Posts Tagged ‘David Lifton’

Song-Off: Having a Rock and Roll Heart

Eric Clapton – “I’ve Got a Rock and Roll Heart”

Dave: Did Clapton have to record this to pay back the writers for lending him money for blow? This record is such a piece of dogshit that a couple of Phil Collins-produced records and selling out to Michelob were considered a “return to form.” And that lyric “I get off on screaming guitars” would be horrible even if the guitar lick actually, you know, screamed. Maybe the problem was that he was too busy removing his dick from the tailpipe of a ‘57 Chevy to realize his tone sucked.

Scott: What do you have against a man and his masturbatory habits, David? When Clapton recorded this song, he’d kicked drugs for the first time; he needed something to get his rocks off. Still, this song isn’t that bad. It’s an natural extension of the drug fueled reggae influenced shuffles he churned out in the 70’s, except this time he was sober. Maybe “I get off” was a bad selection of words, but when you look at the charts from 1983 (Men at Work, Human League, Culture Club) who the hell expected this song to be a hit? Certainly not Clapton. The look of his face on the cover of “Money and Cigarettes” tells it all: “I don’t give a shit. I’m Eric Clapton.” I’m sure some dumb ass exec enthusiastically told him that this song was a bona fide hit. To which Clapton most likely replied, “Fuck it, ya poofter, release whatever god damn song you want. I’m ERIC FUCKING CLAPTON! Now bring me a Trans Am, I’m through with that saggy old Chevy.” Seriously, the song’s obviously a throwaway that became a fluke hit. How else do you explain him selling his soul to the devil and teaming up with Phil Collins?
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Chartburn: 8/01/08

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Mainstream Rock: Mike + the Mechanics, “Silent Running” (1985)

David Medsker: I love Paul Carrack as much as the next guy, but is what I refer to as a non-song. Not a whole lot of meat on these bones.

Jeff Giles: An odd little hit from an odd little record. People remember Paul Carrack and Paul Young (no, the other Paul Young) as Mike +/& the Mechanics’ singers, but this album featured lead vocals from two other guys. I can’t remember either of their names, but I do remember that I like “Taken In” more than “Silent Running” or “All I Need Is a Miracle.”

Jon Cummings: If I remember correctly, M+M albums were packaged with drool cups. Or did I just dream that during the 48-hour nap that was induced by my one and only full hearing of this song? Even 23 years on, it’s extraordinary that a nuclear war/Terminator/whatever prog-rock “epic” could be so abysmally boring. (Compared to this oblique blather, Sting’s contemporaneous “Russians” was a Tolstoy novel.) It’s also extraordinary that Carrack’s voice could be so thoroughly wasted. His M+M work is so pulse-deadening that it calls into question everything he did before. (Was “How Long” really that good? Doesn’t Glenn Tilbrook sing “Tempted” just as well in concert as Carrack did on record?) God, I hated this band.

Dw. Dunphy: Mike + the Mechanics got off to a good start, didn’t they? Big hit, nice synth-y melody, Paul Carrack — but it’s all for naught. I don’t understand a whit of this song. It sounds like the theme to some really bad syndicated sci-fi show. If you don’t pay too much attention to it, perfectly pleasant.

Scott Malchus: I often wonder what songs from the ’80s, with all of the lame electronic drums and synths, would sound like with real instruments. This song holds up okay. I guess I always expected more from Mike Rutherford since he was the lead guitarist from Genesis (and, before that, the bassist). All of the Mike + the Mechanics songs sound very “lite rock” compared to what he did in the ’70s. Then again, look at Phil Collins’s solo output. Worse, look what Genesis had become by the end of the ’80s. How is it that only Peter Gabriel was able to maintain his artistic integrity after he quit the band?

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