Rhino Records laid off a lot of people two weeks ago. Some think the company is dead, while others, including former Popdose staffer/new Rhino guy John C. Hughes, implore us to be patient. As the poet said, “Time will tell just who has fell, and who’s been left behind …” But no matter what happens going forward, I hold in my hands a box set that will become part of the awesome Rhino legacy, and further confirm that Rhino is/was one of the last great record labels.
Big Star: Keep an Eye on the Sky is the shit, that thing the fanboys have been waiting more than 30 years for. It’s the validation, the vindication. It’s the drug, so open your veins, because now when your friends look at you blankly when you mention Big Star, you can sit them down, stick this in, all 98 tracks spread over four discs, hand them the beautiful 100-page booklet that comes with the set, and wait for them to finally acknowledge you as the trendsetter that you’ve always thought yourself to be.
That booklet I mentioned is as good a place to start as any. As usual, Rhino didn’t just dig up a bunch of moldy photos and hire some hacks to write trite copy. Following opening remarks from Ardent Studios owner and producer John Fry, we’re treated to a wonderful essay by noted Memphis musicologist Robert Gordon. Gordon gives us an oversight, the crucial details of Big Star’s career, such as it was. The story begins in Memphis in 1971 with creation of the band’s original lineup of Alex Chilton and Chris Bell on guitars, Jody Stephens on drums, and Andy Hummel on bass. The brilliant first album, #1 Record, that went nowhere. The departure, and later the death of Big Star co-founder Chris Bell. The even more brilliant second album, 1974’s Radio City, that once again got lost in the music business shuffle. The fateful decision to try one more time, the result being an album, Third/Sister Lovers, so dark and so fragile, that it wouldn’t be released for four years, and then only by a label, PVC, that had little to lose. (more…)
