Posts Tagged ‘Fred Bronson’

Jesus of Cool: We Wuz Robbed! Great #2 Hits of the ’80s

It’s amazing, the things a guy can learn even at my advanced age. The real treat for me, in slapping together this (too)-long-running series – which already has examined hits from the ’50s, ’60s and ’70s that ran out of gas just one block short of the Texaco – has been the opportunity to put into context some of the music-geek trivia that’s been crowding out more important information in my head for the last 30 years.

I’m embarrassed to say I was able to sit down at my laptop and reel off the names of about three dozen #2 hits from the grand and glorious ’80s without even cracking open my ever-present Joel Whitburn or Fred Bronson singles bibles. (The fact that I could do that, but can’t tie a Windsor knot, may explain why my career on Wall Street never took off. It also made narrowing down to 10 songs for this list a painful experience.) But it’s one thing to keep song titles and chart placements in your memory; it’s another to marvel at the tricks of fate, poor taste, or record-biz manipulation that launch one single over another on the way to Top 40 glory. Take this first juxtaposition, for example:

11. “Hazy Shade of Winter,” the Bangles. Here’s the hit that slaps some sense into those who mistake the Bangles for a novelty act, or stubbornly cling to the notion that Susanna, Vicki, Debbi and Michael didn’t really rock. They took a 20-year-old, twee-as-all-get-out Simon & Garfunkel tune and turned it into a fuzz-guitar anthem of ’80s excess, the perfect theme for what should have been a much better movie based on Bret Easton Ellis’ Hollywood-druggies novel Less than Zero. (Funny how the movie biz managed to mangle both Ellis’ book and Jay McInerney’s New York equivalent, Bright Lights, Big City. Of course, casting pretty boys Andrew McCarthy and Michael J. Fox as jaded protagonists didn’t help.) Anyway, how were the Bangles rewarded for their maturity and brilliance in transforming “Hazy Shade of Winter”? They were left in the dust by the god-awful ballad “Could’ve Been,” which might have been less terrible had it not been butchered by that caterwauling, flavor-of-the-month, shopping-mall princess Tiffany. A slightly interesting fact about “Could’ve Been”: Its composer, Lois Blaisch, was “discovered” while singing for her supper at a recently-shuttered restaurant a few miles from my house, called the Hungry Hunter. I knew there had to be a reason why I never considered going into that place … besides, of course, the goofiness of its name, particularly considering that it sat in the middle of a SoCal strip mall… (more…)

We Wuz Robbed! Great Number 2 Hits of the ’50s

Last year, in the midst of compiling my “Worst Number One Songs of the Rock Era” series, I began contemplating the sad, sorry fate of those records that have come up just short of the top slot on Billboard’s pop charts. After all, nobody celebrates even the greatest, or biggest-selling, #2 hit as a colossal achievement, the same way even the worst #1 hit ever (“Honey”?) is honored. You don’t see Fred Bronson compiling five editions of The Billboard Book of Number 2 Hits, do you?

Put it this way: “Waiting for a Girl like You” sat at #2 for 10 weeks in 1981, behind a bunch of fat guys doing aerobics. “I Want to Know What Love Is” got to #1 for two weeks in 1985. A quarter-century later, which song is considered Foreigner’s biggest hit?

So, beginning this week we honor some of those great songs that, for whatever reason, never got that Casey Kasem drumroll on American Top 40. And when I say “for whatever reason,” I mean it: Sure, many times a single has simply been blocked by a bigger, better rival, but heaven knows there have been plenty of payola/cocaine/label/radio shenanigans through the years that have kept a deserving song from ascending to glory. As I explored last year, the Top 40 has never been a perfect beast; who knows how many times a single has gotten stuck at #2 because some program director’s girlfriend just adored those cute Osmond boys?

Today we start with five singles that never reached the top during the post-“Rock Around the Clock” 1950s. But first, a brief explanation of my methodology for including records in this survey. Initial choices were based on quality; if one’s first response to a song title is “I can’t believe that didn’t make it to #1,” or if a #2 single seems (in retrospect) infinitely better than the song that screwed it out of the top spot, it’s here. Beyond that, over the course of the survey I’ll feature some singles that topped out at #2 during the latter stages of another song’s extended run in the top spot, figuring things might have been different if it weren’t for some amount of programming inertia at radio. After I identify my picks for each decade, I’ll list some other #2s and open the comments section for debate on who got shafted the worst.

Here we go! (more…)

CHART ATTACK!: 3/16/91

Happy Friday and welcome to another edition of CHART ATTACK! So last time we met here to dissect a Billboard chart, it was a Top 10 from 1971, and I got my ass handed to me by readers who (rightfully) corrected me on a million small errors I made (okay, okay, it was a Tony Orlando impersonator, not Tony Orlando! I’m sorry!). So this week, to try and save face, I thought I’d fast-forward ahead 20 years to a chart you probably don’t care about. That being said, if I botched something here, keep it to yourself let me know. Sit back and try to enjoy our journey back to March 16, 1991!

10. Hold You Tight — Tara Kemp Amazon iTunes
9. Where Does My Heart Beat Now — Celine Dion Amazon iTunes
8. Get Here — Oleta Adams Amazon iTunes
7. All the Man That I Need — Whitney Houston Amazon iTunes
6. This House — Tracie Spencer Amazon iTunes
5. All This Time — Sting Amazon iTunes
4. Coming Out of the Dark — Gloria Estefan Amazon iTunes
3. Show Me the Way — Styx Amazon iTunes
2. One More Try — Timmy T Amazon iTunes
1. Someday — Mariah Carey Amazon iTunes

10. Hold You Tight — Tara Kemp

Anybody remember Tara Kemp? She had two singles in the Top 10, this one (which peaked at #3) and “Piece of My Heart,” which reached #7. This song vaguely rang a bell, but I’m not sure why: it really doesn’t have anything original going for it. It never changes chords and the drum beat seems as it was ripped off of Soul II Soul. Even worse, the song has quite a few irritating qualities. Let’s start with the “oh, whoa” that is clearly supposed to be the clever hook of the song.

Then let’s build on that with a synth riff that my dog could have written.

Then, let’s take the part where Tara breaks it down with some funky singing.

What the hell is that yelp at the beginning? On its own, it’s actually quite creepy. Imagine being married to Tara Kemp and hearing this whenever you forgot to take out the garbage.

And yet…at 2 A.M. last night, I couldn’t get “Hold You Tight” out of my head.

9. Where Does My Heart Beat Now — Celine Dion

I’m not gonna lie to you: I owned this album. I bought it after I heard her knock her vocal in “Voices That Care” out of the park. And although I only listened to it once and I don’t remember any of other songs, I’ll step up and defend this one. I think it’s a strong ballad and was a great choice to introduce Celine to the American audience: the single went to #4 and became the first of her ten Top 10 singles. And here’s a surprise for you (and me): this single was not produced by David Foster!

You were all expecting me to rip Celine apart, right? I can’t do it. I know it’s the popular thing to do, but I can’t really find any reason to dislike her. She has a fantastic voice, and she gives your mom a reason to still buy music. That should be enough right there, but if it’s not, you should watch this video (if you haven’t already). It’s obviously trying to be snarky, but I think it kind of fails in that regard.

8. Get Here — Oleta Adams (download)

Here’s what I’ve learned about Oleta Adams and “Get Here”:

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