Posts Tagged ‘Dean Pitchford’

CHART ATTACK!: 5/13/89

Hey, hey, hey! It’s Friday, and you know what that (sometimes) means! That’s right, it’s time to take a look at another Billboard Top 10 from ages past, and today we’re heading back a full 20 years to see what the charts were like on May 13, 1989!

10. Wind Beneath My Wings — Bette Midler Amazon iTunes
9. Patience — Guns n’ Roses Amazon iTunes
8. Rock On — Michael Damian Amazon iTunes
7. Second Chance — 38 Special Amazon iTunes
6. After All — Cher and Peter Cetera Amazon iTunes
5. Soldier of Love — Donny Osmond Amazon iTunes
4. Forever Your Girl — Paula Abdul Amazon iTunes
3. Real Love — Jody Watley Amazon iTunes
2. Like a Prayer — Madonna Amazon iTunes
1. I’ll Be There for You — Bon Jovi Amazon iTunes

10. Wind Beneath My Wings — Bette Midler

I try to stay away from directly quoting Wikipedia entries, but this sentence is just perfect: “Because of the song’s soaring imagery and the extreme earnestness of Midler’s iconic performance, the song has become ripe for parody.” I mean, that’s totally it, isn’t it? It doesn’t really get any more earnest than this, unless you count “From a Distance,” which was totally Midler’s (successful) attempt to repeat her newfound success as an inspirational singer. Midler didn’t actually care for the song when she first heard it — she was convinced to do it by Marc Shaiman, her long-time musical director (as well as the genius behind the songs in the Broadway version of Hairspray and a million other movies, including South Park: Bigger, Longer & Uncut and Team America: World Police). The song won Grammy awards for both Record of the Year and Song of the Year, but strangely lost the Earworm of the Year award to “Love Shack.”

Although the song will always be tied to Bette Midler, she was far from the first person to record it. The song was written in 1982 by Jeff Silbar and Larry Henley, and was first rejected by Kenny Rogers and Barry Manilow. (When Barry Manilow is turning down your sappy song, you know you’re in trouble.) Artists who recorded the song before Midler include Roger Whittaker, Sheena Easton, Lou Rawls, Lee Greenwood, B.J. Thomas, Gladys Knight (her version was called “Hero”) and Gary Morris, who recorded a country version, much to the chagrin of Silbar and Henley…until it won Song of the Year at the Country Music Awards. Apparently when Morris performs it, he often says “Bette is free to sing this however she wants, but personally, I think she butchered it.” Har!

My favorite version, however, is the duet between Midler and Krusty.

9. Patience — Guns n’ Roses

Written by Izzy Stradlin, “Patience” peaked at #4 on the charts and, recorded in a single session with three acoustic guitars, clearly showed a different side of the band. It very clearly said to audiences that Guns n’ Roses wasn’t just happy getting with teenage girls backstage. They wanted their mothers, too. Even my Lionel Richie-lovin’ mother liked this song…until the end when Axl started that “awful screaming” (which is kind of my favorite part of the song). By the way, I wish people would take that specific vocal section into account before they decide to sing this song at karaoke. It’s always painful.

8. Rock On — Michael Damian (download)

What’s sadder: the fact that I hadn’t heard “Rock On” before Damian’s version, or that I can immediately tell you that this was on the soundtrack to Dream a Little Dream, the movie starring Corey Feldman and Corey Haim? Both are pretty sad, don’t you think? I agree. (I’m sure Kelly Stitzel is with me on this one.)

You may be thinking what I’m thinking: Michael Damian, “Rock On,” total one-hit wonder, right? Actually, it turns out that he’s had two other hits in the Top 40, both in 1989: “Was It Nothing At All” made it all the way to #24, and “Cover of Love” reached #31. Damian had recorded “Rock On” a couple of years earlier in his garage with his two brothers, but it was rejected by most record labels. Dream a Little Dream director Mark Rocco asked Damian’s brothers if they could write some music for the soundtrack, and they brought him “Rock On.” The track reached #1 in early June and surpassed the original, a #5 for David Essex in ‘74.

Apart from “Rock On,” Damian’s had numerous successes: he played a lead role on The Young and the Restless for 18 years, appeared in the revival of Joseph and the Amazing Technicolor Dreamcoat (and earned a Grammy nomination), and even won the BMI Songwriting Award for “Was It Nothing At All.” Furthermore, he’s directed two award-winning independent films! So there’s no mocking Damian here, folks. This guy hasn’t really done anything to…aw, Jesus. Wait a second.

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CHART ATTACK!: 3/16/91

Happy Friday and welcome to another edition of CHART ATTACK! So last time we met here to dissect a Billboard chart, it was a Top 10 from 1971, and I got my ass handed to me by readers who (rightfully) corrected me on a million small errors I made (okay, okay, it was a Tony Orlando impersonator, not Tony Orlando! I’m sorry!). So this week, to try and save face, I thought I’d fast-forward ahead 20 years to a chart you probably don’t care about. That being said, if I botched something here, keep it to yourself let me know. Sit back and try to enjoy our journey back to March 16, 1991!

10. Hold You Tight — Tara Kemp Amazon iTunes
9. Where Does My Heart Beat Now — Celine Dion Amazon iTunes
8. Get Here — Oleta Adams Amazon iTunes
7. All the Man That I Need — Whitney Houston Amazon iTunes
6. This House — Tracie Spencer Amazon iTunes
5. All This Time — Sting Amazon iTunes
4. Coming Out of the Dark — Gloria Estefan Amazon iTunes
3. Show Me the Way — Styx Amazon iTunes
2. One More Try — Timmy T Amazon iTunes
1. Someday — Mariah Carey Amazon iTunes

10. Hold You Tight — Tara Kemp

Anybody remember Tara Kemp? She had two singles in the Top 10, this one (which peaked at #3) and “Piece of My Heart,” which reached #7. This song vaguely rang a bell, but I’m not sure why: it really doesn’t have anything original going for it. It never changes chords and the drum beat seems as it was ripped off of Soul II Soul. Even worse, the song has quite a few irritating qualities. Let’s start with the “oh, whoa” that is clearly supposed to be the clever hook of the song.

Then let’s build on that with a synth riff that my dog could have written.

Then, let’s take the part where Tara breaks it down with some funky singing.

What the hell is that yelp at the beginning? On its own, it’s actually quite creepy. Imagine being married to Tara Kemp and hearing this whenever you forgot to take out the garbage.

And yet…at 2 A.M. last night, I couldn’t get “Hold You Tight” out of my head.

9. Where Does My Heart Beat Now — Celine Dion

I’m not gonna lie to you: I owned this album. I bought it after I heard her knock her vocal in “Voices That Care” out of the park. And although I only listened to it once and I don’t remember any of other songs, I’ll step up and defend this one. I think it’s a strong ballad and was a great choice to introduce Celine to the American audience: the single went to #4 and became the first of her ten Top 10 singles. And here’s a surprise for you (and me): this single was not produced by David Foster!

You were all expecting me to rip Celine apart, right? I can’t do it. I know it’s the popular thing to do, but I can’t really find any reason to dislike her. She has a fantastic voice, and she gives your mom a reason to still buy music. That should be enough right there, but if it’s not, you should watch this video (if you haven’t already). It’s obviously trying to be snarky, but I think it kind of fails in that regard.

8. Get Here — Oleta Adams (download)

Here’s what I’ve learned about Oleta Adams and “Get Here”:

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