Posts Tagged ‘General Public’

White Label Wednesday: Medsker’s Retro Beat Mix

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In the comment section of last week’s White Label Wednesday column on ABC, Ted lamented that I didn’t beat mix the songs together. Today, he gets his wish.

I made roughly 15 to 20 beat mixes during my time as a DJ in college (1987-1991). I didn’t own any gear, so I either made the mixes after hours at the clubs where I worked or I used the gear of a fellow DJ friend, who was brave enough to have his gear in his dorm room. Since the mixes were all recorded on cassette, very few have made the jump to the digital realm. Easy CD Creator had an add-on earlier in the decade that enabled people to input analog sources into their computer, and it would record the tracks and break them down. The program was clearly designed for vinyl, thinking that it would create a new file whenever a song ended or faded out. With beat mixes, this was a little more complicated, since the idea is for there to never be a break. I’d end up with one 12-minute file, and then 15 ten-second files. I would then take this .wav file editor and put the songs back together. Wheee.

The worst thing about uploading the tapes was that the digital recording was really quiet, so I would have to amplify the tracks exponentially, which of course amplified the tape hiss as well. You don’t really hear it when things are jumping, but when a song got quiet…whoooooosh! I should just break down and get one of those USB turntables that can convert vinyl and cassettes, but there is just one problem: I have no money, and with two kids, no time. So most of my tapes are still tapes. (more…)

The Popdose Interview: Dave Wakeling

This is how the history of Dave Wakeling goes: The English Beat, General Public, solo career, then back to General Public, and then to bring it nicely full circle, back to the English Beat once more, which is where he currently resides.

Granted, the current incarnation of the band that’s touring North America at the moment isn’t quite the same as you remember it from the 1980s…Wakeling fronts the English Beat here, while Ranking Roger and Everett Morton are at the helm of the Beat in the UK, while Andy Cox and David Steele sit at home on piles of Fine Young Cannibals cash…but the moment the instant familiarity of Dave’s voice washes over you, you’ll most likely make the snap decision to just shut up and dance.

Popdose had the opportunity to chat with Mr. Wakeling not only about the past history and present state of the English Beat but about his entire career, making stops to check on the status of Saxa, to get a little bit of the lowdown on all three General Public albums, to find out why it took so long between the release of Wakeling’s first solo single (”She’s Having A Baby”) and the subsequent album (No Warning), and to see what he thinks about his former boss at IRS Records, Miles Copeland.

Popdose: Well, I know you’re on tour, but where are you at the moment?

Dave Wakeling: I’m in Calgary, in a carpark at a Best Western Hotel. It’s beautiful, and we’re just heading out in about an hour to the university, where we’ll play a show tonight. And then we’ve got a beautiful drive to Minneapolis.

Ah, very nice.

Yeah, 1,400 miles of very nice. (Laughs)

(Laughs) I hope you guys get along.

Yes!

So how’s the tour been going thus far?

The tour has been going absolutely fantastic. You know, you never want to tempt fate, but it feels like we’re on a bit of a roll, to be honest. The capacities are all bigger than last time, the reviews are better than last time, and just everything seems to be heading in a very positive direction. The new songs in the set are going down great, and people are lining up at the t-shirt stand, asking where they can buy a new CD, so I should say that everything’s heading in the direction of my dreams at the moment.

It certainly sounds as though it bodes well.

Yes!

Well, the idea of the English Beat doing a 30th anniversary tour makes me feel old, so I can only imagine how it makes you feel. Or does playing music keep you feeling young?

Well, there is that as well. Thank heavens that there’s something timeless about music, and so that helps you get through the thinking about all the years. Luckily, I was drunk for half the time, so I don’t remember much of it. (Laughs)

Well, that does help.

It did at the time. Now, I’m happily and gratefully sober, so I can sort of appreciate a bit more of it whilst I’m actually doing it.

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