Posts Tagged ‘Dixie Chicks’

Political Culture: Gimme Some Truth

The words were spoken in London, casually, almost flippantly, and were directed at an audience that was sure to treat them in the spirit they were intended. It was not until the words traveled to the United States, and were heard by an audience of narrow-minded hypocrites for whom they were decidedly not intended, that they created a ruckus that led to censorship, destruction and even death threats.

No, silly, I’m not saying that Natalie Maines is bigger than John Lennon (or Jesus, for that matter). What I am saying is that both of them – all three of them, actually – learned one very important lesson the hard way: Speaking your mind can be a very dangerous business. It can even get you killed.

Here at Popdose and throughout the Western world, this week’s (admittedly consumerist) Beatlemania revival has offered plenty of opportunities to reflect on their music, their influence … the astounding greed of their record label over a 45-year period … (Did EMI really have to sell the stereo and mono mixes separately, particularly considering that every album from Please Please Me to Revolver was short enough that they could have easily crammed both versions onto a single CD?) But as long as we’re sitting around dissecting the effects of the remastering process on “Happiness is a Warm Gun,” or tapping colored buttons in time to the scrolling visuals on the Rock Band version of “Revolution,” we may as well pause to marvel at the historical import of the Beatles’ efforts – and John’s in particular – to use their stardom to advance causes and engage in social commentary. In this, as in their music, they created a template that has been imitated and amended by generations of celebrities in their wake, for better and for worse. (more…)

CD Review: Maia Sharp, “Echo”

Maia Sharp, Echo (2009, Crooked Crown Records)
Purchase this album (Amazon)

I distinctly recall the first time I heard Maia Sharp sing. It was the summer of 1997, and I was driving down a steep hill in Steelton, PA, on the way to the regular Tuesday night acoustic gig my buddy Jim and I did at the late, great Flight Deck in Middletown. I was thinking about the night’s set when a voice came through my radio (tuned to WXPN), telling a fugitive tale:

I left the town that was my future
To ride along with you
You said, “I’m going to California”
So I was going to California, too
You get a thrill from causing trouble
Life has offered nothing more
So we kept it to the back roads
Looking for an easy score
I need this to be love

The lyrics, as I could make them out then, were immediately compelling, but even more compelling was the voice—definitely female, but with a character that I, to this day, have trouble describing to people. I wind up explaining it away as a thickness, a sense of density, something with weight and sexiness and beauty. The song, “I Need This to be Love,” kicked off her self-titled debut album, one of my favorite records of that year, and one I return to regularly. (more…)

Political Culture: Obama Sews Up My Bleeding Heart

I didn’t cry for an hour and a half. I watched dozens of other people weep and shout and wail and fling themselves to the floor with happiness; I watched pundits variously expound thoughtfully, babble incoherently and fumble for words before simply going mute. I did join my wife and kids in dancing with joy to a couple of my favorite – and now forever Obama-rific – songs:

George Michael – Freedom ’90 (live) (download)
Dixie Chicks – Truth No. 2 (download)

But it wasn’t until the close of Obama’s magnificent victory speech, after the pageantry and the big extended-family waveathon … it wasn’t until everyone else had left the stage, and Obama turned back and gave one last salute to the crowd, that I began weeping uncontrollably. A headache I had been nursing all day finally dissipated, and the tension I’d been carrying around for two months … for two years … for eight years, really, finally seemed to melt away.

It was at that moment I realized I couldn’t write the column I was planning for today – the one in which I suggested that after all the name-calling, the vilifying and the brutishness of this campaign, I didn’t feel sorry at all for the emotional pickle in which McCain’s most intemperate supporters must find themselves. Not because this problem doesn’t exist for them, but because Obama’s speech renewed my hope that even those folks will soon cool their jets.

“In this country,” he said, “we rise or fall as one nation, as one people. Let’s resist the temptation to fall back on the same partisanship and pettiness and immaturity that has poisoned our politics for so long … And while the Democratic Party has won a great victory tonight, we do so with a measure of humility and determination to heal the divides that have held back our progress … As Lincoln said to a nation far more divided than ours, we are not enemies but friends. Though passion may have strained, it must not break our bonds of affection … And to those Americans whose support I have yet to earn, I may not have won your vote tonight, but I hear your voices. I need your help. And I will be your president, too.” (more…)

Mix Six: “Gals With That Country Sound”

mixsix.gifDOWNLOAD THE FULL MIX HERE

Life is full of contradictions, isn’t it? For example, I’m not a fan of country music, yet I like songs and artists who fuse country elements into their songs. Go figure. Lately, those country sounds have been popping up on my iPod when I’m driving to work. So I decided to grab some of those songs and add a few others and throw them into the musical blender and see how it all mixes.


“33 RPM Soul,” Michelle Shocked

Back in the days when I had more disposable income, when it came to artists I really liked, I would buy almost every recording they produced. Michelle Shocked was one of those “gotta buy everything” artists. I instantly liked her after seeing the video to “When I Grow Up” on MTV. By the time she released Arkansas Traveler, however, I was starting to fall out of love with her — but not completely! I still love the pop goodness of this track, even though the rest of the CD is kind of uneven. (more…)

Political Culture: Will Hollywood Matter in 2008?

“Who cares what I think? I’m not the president. I’m just a storyteller, man.”

So says Bob Dylan — or, at least, Cate Blanchett as Jude Quinn as Bob Dylan — in Todd Haynes’ wonderful, baffling film I’m Not There. But whether Quinn/Dylan’s dismissal is sincere, or just part of his circa ‘65 scramble to negate every aspect of his public image, the question he poses is one with which artists and entertainers have been struggling for decades. Their celebrity brings access to cameras and microphones, but does it also bring the ability — or the responsibility — to influence political debates and even turn elections? Can actors and pop stars really change the world by speaking their minds? Should they bother trying? And, honestly, who cares what they think? (more…)