Welcome to the third installment of a continuing series exploring some of the best – and some of the most egregiously wronged – hits of the rock era. A whole lot of hits that only reached pop’s runner-up slot have been largely forgotten; for example, oldies radio seems to have little use for the Poppy Family’s “Which Way You Goin’ Billy?” or BT Express’ “Do It Til You’re Satisfied.” But at least, as I looked back at the 1950s and ’60s, it seemed a healthy proportion of the #2 hits were terrific, or truly important songs that were justifiably blocked by other great singles … or at least got the shaft from idiotic trifles whose momentary appeal was understandable.

But then there was the ’70s – when, as it turned out, most of the hits that broke down during the 199th lap were just as silly and insubstantial as the ones that took the checkered flag. (See how the euphemisms keep on comin’? It remains to be seen whether I can maintain this level of cleverness straight through the Oughts, or whether I’ll pull up lame in the final stretch. See – another one!) Anyway, here we go with 10 good ones from the Me Decade. As always, I’ll list some more #2s at the end, and we can debate their merits in the comments.

10. “YMCA,” the Village People. Be honest: Who would you rather have coming after your children – the innocuous, mustachioed and very gay Village People, or “Do Ya Think I’m Sexy”-era Rod Stewart? Well, if you answered Rod, you got your wish in the winter of ’79, as he pulled a Kris Allen on everyone’s favorite bunch of costumed Adam Lamberts and bogarted #1 for four weeks. As for the other 99.9 percent of us, we can take delight in the fact that the last time we heard “Do Ya Think,” we were able to fast-forward through it on the TiVo during the American Idol finale – while you get to dance along to “YMCA” (though not this remix) during every single professional baseball game ever. So there.

9. “Live and Let Die,” Wings. Why did Paul McCartney’s Bond theme fail to reach the pinnacle? Maybe because it’s mostly an instrumental? Nah… (Edgar Winter’s “Frankenstein” had topped the chart just a couple months earlier.) Perhaps because nobody cared much about its host film? As if! (Live and Let Die topped the box office through much of June and July 1973, and was the 10th-biggest film of the year.) Perchance were there simply better songs out at the time? Well, the three (three!) songs that leaped over Roger Moore’s speedboat were Maureen McGovern’s “The Morning After,” fresh off its Poseidon Adventure Oscar victory; Diana Ross’ diva anthem “Touch Me in the Morning”; and Stories’ cover of Hot Chocolate’s “Brother Louie.” So I’d argue, no, that wasn’t it either. (Here’s the original version of the last song, which far less obviously references the Kingsmen.) Personally, I’d like to think that radio still had Macca in the penalty box for turning out so much crap over the past two years, up to and including his previous single “My Love” – one of the Worst #1 Songs of the ’70s. (more…)