Posts Tagged ‘Fountains Of Wayne’

Mix Six: “Summertime Songs”

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Like most kids, summer used to be such a great time of the year for me. School was out, you had all day to spend with your friends, and it was just nice not having to get up and be at a place where a bell signals the passage of time. That first month of summer vacation was amazing! Sleeping in, staying up late, swimming, playing sports, BBQs, and that general feeling that you were free. However, as the months wore on, extreme boredom set in, you were broke, and suddenly going back to school didn’t seem so horrible.

Now that I’m an adult, it’s easy to forget how magical a season it could be. But maybe this mix can capture the spirit of the good, the bad, and the stupid of summer.

“Steal My Sunshine,” Len (download)

At first glance, this really isn’t a song about summer, but the fact that “sunshine” is in the lyrics and the Andrea True Connection loop of “More More More” is the hook has summer written all over it. There are allusions to heat, laying on the lawn, and a relationship that’s gone wrong — so yeah, it’s definitely a summer song.

“Summertime,” DJ Jazzy Jeff & the Fresh Prince (Download)

Even though I’m a California native, I did live in Philadelphia for a couple of years, and living in a city where there are actually four seasons instead of just wet and dry, I never really understood why people would say they loved summer since, well, California has many hot days throughout the year. But if there’s a song that reminds me of summer in Philadelphia, this would be it.

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CD Review: Tinted Windows, “Tinted Windows”

tinted-windowsThe mark of any great power pop album is its ability to not only stick in your head after the music has stopped, but its ability to make you want to listen to it over and over again. By pop, I mean: Catchy, rocking harmonies, hooky guitars, and driving, powerful drums, a la Cheap Trick, the Raspberries, Sweet and the Knack. Those groups are obvious influences on the self-titled debut album of Tinted Windows, a supergroup of sorts that consists of Taylor Hanson, James Iha (formerly of Smashing Pumpkins), Adam Schlesinger of Fountains of Wayne, and Bun E. Carlos from Cheap Trick. Clocking in at just under than 40 minutes, this 11-song collection sounds in no way dated or retro. The band goes after every track with such enthusiasm and energy that the fun they’re having gushes out of the speakers. Tinted Windows just may be this summer’s soundtrack record.

The band came together out of a mutual passion for straight-ahead rock and roll. Schlesinger, Hanson and Iha wrote the songs with one specific rule: no keyboards. This kept the sound a little raw. When it came time for a drummer, all three knew they wanted someone who played like Carlos. Instead of looking for someone like Carlos, they decided to ask the legendary drummer if he’d be interested in participating. Despite his busy schedule, Carlos felt he couldn’t pass up the opportunity to play on material he thought was so good.

The leadoff track (and first single), “Kind of a Girl,” has already received some attention from radio and the Internet. However, the rest of the record holds up to the hype that has slowly been building since the song was first released to the public. “Kind of a Girl” is quickly followed by the equally radio-friendly “Messing with My Head,” which features crunchy guitars by Iha and a great sing-along chorus. Meanwhile, “Can’t Get a Read” is a straight-ahead rocker that recalls the best of Cheap Trick, and “Without Love” brings to mind all that was great about the Knack. One of my favorites is “Cha Cha,” a nice little slice of glam rock that ensures Tinted Windows never get mistaken for any of the pop acts Disney’s forever churning out. Even when the band slows things down, on songs like “Dead Serious” and “Back with You,” the aching and earnestness comes off as sincere and not posturing. Although only 26, Hanson has the life experiences (married, four kids) that make what he’s singing so much more believable than the Jonas Brothers or Taylor Swift. (more…)

The Popdose Interview: Kelly Jones

kelly-jones-1It’s your third album. You’ve written and performed songs that recall the best tunes from simpler, more fun times, yet they reveal true songwriting talent and a desire to do more than flog the studio gimmick of the moment. You’ve also somehow found yourself working with pop-music gurus Mike Viola and Adam Schlesinger. If all of this strikes you as oddly familiar, you might just be Kelly Jones, and at this moment Popdose is catching up with you.

Popdose: You’ve just released your third CD, SheBANG! and you’ve found yourself in this pretty impressive pop collective, considering Mike Viola, Adam Schlesinger, Ducky Carlisle and the people they’ve worked with. How did you come together with them?

Kelly Jones: It all started very organically with Adam Schlesinger.  Sometime in 2004 while out to see a show, I recognized him and introduced myself.  I had only discovered Fountains of Wayne in 2002 or 2003 so I was very excited to say hello and gush over his music.  We exchanged info and I visited his studio (Stratosphere Sound). He came and watched me perform, and we became friends!  Then sometime in 2007, he introduced me to Mike Viola.  Coincidentally Mike and I were both playing the same night at the Living Room in NYC.  I saw the tail end of Mike’s set and was hooked.  I thought he was brilliant.  He had another show the following week so I went to that and we chit-chatted afterward and also became fast friends.  I started sitting in with him during his sets and the more we worked and sang together the more I decided he would be the perfect producer for the pop record I wanted to make.  Then I met the famous Ducky Carlisle when we traveled to Medford, Mass. for our first recording session at (his studio) Ice Station Zebra…

Could you give a little background on your career so far and what brought you to this point?
I’m originally from a small town just north of Portland, Oregon.  As a child/teenager, I was a dancer and trained in classical piano.  I moved to New York City in 2003 to get closer to the action and decided it was my chance to really pursue a life in music.  I completed my first record called Brave Heartache at the end of 2003.  it’s alt-country for lack of a better term.  Country music was one of the genres I was most familiar with growing up and went hand in hand with gospel music which I sang a lot of in church.  It seemed to be the natural first step for me as I was writing my first songs and I think it served me well at the time. After completing that record, I got a great band together here in NYC (which I still work with), we started playing a bunch of shows and I started to build a little following. (more…)

Hooks ‘N’ You: The Click Five, “Modern Minds and Pastimes”

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How can you tell the difference between a good music critic and a bad music critic with a single question? Well, your mileage may vary on this, but for my money, you need only ask them to tell you their guilty pleasures. If they offer no hesitation whatsoever before launching into their list, then you should consider their opinions to be suspect. On the other hand, if they hem and haw for a moment before offering up a response that’s half an answer and half a clarification that “if you like something, then you shouldn’t feel guilty about it,” then it’s probably worth adding their RSS feed.

If you’re wondering, I don’t have the ego to suggest that I’m a must-add, mostly because I’m prone to answer the question by saying, “I know I shouldn’t feel guilty about liking them, but…” And as you’ve probably guessed, I have on more than one occasion ended that particular sentence by citing The Click Five.

In 2005, the Click Five released their bouncy debut album, Greetings from Imrie House, and picked up two distinct audiences the moment they left the gate: the power pop fans, most of whom discovered the album because Adam Schlesinger (Fountains of Wayne) had a hand in writing two songs on the record, and the teenaged girls, who just thought the band was cute. It’s sad but true that the former audience is pretty well negligible when it comes to sales figures, but the latter helped Imrie House sprint to #15 on the Billboard album chart, thanks to the powerhouse first single, “Just the Girl.” If you scour the song titles and the credits, you’ll see that one of the two Schlesinger songs is “I’ll Take My Chances,” which was originally recorded by Swirl 360, who’ll score their own “Hooks ‘N’ You” column one of these days. You’ll also discover that Paul Stanley…yes, the one from KISS…co-wrote “Angel To You (Devil To Me),” and that Elliot Easton – late of The Cars – contributes guitar to that song and well as “I’ll Take My Chances.” In other words, it’s not hard to argue that there’s more street cred here than on your average bubblegum pop-rock album.

So how did they decide to follow it up? Why, by replacing their lead singer, of course!

Talk about killing your momentum stone dead.

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The Year in Rock: 1996

Welcome to a series I began at He’s A Whore and am proud-as-punch to continue here at Popdose. While not able to mention everything that happened, I’ve touched upon some of the key events that made 1996 what it was, warts ‘n’ all.


Kiss announce plans to reunite with original members Ace Frehley and Peter Criss as part of a “farewell” world tour.

In March, Phil Collins announces his decision to leave Genesis.

That same month, the Sex Pistols announce plans for a reunion tour marking the 20th anniversary of the band’s formation. (more…)