Posts Tagged ‘Divine Comedy’

The Friday Mixtape: 7/10/09

Paying tribute to some songs that have had trouble making it across the pond. Not all of them, but too many of them, if you ask me.

Shed Seven – Speak Easy from Change Giver (1994)
Delays – Valentine from You See Colours (2006)
Attic Lights – Bring You Down from Friday Night Lights (2008)
The Bluebells – Cath from Sisters (1984)
The Divine Comedy – Arthur C. Clarke’s Mysterious World from Victory for the Comic Muse (2006)
Cast – Magic Hour from Magic Hour (1999)
The Feeling – Sewn from Twelve Stops and Home (2007)
The Lightning Seeds – Like You Do from Dizzy Heights (1997)
Nik Kershaw – Radio Musicola (Extended Version) from Radio Musicola (1986)
Tenpole Tudor – Swords of a Thousand Men from Eddie, Old Bob, Dick & Gary (1981)
Julian Cope – Planet Ride from Saint Julian (1987)
The Wonder Stuff – Full of Life (Happy Now) from Construction for the Modern Idiot (1993)
Boomtown Rats – Another Sad Story from In the Long Grass (1985)
China Crisis – Blue Sea from Flaunt the Imperfection (1985)
Rialto – London Crawling from Night on Earth (2001)
The Hours – See the Light from See the Light (2009)

Mope Like Me: Divine Comedy, “The Certainty of Chance”

“A butterfly flies through the forest rain
And turns the wind into a hurricane…”

I was playing this song at work once, and a coworker of mine walked up and said, “Is this the Doors?” I never liked that guy.

It’s the sliding string riff in the chorus that just kills me. The drop from the first to second note is a little bump, but the third and fourth notes…? Much plummeting, as a fellow Popdoser once said in describing Luke Skywalker after he discovered Darth Vader was his father. There are few songs with such a melodic fall into despair as this one boasts.

“A schoolboy yawns, sits back, and hits Return
While ‘round the world, computers crash and burn…”

Neil Hannon takes his good sweet time getting to the point in this song, spending the first two verses talking about butterflies, hurricanes and hackers. What kind of song is this, anyway? Is he really getting this worked up over a punk kid who launches a virus? Of course not: he’s just saving the best for last.

“You must go, and I must set you free
‘Cause only that will bring you back to me…”

Ah, now it makes sense. The storm, the hacker, the girl leaving him: they’re all things he didn’t see coming, but in retrospect, feels that he should have. Inevitable moments that, once he embraces them, will lead to something better. It has to get better, right? (more…)