Posts Tagged ‘Electric Light Orchestra’

Mix Six: “Apple’s Genius Mix”

mixsixDOWNLOAD THE FULL MIX HERE

I think David Medsker can relate to this… Back in my salad days of college, I made extra money with two turntables and a microphone.  More often than not, some guy at a wedding reception I was working at would amble up to my DJ rig with a toothpick in his mouth, trying in vain to dig out a small bit of rubber chicken or steak, and stand there looking at my setup.  I’d get the once over twice, and then it started.

“So, you do this a lot?” Queried semi-drunk reception attendee.

“Yeah,” I would answer (knowing full well what was coming next).

“Seems like a pretty easy job.  I mean, all you do is get paid to play records.  Hell, any trained monkey can do that!  How hard can it be? You just play some songs, get paid, and go home.  Seems like a dream job to me.”

“Well,” I would patiently try and explain, “It’s not as easy as you think.  You have to read the crowd, pick songs that you think they will like, watch the tempo of the mix, and know when to play a heavy hitter that’s going to be a crowd pleaser. It’s not science, but there’s a skill at doing this right.”

“Like I said,” Mr. Bibulous Blowhard would intone,”any trained monkey can do this. In fact, I’ll bet you one day there’ll be a computer that can do what you’re doing.”

Flash forward twentysomething years later, and the fucker’s right. There is a computer that can do what I used to do. In fact, if you work in the radio industry, a computer has by and large replaced what DJs used to do. Yep, most DJs who work in the radio industry just play whatever the music director has scheduled into the computer.  They rarely have any control over the music content, so it stands to reason that it would only be a matter of time when “shuffle” mode on your favorite music player would morph into DJ mode. And so it is with Apple’s “Genius Mixes” — which comes with the latest version of iTunes. (more…)

CHART ATTACK!: 10/11/80

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Hi everyone! It’s Friday and it’s time to look back at another Billboard Top 10 from — holy crap, this is from 29 years ago. Anybody else feel really old? Thankfully, I think this is a pretty good week for the charts: good variety, strong songs all around, and some really fantastic videos. Join me, won’t you, as we take a stab at October 11, 1980!

10. Give Me the Night — George Benson null
9. Real Love — The Doobie Brothers null
8. Xanadu — Olivia Newton-John/Electric Light Orchestra null
7. I’m Alright — Kenny Loggins null
6. Late in the Evening — Paul Simon null
5. Drivin’ My Life Away — Eddie Rabbitt null
4. All Out of Love — Air Supply null
3. Upside Down — Diana Ross null
2. Woman in Love — Barbra Streisand null
1. Another One Bites the Dust — Queen null

10. Give Me the Night — George Benson (download)

George Benson on roller skates, y’all. Does it get any better?

If you feel like this song’s groove sounds vaguely familiar, it’s probably because it was written by Rod Temperton, former keyboardist for Heatwave, and the man behind much of Off the Wall (and, later, Thriller). Every time I hear a Rod Temperton jam, I’m once again astounded that sounds like this came from a white guy. “Give Me the Night” peaked at #4, making it Benson’s most successful hit, with the awesome, awesome “Turn Your Love Around” right behind it, peaking at #5 in 1981. I’m disappointed that “Lady Love Me (One More Time) only made it to #30. I don’t have much more to say about this song — I’m too busy groovin’.

9. Real Love — The Doobie Brothers

If you buy the Michael McDonald: The Ultimate Collection CD (and you should!) and you import it into iTunes, there’s a good chance that the song titles for the Doobie Brothers tracks will come up like this: “Real Love (ft. The Doobie Brothers).” Now, on one hand, that’s incorrect: these tracks, and others like it, were released under “The Doobie Brothers,” and changing it is akin to changing “Lennon/McCartney” to “McCartney/Lennon.” (Okay, it’s nothing like that, but I just wanted to compare the Doobies to the Beatles for a second.) But in all honesty, these are Michael McDonald tracks featuring the Doobie Brothers. Other than keeping the album as a consistent “Michael McDonald” album, I’m not sure what the reason was for this alteration, other than McD just trying to find one more way to piss off Jeff “Skunk” Baxter. And if that’s the case — bravo, McD! I thought you ran out of ways to irritate Skunk a long time ago. Of course, Baxter was out of the band by the time both this song — and its accompanying album, One Step Closer — were released, and the band was nearing dissolution anyway due to the increased friction that came from essentially being McD’s backing band. Still, “Real Love” is a great song from this era of the Doobies. It’s no “What a Fool Believes” or “Minute By Minute,” but it’s got plenty of soul and a typically great vocal by McD.

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Mix Six: “Beatlesque”

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Call this mix the postscript of Beatles Week at Popdose … a postscript that’s a couple of weeks late! But better late than never, right?  There’s been a lot of talk about the marketing savvy of Beatles merchandise, and it’s pretty damn impressive. I mean, getting people to buy remastered recordings they’ve probably had in their collections for years (and I’m talking about vinyl, cassette, 8 track, CD, and mp3s) is no easy feat – unless the product really is superior to what came before.  And yes, the remasters did live up to the hype.  But if I may start a second sentence with a conjunction, what also lives up to the hype is the long shadow of the Beatles’ style of music on popular recording artists.  Billy Joel, Andy Partridge, Roland Orzabal, Jeff Lynne, Neil Finn, and the Gallagher boys must have all, at one point or another, fantasized about being “The 5th Beatle” while singing along to one of the Fab Four’s songs.  So much so, that they all wrote songs that were unabashedly Beatlesque.

“Scandinavian Skies,” Billy Joel (download)

Billy is certainly a singer/songwriter who doesn’t need to copy the style of musical giants since, well, he’s in that pantheon.  I’m not a big fan of his music, but The Nylon Curtain was, for me, the most impressive of his catalog.  The sappy love songs were absent and the themes tackled were certainly a step up from what came before and after this album — and having several nods to the Beatles only added to the depth of this album. (more…)

CD Review: Regina Spektor, “far”

41McjI1S-xL._SCLZZZZZZZ_[1]I have to admit that I am not one of the people who jumped on the bandwagon for Regina Spektor’s last album, the 2006 breakthrough Begin to Hope. I’ve still never heard most of it, and what I did hear didn’t knock me out. Now Spektor is back with a new album, far (Sire Records), and I’m still on the fence.

I recognize her talent. I appreciate the exquisite wordplay with which she builds her songs. I’m aware of the fact that repeated listening to the album can reveal some previously hidden treasures. It’s all very accessible, musically accomplished, and lyrically interesting. What it’s missing, at least for me, is an emotional connection. Maybe this music is just not for me.

It’s a good idea to be wary of any album that has multiple producers, in the same way that it’s advisable to carefully approach films with more than one director. This album has four producers, each of them notable in his own right. Mike Elizondo has worked with Dr. Dre and Eminem, and he has produced four of this album’s 13 tracks. His work appeals as the most forward looking of the distinguished quartet. Check out his production on the inventive and imaginative “Machine.” (more…)

Song-Off Jr.: Gambling

ChipStack

One of the special treasures of living in Los Angeles or San Diego is knowing that the adult amusement park of Las Vegas is only a brief road trip away. While I’m waiting with bated breath for them to build a high-speed train through the desert, the trip up I-15 and over the mountains is still decidedly bearable, considering the array of illusionary delights that waits on the other side.

I don’t make it up there too often these days, but when I do I generally limit my debauchery to the cheapest craps table I can find. I used to play blackjack with a simple high-low counting system, but after I had a magical night and won enough to pay off a good chunk of my student loans, the game lost its appeal. I’ve always been a terrible poker player because I have a tendency to fall in love with any good hands I get and completely discount that it’s possible other players have even better hands. Last year was a great one for sports gambling, so good in fact that this fall my computer (I call him Gamblor) and I will be hosting a weekly column of football picks. Stay tuned!

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Bottom Feeders: The Ass End of the ’80s, Part 29

We’re going to jump right into the songs this week as we have an extended post in order to finish up the letter E in just two weeks. Enjoy the 26 tracks below as we continue digging through the bottom of the Billboard Hot 100 charts.

Dave Edmunds
“Almost Saturday Night” — 1981, #54 (download)
“High School Nights” — 1985, #91 (download)

I’d love to hear a remastered version of “Almost Saturday Night.” It’s a good song written by John Fogerty, but it would be nice to see how great it would be with better production. “Almost Saturday Night” was off Twangin …, which would be Edmunds’s final album with his group Rockpile. In 1985 Edmunds put together the Porky’s Revenge soundtrack, which included the theme song “High School Nights.”

Dennis Edwards
“Don’t Look Any Further” — 1984, #72 (download)

This is an absolute classic R&B song from Edwards — one the lead singers of the Temptations. This is another one of those ‘80s R&B tracks that I feel has been used in a billion samples in the past few decades. The only one I can pick out off hand is 2Pac’s “Hit ‘Em Up” but I know there must be more. It was actually covered unnecessarily in 1988 by the Kane Gang. The female voice in this is an artist we will get to very shortly – Siedah Garrett.

Walter Egan
“Fool Moon Fire” — 1983, #46 (download)

Walter Egan is pretty much known for one song, 1978’s “Magnet and Steel” but this cool track was his fourth and final charting single. According to the ”official” Walter Egan website this song charted in the Top 40. Who am I to call bullshit on that? Wait, I guess by posting this I’m doing just that.

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Lost in the ’70s: Jeff Lynne, “Doin’ That Crazy Thing”

Remember when the Hustle swept through discos everywhere?  People were taking Hustle classes, the nightly news reported on the fad, there were instructional records and books.  Hey, remember when everyone did the bump to, say, “Lady Bump?”  How about in 1977, when everyone was doing the latest dance, the “Crazy Thing,” to Jeff Lynne’s “Doin’ That Crazy Thing?”

No?  Oh, sorry.

Creating a new dance craze was definitely on someone’s mind when Jeff Lynne took a short break from leading the Electric Light Orchestra to release this forgotten single.  “Doin’ That Crazy Thing” (download) was released with the mugshot picture sleeve overseas, but here in the States the 12″ version can with a sleeve complete with step-by-step instructions on how to do the “Crazy Thing,” the new moves that were destined to sweep the nation.  Except, like, they didn’t.  The copy I found was sadly saddled with a generic Jet Records sleeve, damn it.

“Doin’ That Crazy Thing” was a strange detour for Lynne, a downtempo, straight-ahead disco tune slipped out under his own name rather than ELO’s, even though the group would flirt with and nearly fully embrace disco a short two years later.  You don’t hear about the one-off solo single, it’s never been released on CD (to my knowlege) and along with its almost identical B-side, “Goin’ Down To Rio,” (download) it’s been written off in Lynne/ELO history. (more…)

Mix Six: “White Hot Days”

Once again kids, yours truly is handing over the mixing duties to Jack Feerick — who brought us a mix that “gave the drummer some.” This week’s mix celebrates a season that, at least for me in the Bay Area, lasts from May to October. I’m talking about summer, and all the good (and not-so-good) things that go with it. See ya next week!

–Ted (AKA Py Korry)

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There’s a website I like, called One-Minute Vacation. The content is simple enough—an ever-growing collection of digital field recordings donated by the site users themselves—but even more than the clips themselves I love the idea; that sound alone, even out of context, can transport us, can take our heads somewhere else in space and time.

It’s not just ambient sound that does this. We’ve all got our personal pantheon of “summer songs,” and it’s about this time that the blogs and the corporate sites start running polls about our favorites. (Not so long ago, it would have been the radio stations doing that.) But what’s a “summer song,” anyway? Is it a song that sounds best when you hear it in the summertime? Or is it a song that, whatever time of year you hear it, reminds you of summer? Or is it a little of both?

Try this; download this mix, and wait a while. Wait until winter comes to your hemisphere, for a day when the sky is the color of slate and the wind is rattling around your windows. Then listen. Close your eyes, as appropriate; where do you end up?

Open on the sound of the Campo del Principe in Granada, Spain, on a sunny day in May. You’ve got the morning free and you’re meeting your best friend at the café across from the park. She’s got a table on the terrace; the day is already hot, and she’s already ordered you iced coffee, sweet and creamy. (more…)

Lost in the ’70s: Electric Light Orchestra

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ELODiscovery = Disco? Very!

That was the joke around rock critic circles when Electric Light Orchestra unleashed Discovery upon a disco-obsessed public in 1979. With the singles “Shine a Little Love” and the more-rock-stomp-than-disco “Don’t Bring Me Down” cracking the Top 10, the album, lambasted critically as a complete sell-out for the once Beatles-worshiping band, found plenty of favor with music buyers.

The record was so popular that a third single, “Confusion” (download), was released, a relative rarity in those days. Probably the least disco song on an unashamedly disco album, the straight-ahead rock ballad is awash in tinkly keys and a synthesized woodwind instrumental hook that sounds suspiciously like something Wings would do (imagine that). Jeff Lynne did his usual vocal stacking to excellent melodic effect, but the song failed to move up any further than a wimpy #37, surprising since the album’s previous single topped out at #4. “Confusion” has become somewhat of a forgotten ELO hit, not garnering the after-the-fact acclaim that other similar charting ELO singles like “Mr. Blue Sky” have attained in the years since.

This wasn’t the end of the road for Discovery, however, since a fourth single, “Last Train to London,” probably the most disco song on the record, was released. It charted even more dismally, squeaking in at #39 for one measly week at the start of 1980 — that’s why it’s not featured in this post (the single sleeve pictured above is the UK version of the single, which was released as a double A-side with “Confusion”). Rules is rules, people!

“Confusion” peaked at #37 on the Billboard Pop Singles Chart in 1979.

Get ELO music at Amazon or on Electric Light Orchestra (Elo)