Posts Tagged ‘David Steed’

Bottom Feeders: The Ass End of the ’80s, Part 58

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This is it — the Holy Grail of ‘80s music finally makes its appearance at Bottom Feeders. Enjoy another week of artists whose names begin with the letter M, as we continue looking at the bottom three-fifths of the Billboard Hot 100 chart during the Reagan years.

Peter McIan
“Solitaire” — 1980, #52 (download)

This is Peter McIan’s only hit song, off his album Playing Near the Edge. He’s better known as a producer for bands like Mr. Mister and Men at Work and has written a couple books about home recording.

Don McLean
“It’s Just the Sun” — 1981, #83 (download)

This was the last of three singles from McLean’s 1978 album Chain Lightning. The album actually wasn’t released in the U.S. until 1981 after it had experienced some success oversees. Oh, and I hate “American Pie.” Just had to mention that.

Gerard McMahon
“Count on Me” — 1983, #85 (download)

mcmahonThis was the only charting single from McMahon, off his excellent album No Looking Back. A few weeks ago we had the king of soundtracks, Kenny Loggins. This guy has to be the lost, long-distance fifth cousin of Loggins. He didn’t have any hits from soundtracks, but actually enjoyed making music for movies more than making full albums. He wrote and/or performed songs for Fast Times at Ridgemont High, Spring Break, All the Right Moves, and many more movies and TV shows throughout the years. His most well-known song, though, is probably “Cry Little Sister,” from The Lost Boys (where he’s credited as “Gerard McMann”).

Larry John McNally
“Just Like Paradise” — 1981, #86 (download)

This was Larry John McNally’s only charting single, the first song off his debut album. I think he’s more of a songwriter than a performer anyway, having written songs for artists like Rod Stewart and Bonnie Raitt. His crowning moment, though, has to be when Bruce Willis covered his song “Lose Myself” on the Return of Bruno album (1987). What a proud day that had to be.

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Bottom Feeders: The Ass End of the ’80s, Part 38

I’ve gotten bored with what I’ve been listening to lately, so recently I went back into my collection to dig out CDs I haven’t spun in a while, like De La Soul’s 3 Feet High and Rising, an album I haven’t listened to in at least four or five years. Hearing this excellent disc again piqued my interest for two reasons, the first being that I didn’t realize the direct influence it most likely had on my love of both Urban Dance Squad and P.M. Dawn.

Urban Dance Squad brought rock, ska, and funk to their rap, throwing together bits and pieces of sounds that didn’t seem like they’d flow as one — sort of what Prince Paul does these days. 3 Feet High and Rising is one of the first albums he produced and a starting point for his future sound collisions. Then there’s P.M. Dawn, who happen to be one of my all-time favorite groups; there are at least three or four tracks on 3 Feet High that could have fit nicely on P.M. Dawn’s 1991 debut, Of the Heart, Of the Soul and of the Cross: The Utopian Experience. With both groups the flow is pretty much the same, and even the lyrical style is similar, right down to the lines that seemingly make no sense on first listen but when broken down actually have some legit meaning.

But that’s not really the reason I’m bringing it up here. It’s because I’m wondering if there was any other album in the ’80s on which the biggest hit was track 20! 3 Feet High almost seems like a rap album from this decade, with a skit between every song (hell, they have two in a row at points), but even so, “Me, Myself and I,” a #1 rap hit and De La Soul’s only Top 40 hit (until they backed the Gorillaz on “Feel Good Inc.” in 2005), is buried all the way down at track 20.

I still think the album is excellent, despite the fact it felt like a decade had passed by the time I got to “Me, Myself and I,” but it really got me wondering if there was another track in the entire decade buried that far down on a disc. Greatest-hits and multiple-disc sets don’t count — I’m talking a single disc where the biggest hit was that far down. Hell, even just a single that was that far down on an album. Better yet, name any big hit that far down on a normal LP in any decade. It might have happened more frequently in the past decade on rap albums, but I still think it’s a pretty rare feat.

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