Posts Tagged ‘Gladys Knight & The Pips’

DVD Review: “Motown: The DVD”

Motown: The DVDLet’s begin with the facts. Motown: The DVD contains 18 vintage clips of Motown artists performing some of their best known songs. Only five of the 18 are actually live performances. Of these, Gladys Knight and the Pips’ performance of “Grapevine” at the 1972 Save the Children Concert and Smokey Robinson & the Miracles doing “Tears of a Clown” on the Andy Williams Show in 1971 stand out. The rest of the clips have been gathered from a variety of U.S. and overseas sources including the Ed Sullivan Show, the Mike Douglas Show, Hullabaloo, and Live from the Bitter End.

Interspersed between the songs are excerpts from interviews with Motown artists. These include Mike Douglas speaking with Smokey Robinson, Motown-founder Berry Gordy on a local Detroit show called Teen Town, and some thoroughly cringe-worthy shtick featuring Lloyd Thaxton with the Temptations. Bonus features include previously unseen footage from the Motown Picnic, circa 1970. Basically it’s the company’s home movies. There are a couple of poignant shots of a young Michael Jackson in this footage. The complete Gordy Teen Town interview is here, as is a 1959 featurette about what was going on in the world in the year that Motown was founded. A Maypo commercial and a trailer for a Brigitte Bardot film are fun, but that is no reason to buy this DVD. Sadly, the 1959 newsreel is the most interesting thing in this package. The accompanying booklet features a nice essay by Stu Hackel. (more…)

CHART ATTACK!: 11/3/73

Folks, I’ll be the first to tell you that our last CHART ATTACK! was just a little depressing. Marky Mark? Ugh! Color Me Badd? Ugggggh! Bryan Adams? Uggggggghhhh!  Good news, though: I’m pleased to report that this week’s Top 10 is much, much better — sure, there are some mild clunkers, but the majority of these songs are absolutely fantastic. See if you agree as we attack November 3, 1973!

10. All I Know — Garfunkel   null
9. Space Race — Billy Preston
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8. Let’s Get It On — Marvin Gaye null
7. Ramblin’ Man — The Allman Brothers Band null
6. Heartbeat – It’s a Lovebeat — The DeFranco Family Featuring Tony DeFranco
5. Paper Roses — Marie Osmond
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4. Half-Breed — Cher null
3. Keep On Truckin’ (Part 1) — Eddie Kendricks null
2. Angie — The Rolling Stones null
1. Midnight Train to Georgia — Gladys Knight & the Pips null

10. All I Know — Garfunkel (download)

Following the breakup of Simon & Garfunkel in 1970, Art Garfunkel removed his focus from the music business; for three years, he focused on his acting career, appearing in Mike Nichols movies such as Catch-22 and Carnal Knowledge, taught mathematics at a private school in Connecticut, and studied classical music in Europe. Finally, in 1973, he assembled a group of songwriters (what, you thought he was going to write songs himself?) and recorded songs for a new album, entitled Angel Clare. The first single, “All I Know,” was written by Jimmy Webb (the first of many Garfunkel/Webb collaborations) and was his first solo entry on the Top 10 — and by “first,” I mean “only,” though he did have three #1 hits on the Adult Contemporary charts. The song is exactly what you’d expect: musically, it’s “Bridge Over Troubled Water” minus the bridge or troubled water, and lyrically, it’s deep into Mellow Gold territory. Art’s voice sounds a touch creepy here on the original, especially any time he gets near a low note. Still, it’s quite pretty, and you really can’t go wrong with songs like these, especially ones that feature Webb’s beautiful piano. The only thing I don’t understand is why, for his first few albums, Art was only billed as “Garfunkel.” Was he concerned that if he added the “Art,” people wouldn’t know who he was? How many Garfunkels are out there, really? If he wanted to capitalize on familiarity, perhaps he should have billed himself as “& Garfunkel.”

I found a nice video of Art Garfunkel performing “All I Know” on Saturday Night Live, but it’s on a Chinese website and I can’t figure out how to embed it. Still, it’s worth a watch; the song is much more effective in this stripped-down incarnation.

9. Space Race — Billy Preston

I personally had never heard “Space Race” before this week, but if you watched American Bandstand regularly, chances are you’ll recognize it as the music played during the mid-show commercial break, from 1974 until the show’s end. It worked great for that purpose, too — a sequel of sorts to 1972’s “Outa-Space,” “Space Race” is a thick slab of instrumental funk with a fantastic groove. But here’s the thing: on American Bandstand, you never got to hear more than a few seconds of the song. At around a minute and a half, it becomes pretty clear that a better title would have been “Holy Crap You Guys, I Just Got a New Keyboard and Look at All the Cool Sounds I Can Make, Wah Wah Wah Wah!” I can’t help but wonder if this song is what inspired Daryl Dragon to buy a Casio, and that just breaks my heart. Still, I can’t give Billy Preston too much grief. Apart from having the world’s greatest afro, the man was an unbelievable talent. And who doesn’t love the hell out of “Nothing From Nothing”?

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CHART ATTACK!: 7/20/74

Hi again, everyone! Thanks for all the fantastic comments on the all-Michael Jackson edition of CHART ATTACK! Did you notice that Motown jumped all over his death and released Michael Jackson: The Stripped Mixes? And it’s scary to think that this is only the tip of the iceberg. But that’s all I’m going to say about it — I’m all MJ’d out and I imagine you are, too — so this week, let’s go back a full 35 years and see what was at the top of the charts for the week ending July 20, 1974!

10. If You Love Me (Let Me Know) — Olivia Newton-John  Amazon
9. The Air That I Breathe — The Hollies Amazon iTunes
8. You Won’t See Me — Anne Murray  Amazon iTunes
7. Rikki Don’t Lose That Number — Steely Dan Amazon iTunes
6. Rock the Boat — The Hues Corporation Amazon iTunes
5. On and On — Gladys Knight & the Pips Amazon iTunes
4. Don’t Let the Sun Go Down on Me — Elton John Amazon iTunes
3. Rock and Roll Heaven — The Righteous Brothers  Amazon
2. Annie’s Song — John Denver Amazon iTunes
1. Rock Your Baby — George McCrae Amazon iTunes

10. If You Love Me (Let Me Know) — Olivia Newton-John

This song is a pretty simple pop-twinged country tune (it peaked at #2 on the Country chart and remains her highest charting song there), and is a fine vehicle for ONJ’s beautiful voice. However, the choruses feature a backing vocal by what can only be described as a drunk bullfrog. There are a number of voices joining in behind Olivia on the chorus, but this guy is just way lower (and louder in the mix) than the others, and it sounds odd. I mean, clearly it was done to achieve a certain feel, but I just can’t get behind it. What I can get behind, though, is any clip of Olivia Newton-John, ever, because she is SO DAMN CUTE.

9. The Air That I Breathe — The Hollies

I really love this song. For me, it’ll always be one of those songs that just transcends time and genre. That being said, it’s a cover fave for many “light” artists: Barry Manilow, k.d. lang, Air Supply, Judy Collins…the list goes on. The Hollies version is actually a cover itself; it was co-written by Albert Hammond and Mike Hazlewood and recorded by Hammond in 1972. Phil Everly covered it in 1973, and in 1974 the Hollies had, by far, the greatest success with it, reaching #6. It wound up being the last of their numerous top 10 hits. I like Hammond’s original version, and I’m also partial to a cover by Semisonic; those links will take you to the excellent Coverville podcast where I heard both for the first time.

I was thinking about including a clip of the Hollies performing the song, but then I’d be turning down a perfectly good opportunity to look at Olivia Newton-John again. So here’s her cover.

8. You Won’t See Me — Anne Murray

Aw, crap. Who the hell asked for this? Did the Beatles split affect us so much that we just allowed any cover to reach the Top 10? When Paul sang it, he had irritation in his voice; I don’t know if Anne Murray has ever sounded irritated in her whole life. She gets rid of the awesome “ooh la la la” backing vocals, and confuses the listener by featuring a somewhat funky fade-in, creating a vibe that is completely eliminated by the time she starts to sing. And yet, according to the liner notes of her greatest hits album, Lennon apparently told Murray that her cover was his favorite Beatles cover. Like, ever. If this is true, then clearly John had a soft spot for Captain & Tennille, because this track sounds like it was ripped right off of them. In fact, I’m unconvinced that this isn’t actually a C&T track with Murray singing over it.

And just when you thought it couldn’t get any worse…check out those shoulder pads!

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Bottom Feeders: The Ass End of the ’80s, Part 50

Welcome again to Bottom Feeders, your weekly look into songs that charted no higher than #41 on the Billboard Hot 100 chart in the 1980s. This should be a fun week, with more rock ‘n’ roll storytelling on our hands. Download and enjoy some songs, and while you’re at it, give me your Kiss story.

Kiss
“Shandi” — 1980, #47 (download)
“A World Without Heroes” — 1981, #56 (download)
“Lick It Up” — 1983, #66 (download)
“Heaven’s on Fire” — 1984, #49 (download)
“Tears Are Falling” — 1985, #51 (download)
“Crazy Crazy Nights” — 1987, #65 (download)
“Reason to Live” — 1987, #64 (download)
“Let’s Put the X in Sex” — 1989, #97 (download)
“Hide Your Heart” — 1989, #66 (download)

kiss_1Kiss sets all kinds of marks as part of this series. Their nine tracks here are the most of any artist so far (there will be an artist with ten in the future) but the most remarkable thing is that these are the only nine tracks to chart in the decade. That kind of speaks to the remarkable career they’ve had: not one Top 40 song in the decade and yet the record company kept releasing singles. Now, granted, in most cases the songs you’re hearing were the first off an album and the second one didn’t chart, so the initial impact wasn’t exactly stellar.

As a rock ‘n’ roller at heart, I’m ashamed to say that I’ve never seen Kiss live. I’ll see them on some reunion tour at one point; I think I have to as a rock fan, but I have no need to pick up a kiss record from the ’80s. I’m sure most of you will say the same thing as it’s no secret that Kiss isn’t exactly the greatest studio band in the world.

Let’s look at how the decade unfolded for Kiss. Unmasked was the first album of the decade and featured “Shandi” as the first single. It was the last with Peter Criss as the credited drummer though he didn’t actually play on the album. The album has more of a pop feel than the more popular Kiss records but hadn’t yet went to the pure ’80s sound.

Music From ‘The Elder’ was released in 1981 and ended up spawning probably the best single out of all the tracks here, but it was Kiss’s worst-selling album. It was also the last record they made with Ace Frehley until Psycho Circus.

Without touring, they came right back in 1982 with Creatures of the Night which is probably the strongest album of the decade for Kiss which of course means that it had no singles chart. The catchy as hell “I Love It Loud” comes from this album though and that became a concert staple. This was the first album with Vinnie Vincent on guitar.

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