Posts Tagged ‘Dio’

Unsolicited Career Advice for … Donny Osmond

So Lev comes over to my place last week—first time he’s been around in a while. We have a few beers and watch Tiger Woods implode, split a calzone from Napoli’s, chat a bit. He gets up to leave and, almost as an afterthought, tells me he has more Uncle Donnie memos in his car. Of course, I get pissed—I would have much rather spent the afternoon reading through Uncle Donnie’s memos than watching golf. Lev probably knew that, but his TV was broken and he really wanted to watch Tiger. Whatever.

This is a recent missive Uncle Donnie sent to one particular toothy Mormon Vegas singer. Methinks there might have been ulterior motives in play, though. -RS

TO: Donny Osmond
FROM: Don Skwatzenschitz
RE: Career Advice

From one Don to another, Donny, we need to get you out there, in a real way. Twenty years since your last hit is too long. Now, I understand you might not think the public is ready for you to reemerge, but you’re wrong, Donny-Boy. Really wrong.

Right now, this very minute, I could get on the facsimile machine and book you a US tour that would take you from Utah to the Florida panhandle, up to Maine, over to California, and back to Utah again. Seventy, eighty shows. And we could do it all in around six weeks, because we’d be playing in under-utilized performance spaces: abandoned Circuit City storefronts. Not inside the stores, mind you; outside them, on the sidewalk. Guerrilla style, like those Rage Against the Machine guys. Set up, play a half hour—”Puppy Love,” “Sacred Emotion,” “Go Away Little Girl,” “One Bad Apple,” “Love Me for a Reason,” maybe a cover of something current, then “Soldier of Love,” done—then pack up and move on to the next place. We could do three or four a day, depending on the routing. Think about it. People hanging around outside abandoned Circuit City storefronts are hungry for your music, and they don’t even know it. (more…)

How Bad Can It Be?: Heaven & Hell, “The Devil You Know”

When I was in high school, back in the postpunk Silver Age, there was an unspoken hierarchy of stoners expressed in their hard-rock allegiances. The Alpha Heshers had their holy trinity of Zeppelin, Van Halen, and Hendrix; those who fancied themselves intellectuals added Pink Floyd to the mix, while your would-be mystics opted for the Doors, but mostly it was those three. The second-tier burnouts gravitated towards Blue Oyster Cult, Iron Maiden, Judas Priest — bands that rocked hard, but with strong iconography and an element of wit. The real bottom feeders, though, listened to Dio.

(I should note that in high school, I was listening to Big Country, Billy, Idol, and the Police; and there’s only one of those that I regret today.)

You can see why teenagers are so attracted to heavy metal. There’s a huge cultural pressure on adolescents to engage with pop music at a time when they still lack confidence in their own aesthetic judgments. Absent an effective critical toolset for evaluating the art, teenagers (often unconsciously) latch instead onto extramusical factors when choosing music to consume, music that will effectively present their identities. Album art and videos assume an exaggerated importance; chart positions, perceived popularity (or lack thereof) among one’s peers, perceived acceptability (or lack thereof) among authority figures — all come into play. (more…)