Posts Tagged ‘Elliot Easton’

Lost in the ’80s: Jules Shear, “Whispering Your Name”

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I gave Jules a quick once-over a little over three years ago, so I think it’s high time I spotlighted another track of Shear beauty, this one from his stellar solo debut, Watch Dog. Bearing the distinctive production stamp of Todd Rundgren as well as guitar work from Elliot Easton, Watch Dog is one of the shining gems of 1983, or as it’s more commonly known around these parts, the Best Year for Music Ever!

Besides featuring “All Through the Night,” later a top-five hit for Cyndi Lauper, Watch Dog is jam-packed with hooks and memorable tunes like “I Need It” and “She’s in Love Again.” It’s a damn shame it was only on CD for a fifth of a second; used copies, should you ever be able to find one, run upwards of $100 or more. The brightest moment on the album has to be its opener, the heartbreaking “Whispering Your Name” (download), the story of a man who discovers his lover still has another in her heart thanks to her sleeptalking. Here’s where Rundgren’s production is patently obvious, but whereas it usually tends to overpower the artist in question, with Shear it works beautifully.

Let me take a moment here to rant about record companies and their stranglehold on out-of-print masters. EMI is sitting on both Watch Dog and Shear’s second solo album, The Eternal Return (1985), letting them rot in a vault somewhere. Music consumers, especially you wonderful people who read Popdose, know how easy it would be to digitize these masters and throw them up on iTunes or Amazon. So why the delay? Especially in this economy, where the low overhead makes this a slam dunk. Argh. Drives me nuts. Rant over.

Although it was released as Watch Dog’s lead single, “Whispering Your Name” failed to chart. The album didn’t move that many copies, either, but it obviously had fans, as Lauper’s cover of “All Through the Night” proved. Another artist a decade later covered yet another song off Watch Dog, and we’ll feature it on Thursday’s Lost in the ’90s. Be here, won’t you?

“Whispering Your Name” did not chart.

Get Jules Shear music at Amazon or on Jules Shear

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Hooks ‘N’ You: The Click Five, “Modern Minds and Pastimes”

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How can you tell the difference between a good music critic and a bad music critic with a single question? Well, your mileage may vary on this, but for my money, you need only ask them to tell you their guilty pleasures. If they offer no hesitation whatsoever before launching into their list, then you should consider their opinions to be suspect. On the other hand, if they hem and haw for a moment before offering up a response that’s half an answer and half a clarification that “if you like something, then you shouldn’t feel guilty about it,” then it’s probably worth adding their RSS feed.

If you’re wondering, I don’t have the ego to suggest that I’m a must-add, mostly because I’m prone to answer the question by saying, “I know I shouldn’t feel guilty about liking them, but…” And as you’ve probably guessed, I have on more than one occasion ended that particular sentence by citing The Click Five.

In 2005, the Click Five released their bouncy debut album, Greetings from Imrie House, and picked up two distinct audiences the moment they left the gate: the power pop fans, most of whom discovered the album because Adam Schlesinger (Fountains of Wayne) had a hand in writing two songs on the record, and the teenaged girls, who just thought the band was cute. It’s sad but true that the former audience is pretty well negligible when it comes to sales figures, but the latter helped Imrie House sprint to #15 on the Billboard album chart, thanks to the powerhouse first single, “Just the Girl.” If you scour the song titles and the credits, you’ll see that one of the two Schlesinger songs is “I’ll Take My Chances,” which was originally recorded by Swirl 360, who’ll score their own “Hooks ‘N’ You” column one of these days. You’ll also discover that Paul Stanley…yes, the one from KISS…co-wrote “Angel To You (Devil To Me),” and that Elliot Easton – late of The Cars – contributes guitar to that song and well as “I’ll Take My Chances.” In other words, it’s not hard to argue that there’s more street cred here than on your average bubblegum pop-rock album.

So how did they decide to follow it up? Why, by replacing their lead singer, of course!

Talk about killing your momentum stone dead.

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