Posts Tagged ‘Dexys Midnight Runners’

Lost in the ’80s: Dexys Midnight Runners

lit80s

DexysA quickie today, folks – I’m getting ready to move in with my betrothed, and I’m currently surrounded by boxes of stuff.  Moving is such a hassle, but I can’t forget you, faithful reader!  So, howzabout covering one of the biggest one-hit wonders of the ’80s?

I’ve always wondered why Dexys Midnight Runners were unable to follow up the #1 success of “Come On Eileen.”  I mean, it’s not like Too-Rye-Ay was lacking in potential singles.  The classic album was brimming with hooks, but of course, Dexys U.S. label chose “The Celtic Soul Brothers” (download) as “Eileen’s” follow-up, a single which flopped at #45 upon its initial release in the U.K. (it would later chart much higher after being re-released in “Come On Eileen’s” wake).  While it’s a great tune, much in the same spirit as the massive hit that preceded it, it wasn’t the best choice.

A better choice would have been “Eileen’s” follow-up in the U.K., a remake of Van Morrison’s “Jackie Wilson Said (I’m in Heaven When You Smile),” (download) which hit #5 there, but wasn’t even issued as a single here.  A shame, since its instant familiarity and the fact that it was featured in a performance on The Young Ones which was then all over MTV would have been a natural. (more…)

Bottom Feeders: The Ass End of the ’80s, Part 24

A few weeks ago I laughed at someone’s musical taste. I feel kind of bad about it. See, a buddy of mine asked me if I had heard the new Staind CD yet, with the qualification that “You might like it. They’ve really grown up as a band.” I totally busted out laughing at that notion. Like, right in his face, full-blown laughter. At the time all that was crossing my mind was “He knows what I listen to — why would he think I’d like this?” and “They’ve ‘grown up’?” But when I really thought about it, who am I to judge what people enjoy? (Except when it comes to Nickelback. There is really no excuse for that.) At least half of the songs you’re about to see below are total shit, yet if my iPod shuffles to any of them, I’ll listen straight through. I’ll listen to a Cover Girls song, followed by Mike Patton making ungodly noises in Fantomas. My taste in music is just as shitty if not shittier than most people’s.

I know it, too — it’s not like I think all the songs in this series should’ve been Grammy winners. So of course now I feel bad thinking about all the crap I listen to and laughing at someone for digging what they enjoy. I did actually go to iTunes and listen to the 30-second samples of Staind’s new songs just so I could see if they’d really “grown up.” Sure enough, they now sound like Air Supply. Something tells me this isn’t what my friend was trying to express, though. So I still feel I can say he’s wrong in his assessment, but if he wants to listen to Staind, so be it.

In an effort to drive my point home that I was a total bag-o-douche in this situation, let’s take a look at what’s crossed my iPod in the last 20 minutes while I wrote this intro. (Yes, 20 minutes for this little bit. I get distracted!)

Motley Crue, “Hooligan’s Holiday”
Paul Lekakis, “Boom Boom (Let’s Go Back to My Room)”
Alan Parsons Project, “Days Are Numbers”
Stars On, “More Stars (ABBA Medley)”
Manowar, “Brothers of Metal”

I mean, if that doesn’t confirm it, what would?

(more…)

Lost in the ’80s: Dexys Midnight Runners

One of the first acts mentioned whenever someone brings up the subject of “’80s One-Hit Wonder,” Dexys Midnight Runners actually had quite a few hits in the UK, including a number one single (”Geno”) that wasn’t “Come On Eileen.” As Homer Simpson once spoke of the group, “You haven’t heard the last of them!”

Except in America, where, of course, we had. Despite “Eileen’s” monster success Stateside, Kevin Rowland’s rotating band of ragamuffins never followed up that hit but it wasn’t for lack of trying. 1985’s follow-up to the Gold-selling Too-Rye-Ay, the band’s third album overall, Don’t Stand Me Down, had a lot going against it. First off, gone were the overalls and hobo clothes, replaced by a new gimmick/look of tailored suits and skirts — call it Business Rock. Secondly, lead singer/songwriter Rowland refused to release a single to help promote the album, all but dooming it to failure.

Face with the withering failure of the album, Rowland finally relented and a single was issued for “This Is What She’s Like.” But in keeping with the series of poor decisions, the “single” was actually a 12-minute track, all but obliterating any chance of radio play. Oh, Kevin. The group’s label stepped in and issued a single edit (”This Is What She’s Like [Single Edit]“), (download) mercifully reducing the song to it’s catchy core. The superior edit is not too dissimilar to Too-Rye-Ay’s sound, but despite a video to match the new image, it was too late, and Don’t Stand Me Down sank without a trace. (more…)