Posts Tagged ‘Eurythmics’

Bottom Feeders: The Ass End of the ’80s, Part 29

We’re going to jump right into the songs this week as we have an extended post in order to finish up the letter E in just two weeks. Enjoy the 26 tracks below as we continue digging through the bottom of the Billboard Hot 100 charts.

Dave Edmunds
“Almost Saturday Night” — 1981, #54 (download)
“High School Nights” — 1985, #91 (download)

I’d love to hear a remastered version of “Almost Saturday Night.” It’s a good song written by John Fogerty, but it would be nice to see how great it would be with better production. “Almost Saturday Night” was off Twangin …, which would be Edmunds’s final album with his group Rockpile. In 1985 Edmunds put together the Porky’s Revenge soundtrack, which included the theme song “High School Nights.”

Dennis Edwards
“Don’t Look Any Further” — 1984, #72 (download)

This is an absolute classic R&B song from Edwards — one the lead singers of the Temptations. This is another one of those ‘80s R&B tracks that I feel has been used in a billion samples in the past few decades. The only one I can pick out off hand is 2Pac’s “Hit ‘Em Up” but I know there must be more. It was actually covered unnecessarily in 1988 by the Kane Gang. The female voice in this is an artist we will get to very shortly – Siedah Garrett.

Walter Egan
“Fool Moon Fire” — 1983, #46 (download)

Walter Egan is pretty much known for one song, 1978’s “Magnet and Steel” but this cool track was his fourth and final charting single. According to the ”official” Walter Egan website this song charted in the Top 40. Who am I to call bullshit on that? Wait, I guess by posting this I’m doing just that.

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(Vinyl Record Day) Mix Six: “Soundtrack Sounds of the ’80s”

DOWNLOAD THE FULL MIX HERE

When you’re a young adult and trying to find your way in the world, it can be a very liberating period.  It’s a time when your tastes aren’t solidified, and your mind is open to musical forms that people older or younger than you may find utterly abhorrent.  The science of this phenomenon is detailed in the book This Is Your Brain on Music by Daniel Levitin, but I’m fairly certain we’ve all experienced what Levitin writes about:  the music of our teen years (and early 20s) is just so much better than the crap that’s produced today.

I was going through my LPs the other day and found an inordinate number of soundtracks.  Yeah, the Footloose soundtrack was in there, but I started to find others that reminded me how intently I listened to the music used in films.  If I heard something I liked, I would usually drive down to Tower or Rasputin Records to see if I could get a copy after seeing the movie.  That was back in the days when, despite making just a little more than minimum wage, I had a disposable income for things like records.  Nowadays, while I still have a disposable income for music, there’s a kind of “download and forget” mentality that’s crept into my listening habits.  Sure, it’s more convenient to buy music as a digital download, but I would argue that it comes at a price.  And that price is the loss of anticipation and excitement about a record you bought at a brick and mortar store.

Dropping the needle on a new LP meant that you had to do more than just click a button.  It meant tearing off the cellophane wrapping, taking out the inner sleeve of the record (pausing to eye the cover art, if there was any), gingerly extracting the LP from the sleeve, placing it on the turntable, and carefully putting the needle on the vinyl.  For me, it was a ritual that reinforced the importance I placed on really listening to music.

While the music was playing, I would pore over the credits, liner notes, album art, and lyrics (if any).  I would file away nuggets of information gleaned from those notes, which would enhance the experience of listening to the music.  I can’t quite explain why, but knowing that composer X scored a film for director Y was important to me.  Somehow I think it made me feel more connected to the movies I was watching because I was able to enjoy the film on multiple levels. It is that total devotion to the music experience I find myself missing these days.  You know, getting completely lost in the music as you either cranked it up on the stereo speakers, or cranked it up on your headphones.

Alas, I find myself doing that less and less these days. Rediscovering the soundtracks presented here, however, has rekindled those memories of listening to music back in the day.  And the lesson learned is that I have to slow down and really start to listen again.

Because it’s Vinyl Record Day today, here we go with six selections from soundtracks that have all the snap, crackle, and pops that you may remember from those days of LPs and 45s. Oh, and this time I’m offering this mix in the usual “full mix” format and as individual mp3s. (more…)

@#$% Preconceptions: Eurythmics, “In the Garden”

Preconceptions can be a bitch.

Lemme give you an example. Back in 1981, I bought an album by a band called The Tourists, whom I knew nothing about, and, upon first listen, promptly became the hugest Tourists fan in southwestern Michigan. Okay, competition wasn’t exactly fierce.

Still, I never read a word about the band in the many rock magazines I devoured, nor did I see them on MTV (their video for “I Only Want To Be With You” may have aired a few times, but since I didn’t have cable, I never knew it) and, thus, they joined the growing list of obscure bands I loved, but knew little about.

A couple years later, former Tourists Annie Lennox and Dave Stewart, having begun recording as Eurythmics, were enjoying worldwide stardom on the heels of their second album, Sweet Dreams (Are Made Of This). Even though their music and faces were everywhere, I had not yet made the connection to their past.

Truth be told, by the time I did realize that they had been members of the Tourists, their singles had been played so often on the radio, Friday Night Videos, and the like that I didn’t think actually hearing the rest of the album would reveal any new surprises. I’d heard their music, thought it was decent enough, but just wasn’t compelled to join them for this ride.

Here’s where the preconceptions come in. (more…)

"a woman’s just too tired to think / about the dirty old dishes in the kitchen sink"

Returning to their earlier, experimental synthpop roots must have been too much for the casual Eurythmics fan, since 1987’s Savage remains their lowest-charting album (not counting the soundtrack for 1984).

Coming off the heels of the more rock-oriented Be Yourself Tonight and Revenge LPs and hits like “Would I Lie To You?” and “Missionary Man”, Top 40 radio programmers should have been ready for more of the same when presented with Savage’s first single, “I Need A Man”. A crunching guitar riff rides over a mechanical beat as Annie Lennox takes vamping to a whole ‘nother level. That video and single were preceded by a video-only “single” of “I Love To Listen To Beethoven”, which introduced the album’s loose concept, Annie as a Suffocated Housewife who slowly becomes a more liberated Marilyn Monroe analogue. The “I Need A Man” video picked up where “Beethoven” left off but the one-two punch was a bit much for Top 40 to take and “I Need A Man” pooped out at #46.

In an effort to salvage Savage, a more “traditional” Eurythmics song was chosen for the second single. “You Have Placed A Chill In My Heart”, an awesome kiss-off that should have been a sure thing. But the muted reception of the lead-off single dashed any momentum Savage had, and “Chill” faltered in the #60’s, despite being paired with an extended mix for the clubs.

Savage was supported by a Video LP, which featured clips for every song on the album, directed by Sophie Mueller and carrying the Housewife/Marilyn concept mostly throughout. A third single, “Shame”, my personal favorite from the album, was released almost as an afterthought. An indictment of ’80s club culture, the lyrics are even more relevant today:

Now there’s a lifestyle
Of painted lips
Now there’s a lifestyle
Everybody wants it, but it don’t exist

On the dance floors
On the cinema
On the TV
And the media
Shame

I have to wonder what may have happened if “Chill” had been the first single followed by “Shame”. It may have been a more palatable introduction for the masses and improved Savage’s sales. As it is, it stands as my favorite Eurythmics album and was remastered and re-released last year, so it sounds better than ever.

“You Have Placed A Chill In My Heart” peaked at #64 on the Billboard Hot 100 Chart in 1988.
“Shame” did not chart.

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