Posts Tagged ‘Edith Piaf’

Soundtrack Saturday: “Bull Durham”

“I see great things in baseball. It’s our game — the American game. It will take our people out-of-doors, fill them with oxygen, give them a larger physical stoicism. Tend to relieve us from being a nervous, dyspeptic set. Repair these losses, and be a blessing to us.” —Walt Whitman

Bull Durham

With the All-Star Game right around the corner, I suggested to Kelly Stitzel that she feature Bull Durham for this week’s Soundtrack Saturday. I was shocked — shocked, I tell ya! — to find out she’s never seen writer-director Ron Shelton’s 1988 summer hit, one of the best sports movies of all time, if not the best movie about baseball. It’s also one of the finest romantic comedies of the past 25 years.

First-time director Shelton drew from his own experiences as a minor-league ball player for Bull Durham’s screenplay, and he was blessed with a stellar cast that brought his richly drawn characters to life. It’s a movie full of smart dialogue and character-based comedy that celebrates the lunacy, hijinks, and joy of America’s two favorite pastimes — baseball and sex.

Susan Sarandon, radiant as ever, flew on her own dime from Italy to audition and win the role of Annie Savoy, a part-time teacher in Durham, North Carolina. Annie dedicates each summer of her life to tutoring a player on the Durham Bulls, the local minor-league team, that she believes has the best potential to get a call up to the majors. However, Annie isn’t interested in improving the players’ reading and writing. And she isn’t a coach, although she knows as much about baseball as any manager. No, she’s more of a spiritual and sexual adviser: “You know how to make love, then you’ll know how to pitch.” She reads Walt Whitman to her lover-players and puts on Edith Piaf records in the hopes of making them well-rounded human beings and therefore better ball players. At the top of the film she chooses as her new student Ebby Calvin “Nuke” LaLoosh, the Bulls’ latest gifted pitcher, who has a million-dollar arm but a five-cent head on his shoulders.

The role of Nuke went to Tim Robbins in a career-breakthrough performance. Shelton had to fight to get Robbins cast in the part; up to that point he’d been in Howard the Duck, an infamous flop, and mostly blink-and-you-missed-him bit parts (raise your hand if you recall him in Top Gun). In addition to his lack of experience onscreen, executives at Orion Pictures felt that a woman as classy as Sarandon would never fall for a guy like Robbins. Luckily, Shelton prevailed, and the two actors not only worked wonderfully on the set but fell in love and remain a devoted couple to this day. Shows you how smart those movie execs can be.

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We Wuz Robbed! Great Number 2 Hits of the ’50s

Last year, in the midst of compiling my “Worst Number One Songs of the Rock Era” series, I began contemplating the sad, sorry fate of those records that have come up just short of the top slot on Billboard’s pop charts. After all, nobody celebrates even the greatest, or biggest-selling, #2 hit as a colossal achievement, the same way even the worst #1 hit ever (“Honey”?) is honored. You don’t see Fred Bronson compiling five editions of The Billboard Book of Number 2 Hits, do you?

Put it this way: “Waiting for a Girl like You” sat at #2 for 10 weeks in 1981, behind a bunch of fat guys doing aerobics. “I Want to Know What Love Is” got to #1 for two weeks in 1985. A quarter-century later, which song is considered Foreigner’s biggest hit?

So, beginning this week we honor some of those great songs that, for whatever reason, never got that Casey Kasem drumroll on American Top 40. And when I say “for whatever reason,” I mean it: Sure, many times a single has simply been blocked by a bigger, better rival, but heaven knows there have been plenty of payola/cocaine/label/radio shenanigans through the years that have kept a deserving song from ascending to glory. As I explored last year, the Top 40 has never been a perfect beast; who knows how many times a single has gotten stuck at #2 because some program director’s girlfriend just adored those cute Osmond boys?

Today we start with five singles that never reached the top during the post-“Rock Around the Clock” 1950s. But first, a brief explanation of my methodology for including records in this survey. Initial choices were based on quality; if one’s first response to a song title is “I can’t believe that didn’t make it to #1,” or if a #2 single seems (in retrospect) infinitely better than the song that screwed it out of the top spot, it’s here. Beyond that, over the course of the survey I’ll feature some singles that topped out at #2 during the latter stages of another song’s extended run in the top spot, figuring things might have been different if it weren’t for some amount of programming inertia at radio. After I identify my picks for each decade, I’ll list some other #2s and open the comments section for debate on who got shafted the worst.

Here we go! (more…)