Posts Tagged ‘Garbage’

CD Review: Vic Chesnutt, “Skitter on Take-Off”

41yjsf3R7zL._SCLZZZZZZZ_[1]How much do you know about Vic Chesnutt? You might know that he currently resides in Athens, GA, and that his first two albums were produced by that city’s most famous citizen, Michael Stipe of R.E.M. You might also know that Chesnutt was left partially paralyzed following a car accident in 1983, and that 1996 saw the release of Sweet Relief II: Gravity of the Situation, a tribute to Chesnutt. The album featured covers of Chesnutt’s songs by the likes of Madonna, Garbage, REM, the Smashing Pumpkins, and Live. Chesnutt has collaborated with Widespread Panic, Lambchop, Bill Frisell, among others, and he’s released over a dozen albums on various labels over the years.

Skitter On Take-Off is Chesnutt’s first album for Vapor Records. It was produced by indie legend Jonathan Richman and his drummer Tommy Larkin, and they had a very definite idea of how they wanted the album to sound. According to Richman, “We were both thinking that the way to get the feeling for Vic as a listener was to hear just Vic — no arrangements, no guest guitar solos, no “ironic” touches or anything else to cloud his voice or his poetry.” The end result is an album that features Chesnutt on guitar and vocals, Richman on guitar and harmonium, and Larkin on drums. It was recorded completely live, and there were no overdubs. (more…)

Bootleg City: The Mayoral Race Is Heating Up!

It’s hard not to get paranoid when you’re an elected official.

First there was the August catnapping that turned out not to be a catnapping. (Cats who take naps don’t make me paranoid, hence the use of the compound word. Nevertheless, they’re always watching. Don’t forget that.) But then came September’s disastrous outdoor screening of The Wizard of Oz and those particularly potent poppies planted purposely in front of the screen.

You could chalk that one up to garden-variety stupidity on my part since I’m the one who ordered the poppies, but let the records and tapes and whatnot show that I’ve never tried to hide that stupidity from my constituents, nor have I ever been smart enough to know where to hide it in the first place. But what if the poppies were switched out by one of my opponents in the upcoming mayoral race to make me look bad?

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Top of the First: Popdose’s Music Picks for 2009 (So Far)

David Medsker:
As a rule, music lovers begin their journey square in the middle of the mainstream, and once they’ve gotten a taste for more adventurous fare, they take off for the fringes, often never to return. Over time, I’ve slowly found myself coming back to the middle. I have to say, I never thought this would happen. But then again, I never thought I’d move back to Ohio after over a decade in Boston and Chicago, but that’s life for ya: it changes you in ways you can’t anticipate.

This is all a roundabout way of saying that my list, much like last year’s list, isn’t exactly hip, or edgy, but that’s mainly because I’m not hip or edgy. I like what I like, whether it’s Massive Attack or Mandy Moore. And here are five albums from this year that I really, really like.

38ea810ae7a05023171b0210.L._SCLZZZZZZZ_[1]Metric: Fantasies
I am admittedly late to the Emily Haines Show – a friend of mine persuaded me to download Live It Out a few years ago, but it never hooked me – but their latest is a monster blast of New Wave-tinged DOR that Garbage would kill for. Metric – “Stadium Love”

The Hours: See the Light

Epic, sky-high pop that recalls the best of the Verve, Keane and even the Wonder Stuff in singer Antony Genn’s delivery. The title track is a “Common People”-style slow burner and one of the finest pieces of British pop I’ve heard in years. The Hours – “Big Black Hole(more…)

Song-Off Jr.: Being Happy When It Rains

happyrain

“My sorrow, when she’s here with me, thinks these dark days of autumn rain are beautiful as days can be; she loves the bare, the withered tree; she walks the sodden pasture lane.”  – Robert Frost

“I don’t consider myself a pessimist. I think of a pessimist as someone who is waiting for it to rain. And I feel soaked to the skin.” – Leonard Cohen

“If a kid asks where rain comes from, I think a cute thing to tell him is ‘God is crying.’ And if he asks why God is crying, another cute thing to tell him is ‘Probably because of something you did.’” – Jack Handey

Garbage – “I’m Only Happy When It Rains”

The Jesus and Mary Chain – “Happy When It Rains”

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Who would it make you happier to see in soaking wet clothing?

View Results

Last week the Police completely ignored the restraining order, as “Every Breath You Take” terrorized “Two Steps Behind” to the tune of 77% of the vote (our second-most lopsided victory ever).   Next week, we celebrate the fact that I’m almost done painting the goddamned bathroom with a pair of songs about Turning Things into a More Intense Shade of The Thing that They Already Are.

Lost in the ’90s: Garbage, “Subhuman”

lit90s

Most bands would be happy to have one or two songs on their debut album considered strong enough to be singles.  But what happens when your record label is so pleased by the number of potential hits, they’re afraid to release too many too soon?

A strange question that faced alt-pop quartet Garbage when their self-titled debut was ready for release in 1995 – their UK label, Mushroom, wanted to build on the buzz that greeted the band’s first single, “Vow,” without dipping too soon into the hit single well that was Garbage the album.  Their solution?  Release one of “Vow’s” b-sides as a limited-edition single.

“Subhuman” (download) was released in a strictly limited run of 3,000 copies. It’s somewhat of a collector’s item these days, since the song has never resurfaced – besides the limited-pressing single, it’s only been featured on Asian versions of the band’s debut. That’s a shame, since “Subhuman” is one of my favorite Garbage songs, an almost industrial rocker that would fit nicely on a greatest hits or singles compilation.  Hey, now you can make your own!

The “Subhuman” CD single featured, surprise, “Vow” as one of its b-sides, while the other, “#1 Crush,” (download) was remixed a year or so later by Nellee Hooper for the Romeo + Juliet soundtrack.  That version went on to spend four weeks at the top of the Billboard Modern Rock Chart, no mean feat for a tossed-off b-side.  The original version featured here is a rawer take on the song, and I actually prefer it to the more famous remixed version, indie-rock snob that I am. (more…)