Posts Tagged ‘Eddie Kendricks’

CHART ATTACK!: 11/3/73

Folks, I’ll be the first to tell you that our last CHART ATTACK! was just a little depressing. Marky Mark? Ugh! Color Me Badd? Ugggggh! Bryan Adams? Uggggggghhhh!  Good news, though: I’m pleased to report that this week’s Top 10 is much, much better — sure, there are some mild clunkers, but the majority of these songs are absolutely fantastic. See if you agree as we attack November 3, 1973!

10. All I Know — Garfunkel   null
9. Space Race — Billy Preston
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8. Let’s Get It On — Marvin Gaye null
7. Ramblin’ Man — The Allman Brothers Band null
6. Heartbeat – It’s a Lovebeat — The DeFranco Family Featuring Tony DeFranco
5. Paper Roses — Marie Osmond
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4. Half-Breed — Cher null
3. Keep On Truckin’ (Part 1) — Eddie Kendricks null
2. Angie — The Rolling Stones null
1. Midnight Train to Georgia — Gladys Knight & the Pips null

10. All I Know — Garfunkel (download)

Following the breakup of Simon & Garfunkel in 1970, Art Garfunkel removed his focus from the music business; for three years, he focused on his acting career, appearing in Mike Nichols movies such as Catch-22 and Carnal Knowledge, taught mathematics at a private school in Connecticut, and studied classical music in Europe. Finally, in 1973, he assembled a group of songwriters (what, you thought he was going to write songs himself?) and recorded songs for a new album, entitled Angel Clare. The first single, “All I Know,” was written by Jimmy Webb (the first of many Garfunkel/Webb collaborations) and was his first solo entry on the Top 10 — and by “first,” I mean “only,” though he did have three #1 hits on the Adult Contemporary charts. The song is exactly what you’d expect: musically, it’s “Bridge Over Troubled Water” minus the bridge or troubled water, and lyrically, it’s deep into Mellow Gold territory. Art’s voice sounds a touch creepy here on the original, especially any time he gets near a low note. Still, it’s quite pretty, and you really can’t go wrong with songs like these, especially ones that feature Webb’s beautiful piano. The only thing I don’t understand is why, for his first few albums, Art was only billed as “Garfunkel.” Was he concerned that if he added the “Art,” people wouldn’t know who he was? How many Garfunkels are out there, really? If he wanted to capitalize on familiarity, perhaps he should have billed himself as “& Garfunkel.”

I found a nice video of Art Garfunkel performing “All I Know” on Saturday Night Live, but it’s on a Chinese website and I can’t figure out how to embed it. Still, it’s worth a watch; the song is much more effective in this stripped-down incarnation.

9. Space Race — Billy Preston

I personally had never heard “Space Race” before this week, but if you watched American Bandstand regularly, chances are you’ll recognize it as the music played during the mid-show commercial break, from 1974 until the show’s end. It worked great for that purpose, too — a sequel of sorts to 1972’s “Outa-Space,” “Space Race” is a thick slab of instrumental funk with a fantastic groove. But here’s the thing: on American Bandstand, you never got to hear more than a few seconds of the song. At around a minute and a half, it becomes pretty clear that a better title would have been “Holy Crap You Guys, I Just Got a New Keyboard and Look at All the Cool Sounds I Can Make, Wah Wah Wah Wah!” I can’t help but wonder if this song is what inspired Daryl Dragon to buy a Casio, and that just breaks my heart. Still, I can’t give Billy Preston too much grief. Apart from having the world’s greatest afro, the man was an unbelievable talent. And who doesn’t love the hell out of “Nothing From Nothing”?

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CD Review: “Do What You Want, Be What You Are: The Music of Daryl Hall and John Oates”

Do What You Want, Be What You Are: The Music of Daryl Hall and John OatesIt’s been an arduous couple of weeks for me in terms of my music listening. Do What You Want, Be What You Are: The Music of Daryl Hall and John Oates, is the third four-disc box set (after Big Star: Keep An Eye On the Sky, and Where the Action Is! L.A. Nuggets 1965 – 1968 ) that I’ve reviewed in that period. I don’t know if this is true for other writers, but reviewing large collections like these is more difficult for me than reviewing single albums. You are forced to stay focused on one artist or genre for an extended period of time. My attention span just doesn’t work that way naturally. But enough bitching about my relatively minuscule concerns.

I am tempted to compare Hall and Oates to another band that I wrote about recently: the Four Seasons. This may sound somewhat dubious at first, but bear with me. Both groups were singles-oriented, and had multiple hits. Neither group ever got much in terms of respect from the musical tastemakers. I’m sure this didn’t make a damn bit of difference to them as they were cashing their royalty checks. My point is, do we really need a four-disc career retrospective from a group that lived and died on their single releases? Wouldn’t a two-disc greatest hits compilation do the trick? The answers aren’t all that obvious. In fact, it’s a tough call.

Daryl Hall and John Oates had six number one singles. In addition to these, they had 10 Top 10 hits. You know these songs, and yes, you probably love them. For people of a certain age, these songs are a soundtrack to their lives. I’m talking about songs like “Rich Girl,” “Kiss on My Lips,” “Maneater,” and my favorite of the number ones, “Out of Touch.” There are the early jewels like “She’s Gone,” and “Sara Smile,” and later hits like “Everything Your Heart Desires.” They are all included in this set, and I’m happy to hear them again. (more…)