Posts Tagged ‘Giorgio Moroder’

White Label Wednesday: Summer 1986 Mixtape

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From a personal standpoint, the summer of 1986 was, well, awful. I just graduated from high school, and had absolutely no idea what I was going to do from there. (Man, were we lucky in that regard; the kids today do not have that option.) My musical life was undergoing a similar transformation. I had always been a pop boy who dabbled in off-the-radar bands — which, in the early ’80s, meant Simple Minds and Icehouse — but after two seminal modern rock albums and a game-changing soundtrack appeared in the spring (Depeche Mode’s Black Celebration, the Smiths’ The Queen Is Dead, and the soundtrack to Pretty in Pink, for those keeping score at home), I could tell that a change was a-coming.

But a leopard doesn’t change his spots; while I was eagerly devouring this strange new music coming out of the UK, I was also still buying albums like Glass Tiger’s The Thin Red Line. Hey, like I said, I’m a pop boy, and today’s six-pack is a somewhat fond look back at when Pop Boy met Alterna-Boy.

Pet Shop Boys – Opportunities (Let’s Make Lots of Money)
Never mind being one of the greatest singles acts of all time – the Pet Shop Boys are one of the best BANDS of all time. This single marks the first of many PSB songs to be mixed by the once-ubiquitous Shep Pettibone, and he’s not subtle about his intentions, taking the original version’s syncopated, slightly industrial drum track and replacing it with a fat-ass kick and snare, with an actual bass guitar playing the bass line. True story: I used the contact information on the back of this 12″ single to try and score an interview with Shep for a college paper. His manager told me Shep was too busy…but would I be interested in talking with Junior Vasquez? Yes. Yes, I would. (more…)

Bottom Feeders: The Ass End of the ’80s, Part 62

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We’ve reached the end of the longest letter we’ve had in a while, and we leave it in style — and/or a pile of adult-contemporary crap. Take your pick. Enjoy the final week of the letter M as you listen to a lot more from the ass end of the Billboard Hot 100 chart during the 1980s.

Michael Morales
“I Don’t Know” — 1989, #81 (download)

MoralesIf you type “Michael Morales” into Wikipedia, you’ll get the profile of some convicted murderer. Now, the musician known as Michael Morales may have been pretty crappy, but the only thing he’s murdered are my eardrums. (Ba-dum-bump! Here all night, folks!)

In the world of Top 40 hits there are very few songs I would consider obscure, but Morales’s first two singles might fall into that category. In 1989 “Who Do You Give Your Love To?” went to #14, and his second, a cover of the Romantics’ “What I Like About You,” went to #28. Then “I Don’t Know” dropped, and you know what — I don’t know if I’ve ever heard Morales’s actual vocals. All three of these songs are so layered, processed, and fake sounding that I feel like I’m listening to a machine instead of a human. But if his vocals were so bad that they needed to be that processed, how did he ever get a deal in the first place? “What I Like About You” would go down as my least favorite cover song of the decade if it weren’t for Roger’s (Troutman) mind-melting 1981 cover of “I Heard It Through the Grapevine.”

Meli’sa Morgan
“Do Me Baby” — 1986, #46 (download)

It was a nice, cool night in 2006 when I came home from work and quietly ran into the record room without my girlfriend noticing. I put “Do Me Baby,” still in the picture sleeve, on top of the turntable. As I was unpacking my stuff from work, I asked her to go into the room and put on this new Prince cover I’d gotten because I thought she’d like it.

She told me to do it myself.

After a few more tries, I finally convinced her to go into the record room. When she picked up the 45, underneath it was a diamond ring.

Yes, I got engaged to Meli’sa Morgan’s cover of Prince’s “Do Me Baby.” A romantic at heart, I am.

Check out the video with Sadao Watanabe on saxophone:

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