In the ongoing continuing education of Steed, I recently listened to both #1 Record (1972) and Third/Sister Lovers (1978) by Big Star. My overall general assessment is that it’s just not my thing.
I get the draw of the first album, and I completely understand how Big Star and Alex Chilton influenced so many bands. “Feel” and “Don’t Lie to Me” are great songs — there’s no way I couldn’t like them. But despite not wanting to rip it out of my deck, I can’t see a point where I would ever pick #1 Record up again.
I couldn’t get into Third/Sister Lovers at all, though. I was expecting a jangly pop record, but it’s mostly ballads. Way too slow for my tastes, and just a turn I guess I wasn’t expecting after the band’s poppy debut. However, what I did get from Third was how ahead of their time Big Star really were. I can appreciate that fact, at least.
There’s one artist in particular who kept popping into my head throughout my numerous listens: Matthew Sweet. I don’t think I’m far off in saying that he was definitely influenced by Big Star, correct?
Anyway, thanks for the recommendations. If nothing else, I always enjoy listening to music that other people are fanatical about.
Now enjoy the last of artists whose names begin with the letter R, as we continue to look at songs that charted no higher than #41 on the Billboard Hot 100 chart in the ’80s.
Unbeknownst to me and many others, Uncle Donnie was an adviser for Van Halen from roughly 1980 through ‘85, when David Lee Roth bolted the band. Apparently, he came aboard to be in charge of their concert merchandise line (including the oft-overlooked Diamond Dave dildos, in six flashy colors—suck on that, Gene Simmons) and wound up running a number of their business affairs. Not sure what led VH to part ways with Uncle Donnie, but this memo, from around ‘85, might offer a clue or two.
A word of note to anyone who is not a music nerd accidentally finding themselves at this site: a cover song is when an artist records another artist’s song, hence covering it. The term ‘remake’ fits as well. The term ’smart-ass’, at least relative to this article, refers to those who decide to go all hipster and record something that bears no relevance, charm or wit toward their own sensibility. I’m thinking of Madonna’s cover of “American Pie” or that godawful A Perfect Circle CD where the songs weren’t just reworked, they were worked over, until all that was left was roadkill disguised as tribute. Then there’s the Bluegrass Tribute to Pink Floyd’s The Wall. More notoriously, I’m thinking of the late-’50s pop songs from black artists covered by teen idol white artists because, you know, if it comes from a white guy in a sweater, the subtext can’t be about sex. Right? Pat Boone? Tutti Frutti?