Posts Tagged ‘Fall Out Boy’

Jesus of Cool: We Wuz Robbed! Great #2 Hits of the ’00s

My apologies to anyone who’s been waiting with bated breath for me to wrap up this series – is there any such person out there? I left off in early August, with my review of songs that failed to wriggle their way past Mariah Carey and/or Boyz II Men to reach the top of Billboard’s Hot 100 during the ’90s. Since then I’ve faced the same trepidation I had last year while surveying the Worst Number One Songs of the ’00s – namely, the fact that I feel less than eminently qualified to pass judgment on the Auto-Tune Era. Finally, though, as Woody Harrelson puts it so eloquently in Zombieland, I decided it was time to “nut up or shut up,” so here we are.

Fortunately, I’ve got the artist kicking off our countdown to push me forward, and remind me why I took up this six-part (so far) endeavor in the first place. As always, I’ll conclude with a list of some other #2s from the decade.

11. “Work It,” Missy “Misdemeanor” Elliott. I don’t particularly care for this track, but there are a couple reasons why it’s a perfect launching pad for this column. For one, it represents a key step in the evolution of hip-hop toward raunchy themes and racy lyrics. Because Missy was as nasty as the boyz of her era, she absolved the trend of any misogynist stigma, and it was a quick step from “Work It” to the strip-club hip-hop soul that’s become so prevalent lately. Not that there’s anything wrong with that, necessarily … though when even Jordin Sparks is singing about “the club,” maybe the moment is over, huh? Anyway, the other key accomplishment of “Work It” was its 10-week stay at #2 — tied with Foreigner’s “Waiting for a Girl Like You” (which we celebrated here) for the longest runner-up run in chart history. And here’s where we’ve gotta give Missy her props, because she’s got the stones to admit that only reaching #2 with her biggest hit kinda sucked. “I just wanted to die those ten weeks,” she said of being blocked by Eminem’s smash “Lose Yourself” through the winter of ’03. “I mean, it wasn’t cool.” (more…)

The Friday Mixtape: 7/17/09

“Favorite Zeroes”

“Music is enough for a lifetime, but a lifetime is not enough for music.”—Sergei Rachmaninov
“Music and rhythm find their way into the secret places of the soul.”—Plato
“A wop-bop-a-loo-bomp. Alop-bam-boo.” —Little Richard

Fall Out Boy – Thriller (Rob’s Brady Mix) original track from Infinity on High (2007)
Peter Gabriel – On the Air from Peter Gabriel 2 (1978)
Kelly Buchanan – Favorite Zero from Kelly Buchanan (2008)
Lucky Soul – My Brittle Heart from The Great Unwanted (2007)
Sleater-Kinney – Light Rail Coyote from One Beat (2002)
Bob Mould – Underneath Days from Body of Song (2005)
Magnolia Electric Company – The Dark Don’t Hide It from What Comes After the Blues (2005)
Rancid – Disconnected from Let the Dominoes Fall (2009)
Red Light Company – With Lights Out from Fine Fascination (2009)
Social Distortion – Highway 101 from Sex, Love, and Rock ‘N’ Roll (2004)
Hold Steady – Yeah Sapphire from Stay Positive (2008)
Audioslave – One and the Same from Revelations (2006)
Neil Young & Crazy Horse – Too Lonely from Life (1987)
Sammy Hagar – Back into You from Sammy Hagar / I Never Said Goodbye (1987)
Rolling Stones – Heaven from Tattoo You (1981)
Red Hot Chili Peppers – Dosed from By the Way (2002)
Velvet Crush – Why Not Your Baby from Teenage Symphonies to God (1994)

How Bad Can It Be?: “Off the Bus and On the Record”

Rock ‘n’ roll, of course, is all about The Kids. No matter what the makeup of its actual audience — and evidence suggests that it varies widely — there’s an assumption that pop music fans skew overwhelmingly young, and the more commercial the act the younger the presumptive audience. That assumption is sometimes trotted out as a preemptive defense against criticism: This music isn’t made for you, Mr. Critic Man — we’re doin’ it for The Kids!

Now, some of that is just bullshit face-saving — a cynical conflation of the ideas of “broad appeal” and “lowest common denominator” that’s frankly insulting to any audience, no matter how young — but there’s a kernel of truth in it. Youth is a time when, perhaps because our own lives are so small and proscribed, pop culture seems so terribly huge and important; it is life on an epic scale, in which we participate by proxy. In adolescence, especially, our skins are at their thinnest, our nerve endings so close to the surface that the joys and pains of art, of music, can touch us in a way that they never really will again.

And so it’s a good thing, I think, to spend time around young people, to revisit that perspective. The kids at The Rock Star Stories have been disseminating that view since 2001, when the Rich siblings — a quartet of showbiz kids from South Florida — started producing their cheapjack cable access-style weekly half-hour. The production values were strictly Wayne’s World level, but the Riches and their scrappy cohort of Boca Raton high-schoolers were soon landing interviews with national acts. From that grew a nonprofit youth media training organization, a show that airs in nearly 70 national markets, and now a new book. Off the Bus and On the Record transcribes 22 interviews from The Rock Star Stories, along with behind-the-scenes tidbits from the show’s on-air talent and production staff. (more…)

Mix Six: “Cover Me”

mixsix.gifDOWNLOAD THE FULL MIX HERE

Cheers to you, you scurvy knaves! That’s my belated St. Patty’s Day toast to you — and I’m well aware that saying “scurvy knaves” is more English than Irish, but maybe I’m ready for a bare-knuckle brawl. No, really.

Actually, I’m ready to mix some musical goodness for your ears!


“Beat It,” Fall Out Boy featuring John Mayer

The fact that there’s seemingly a lack of humor in this version made me believe that Time magazine was right when they declared irony was dead. Then I saw a pic of John Mayer’s alter ego “Johnny Ballsac” in Rolling Stone and I realized Time was wrong. (more…)