a central part to their makeup. Today we look at some of those acts and their well-known songs. (more…)

Top of the First: Popdose’s Music Picks for 2009 (So Far)

David Medsker:
As a rule, music lovers begin their journey square in the middle of the mainstream, and once they’ve gotten a taste for more adventurous fare, they take off for the fringes, often never to return. Over time, I’ve slowly found myself coming back to the middle. I have to say, I never thought this would happen. But then again, I never thought I’d move back to Ohio after over a decade in Boston and Chicago, but that’s life for ya: it changes you in ways you can’t anticipate.

This is all a roundabout way of saying that my list, much like last year’s list, isn’t exactly hip, or edgy, but that’s mainly because I’m not hip or edgy. I like what I like, whether it’s Massive Attack or Mandy Moore. And here are five albums from this year that I really, really like.

38ea810ae7a05023171b0210.L._SCLZZZZZZZ_[1]Metric: Fantasies
I am admittedly late to the Emily Haines Show – a friend of mine persuaded me to download Live It Out a few years ago, but it never hooked me – but their latest is a monster blast of New Wave-tinged DOR that Garbage would kill for. Metric – “Stadium Love”

The Hours: See the Light

Epic, sky-high pop that recalls the best of the Verve, Keane and even the Wonder Stuff in singer Antony Genn’s delivery. The title track is a “Common People”-style slow burner and one of the finest pieces of British pop I’ve heard in years. The Hours – “Big Black Hole(more…)

New Dave Matthews Band: “Funny the Way It Is”

I can’t say I’m a huge Dave Matthews fan. I have his solo disc because the song “Gravedigger” struck a chord with me, and I picked up Stand Up (2005) on the basis of the former and was terribly disappointed. They’ve had several live records out since, but no studio recordings. That will end on June 2nd, when Big Whiskey and the GrooGrux King arrives in stores via RCA Records.

The new album arrives under a bit of a cloud. In August 2008, LeRoi Moore, the saxophone player that gave the group so much of its unique personality, died due to complications from injuries suffered in an ATV accident.  The DMB has been characterized by many things, both positive and negative, but one of the most positive had always been the close ties between all the members. Matthews once was quoted on the Charlie Rose program saying that his band was comprised of “brothers from other mothers.” The death of one of their own shook the band up, and nearly apart.

Now, it is standard practice that when a member of a band dies and the band soldiers on, they might memorialize him or her in song. They might offer them a token dedication on their next recording. The Dave Matthews Band has apparently gone one better, by making the entirety of their upcoming album a tribute of sorts to LeRoi “GrooGrux King” Moore.

groogruxTo further endear this upcoming album to the public, the band and RCA are offering a track up for free, for a very limited time. “Funny The Way It Is” can be had at this location for the price of your e-mail address and the patience to deal with the label’s touchy server (keep at it, it’ll work eventually.) Ordinarily, we’d put the track up for you, but since they’re giving it away themselves, have at it.

I must say that I enjoyed the song, and even though, again, I’m hardly a devotee, I’ll be picking up the album in June. The cover, pictured above, features art by Matthews himself with Moore’s face an integral part of a Mardi Gras celebratory scene. Perhaps I’m too easily moved by sentiment, but there’s something about how all involved have chosen to make Moore the crux, and not the aside, of Big Whiskey and the GrooGrux King that appeals to me. As hopeful as I am about the upcoming Alice in Chains, I doubt much will be made of Layne Staley’s absence, so the Dave Matthews Band’s decision to go on with the show, intact with LeRoi Moore somehow in spirit, strikes me to be a rather brave move.

You win this round, Matthews.

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Basement Songs: Dave Matthews Band, “Steady As We Go”

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9326225b9da0d1588616c010l_aa240_A winter chill crept into our sunny spring Sunday and we all donned heavy coats to go to a baseball game. Tickets to the World Baseball Classic between the United States and Japan had unexpectedly come our way, and we jumped at the opportunity for an early ball game before the regular season began. We didn’t expect much of a game, but at least it would be a good show. After loading into our old white minivan, we started the hourlong journey to Dodger Stadium with the sun still hanging on and the sounds of High School Musical blasting through the stereo speakers courtesy of Sophie’s iPod. Sophie and Jacob sang along with Zac Efron and Ashley Tisdale, while I zoned out, as I usually do on long drives, focusing on the road and working out the issues that swirl around in my head. Midway through the drive, Julie reached over and took my hand, a simple gesture that she often does when we go on long trips. As her fingers interlocked with mine I was overcome with a sense of calm.

For years, my hands have become desensitized, calloused from years of drumming and the constant pounding of typewriters and computer keyboards, plus some nerve damage due to an injury during a pickup game of football in college. Besides extreme hot or cold, my limbs are often numb, save for the touch of the woman I love. When that happens, not only do my hands awaken, but my entire body feels a jolt of energy.

As the Disney songs played on, in my mind I was hearing the Dave Matthews Band song, “Steady As We Go.” I’ve only been a casual fan of Dave Matthews and company, so I never would have sought out their Stand Up album when it was released in 2005. However, the astute music supervisors on my beloved television show, Everwood, used the song during the series’ final episode and it immediately hit home. My obsession with the WB’s family drama and its early demise made me want to share “Steady As We Go” with Julie. I can’t tell you how many times she exclaimed, “Oh, so good!” after watching Everwood together. I simply assumed she’d be thrilled to receive the song on a CD mix.

Then a funny thing happened. Well, not so funny, but special and wonderful. Julie didn’t recall the song from Everwood; instead, she listened closely to the lyrics and fell in love with it for a different reason. One afternoon soon after getting the CD mix, she called me at work.

“That song is us.”

“Uh, okay, which song?”

“The one by Dave Matthews.”

“Yeah, that’s a good song, Julie. It was in Everwood.”

“No, dummy, it’s us.” (more…)

Mix Six: “Bloody Hell”

DOWNLOAD THE FULL MIX HERE

After hurricane Gustav, I was deluged with a few emails from the American Red Cross asking for donations (both monetary and otherwise) to help out in the relief efforts.  And yes, they were asking for blood donations – which made me start thinking of a certain Pete Townshend song.  Pete’s song dovetailed into searching for other songs that either have blood in the title or mention blood in the lyrics, and here we have today’s “Bloody Hell” mix.


“Give Blood,” Pete Townshend
(download)

Because this is the song that started me thinking about this mix, why not put it first? I did see the film White City when it was released in ‘85, and had a tough time following the storyline, but I’ve always had a fondness for this solo album — even though it feels incomplete. It’s like Pete had these grand plans for a rather lengthy project and then scaled it back to a collection of songs that, while very good at times, seem like they were part of a larger narrative. (more…)

The Year in Rock: 1996

Welcome to a series I began at He’s A Whore and am proud-as-punch to continue here at Popdose. While not able to mention everything that happened, I’ve touched upon some of the key events that made 1996 what it was, warts ‘n’ all.


Kiss announce plans to reunite with original members Ace Frehley and Peter Criss as part of a “farewell” world tour.

In March, Phil Collins announces his decision to leave Genesis.

That same month, the Sex Pistols announce plans for a reunion tour marking the 20th anniversary of the band’s formation. (more…)