Posts Tagged ‘Family Guy’

21st Century Digital Boy: TV Turn-Offs, Sylar Knifed, and Bye-Bye Dorothy

e00005201TV Turn-Off Week: While it’s not my official excuse for being away from you, this is my story and I’m sticking to it: Last week was “TV Turnoff Week”—an opportunity for the boobtube addicted (like me) to take a break and concentrate on the lost art of what us late ’70s/early ’80s kids used to experience as “family time” and “outside time.” Back then, family and outside time was more than just important… it was a way of life.

I grew up in an era when television was really hitting its stride and swelling with popular culture. We also had the hottest video gaming system in the universe (the Atari 2600) back then as well—the retro equivalent of the Nintendo Wii, Sony PlayStation and Xbox 360 all rolled into one. But we knew when to turn it all off.

Never mind that some of us remember what black and white television was like; we also knew the guerilla George Lucas Marketing™ on commercial television when we saw it. Everything was ultra-marketed. But none of those things seemed to be our undoing, because we knew how to park it in front of the small screen AND how to use our imaginations when our TV time was up. Our parents had a hand in that action. And we burned up whatever junk food we scarfed up by running around like banshees outside.

Our parents kept and eye on the clock and sent us out into the yard, where you’d re-enact your Starsky & Hutch, Knight Rider, The Dukes of Hazzard, Battlestar Galactica or Buck Rogers in the 25th Century episode(s) you just watched, or talked about how well you played Space Invaders and Pac-Man that week. The neighborhood kids were all into TV and video games, but they often spent four to five times the number of outside hours as inside. Especially during the prime outdoor seasons.

Back then, you didn’t see the level of obesity in kids (or adults, for that matter) that you do now. Or the level of mental “checking out” that you see in a lot of kids today. Everyone seemed to know when to turn it off and focus on physical activity. The boobtube wasn’t babysitting. (more…)

Dw. Dunphy On… Finding the Strangeness Whilst Spring Cleaning

Can I get a head count of all the bloggers out there reading this? Ten? Thirty-two? Forty-eight? … All of you? Well then, I suppose all of you will understand where this particular post is coming from. I’m always trying to dig up interesting things for the column, and now that I have a monthly Internet radio program here, I’m looking to supplement the materials cache. But as with any excuse a pack rat clings to, this incessant collecting catches hold of some rather bizarre detritus. So I’ve been looking into the files to give the hard drive a Web wiping, kick out the lascivious photos of Neko Case (rrrowr), and with any luck get the ol’ Compaq back into springtime fighting trim.

(Uh, what was I saying? Something about Red Vines? Focus! Focus!)

Like I said, I was digging around in the hard drive when what to my wandering ears should appear but this, a track entitled “When Banana Skins Are Falling (I’ll Come Sliding Back to You),” and gee, those voices are awfully familiar — and familiarly awful. Turns out I ended up with a track from the long-out-of-print The Odd Couple Sings album, recorded in the very early ’70s, when Unger-Madison Fever was sweeping the country. Now, it shouldn’t shock anyone that a cash-in was commissioned to capitalize on this sitcom’s huge success — such behavior is the cornerstone of our modern media, for cryin’ out loud. But The Odd Couple Sings? I mean, who was going to buy this thing? Who out there was jonesing for the dulcet tones of Jack Klugman? I was now intrigued and scared to death of what else I might find.

Remember just a few short weeks ago when America’s favorite pubescent Mensa pledge, Miley Cyrus, was caught doing yet another stupid thing in front of a camera, specifically her impression of Mickey Rooney in Breakfast at Tiffany’s? Poor little Miley. A victim of the politically correct times. Had she been born a couple decades previous, she would’ve already posed for Playboy, would’ve already been married and divorced, would’ve already found a second career as an infomercial pitchwoman, would be on her way to rehab for the tenth time could’ve been as insulting as she wanted to Asians and nobody would’ve flinched. Hell, she could’ve lent her talents to a TV cartoon complete with gong chimes, exhortations of “ah, soooo,” bloken Engrish, and more Confucius than your tiny mind could wrap itself around. You could get Ron Dante, the cartoon rock star once known as Archie (of the Archies), to provide pop tunes with mystery-related titles like “Whodunit” and vaguely stereotypical themes like “I’m the Number One Son” and nobody would bat an eyelash, flip a fan or fold a crisp, starched shirt for you. Oh Hannah, you dunce. You sure missed out.

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Popdose Interview: Duckman creator Everett Peck

duckman-1-and-2Animation fans rejoice, for Duckman, the irreverent animated show that aired on USA in the ’90s has finally arrived on DVD. CBS/Paramount has released all four seasons of the groundbreaking television series on two excellent box sets that are available now. Anyone who is a fan of Family Guy or Adult Swim should rush out and purchase these beautifully made DVDs — they include all 70 episodes of the cult show that starred Jason Alexander as Duckman, a lazy, sarcastic, obnoxious private eye who lives with his dead wife’s sister, his two kids, and his flatulent, mute mother-in-law.

Duckman premiered in March of 1994, and although it was never able to achieve the type of fame The Simpsons did (due in part to having its time slot changed several times), it did last for four seasons and was nominated for three Emmys. Controversial at the time for its dark, adult themes and overt sexual references, Duckman was a show that broke new ground in television animation. Never intended for children, it instead was an attempt to capture the twisted and funny going on’s that took place in the head of creator Everett Peck and the show’s producers/head writers, Jeff Reno and Ron Osborn. In addition, the show was co-produced and animated by Klasky Csupo, the eccentric company responsible for the original Simpsons shorts (and the first three seasons), as well as Rugrats, The Wild Thornberrys and several other Nickelodeon shows. The heavily European influence that was the Klasky Csupo trademark look fused well with Peck’s illustration style creating an imaginative, offbeat and colorful world.

duckman-3-and-4 As the DVDs reveal, Duckman was a fast-paced, biting comedy that took on the sacred cows of the establishment and made pointed social commentary about society, the media in particular. Alexander was perfectly cast to take on the rat-a-tat-tat pace of dialogue which required him to go from manic, over-the-top screaming to quiet, reflective monologues at a moment’s notice. Playing against Alexander’s brilliance are veteran voiceover actor Gregg Berger as Cornfed, Duckman’s no nonsense partner (he’s a pig) and Nancy Travis as Bernice, the identical twin sister of Duckman’s dead wife. The show was also significant for attracting numerous big-name guest stars, including Ben Stiller, David Duchovny, Carl Reiner and Brendan Fraser.

The first set compiles seasons 1 & 2 and includes running commentary over the first episode by Peck and Alexander, as well as “What the Hell Are You Starin’ At,” a great documentary short about the Duckman featuring interviews with all of the main players. The second box collects all of seasons 3 & 4 (48 episodes in all). Extras include footage of the original pitch pilot that Gabor Csupo funded to get Duckman up and running. (more…)

Dw. Dunphy On… “The Simpsons”

goodevilOkay, who hasn’t thought America’s favorite family has jumped the shark by now? Even with the success of last year’s movie (which I found quite funny) still fresh in the audience’s mind, the actual show has become something not so much unfunny as it is unfriendly.

Allow me to back up here. This assertion has been going on for a decade now, ever since a particularly harsh mean streak started to creep up on good old dullard Homer Simpson. His callous nature and general ignorance to all but his own personal needs cataloged deaths, a desire to get a friend back off the wagon ’cause he needed a drinking buddy, framing his wife for a DUI to save his own ass, and many a faux pas resulting in the viewing public crowning the character “Jerk-Ass Homer.” If there was an upside, it was that the rest of the characters seemed to be coping, uh, in character. The other saving grace was that, often, the show was still funny and still, dare I say it, human. As if to acknowledge that the audience’s statement was heard loud and clear, the term “Jerk-Ass Homer” started working itself into the scripts.

But now, in its millionth season on the air, all the characters are becoming jerk-ass. Homer dreams of suffocating his father, abandoning his kids, and shacking up with a rack of meat in a motel room. Marge also dreams of escape while attempting to live vicariously through her kids. Those kids, Bart and Lisa, are exhibiting less of a sibling rivalry and more of an ingrained hate for each other, and where the show once balanced the absurdities of real, mundane life with the occasional flashes of cartoonishness, now it is, inside and out, a cartoon.

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