Posts Tagged ‘Go West’

White Label Wednesday: Medsker’s Retro Beat Mix

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In the comment section of last week’s White Label Wednesday column on ABC, Ted lamented that I didn’t beat mix the songs together. Today, he gets his wish.

I made roughly 15 to 20 beat mixes during my time as a DJ in college (1987-1991). I didn’t own any gear, so I either made the mixes after hours at the clubs where I worked or I used the gear of a fellow DJ friend, who was brave enough to have his gear in his dorm room. Since the mixes were all recorded on cassette, very few have made the jump to the digital realm. Easy CD Creator had an add-on earlier in the decade that enabled people to input analog sources into their computer, and it would record the tracks and break them down. The program was clearly designed for vinyl, thinking that it would create a new file whenever a song ended or faded out. With beat mixes, this was a little more complicated, since the idea is for there to never be a break. I’d end up with one 12-minute file, and then 15 ten-second files. I would then take this .wav file editor and put the songs back together. Wheee.

The worst thing about uploading the tapes was that the digital recording was really quiet, so I would have to amplify the tracks exponentially, which of course amplified the tape hiss as well. You don’t really hear it when things are jumping, but when a song got quiet…whoooooosh! I should just break down and get one of those USB turntables that can convert vinyl and cassettes, but there is just one problem: I have no money, and with two kids, no time. So most of my tapes are still tapes. (more…)

CHART ATTACK!: 8/18/90

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Hi, everybody! Welcome back to another edition of CHART ATTACK! So I’m assuming that every single one of you sat at your computers two Fridays ago, furiously refreshing my Twitter page to follow my exciting adventures at the Jack Wagner concert. What? You didn’t? You guys are jerks. That’s the last time I invite you to…watch me do something. Well, here it is in a nutshell: my two-hour drive wound up taking five hours in the rain and traffic. I showed up halfway through the show, which wasn’t necessarily a bad thing. I shouted for “Right Here Waiting” when he asked for requests and Jeff hit me. Then, he played “All I Need,” and…well, if you haven’t read it already, check out Jeff’s awesome account of the evening.

Anyway, last time we met here, we covered a summer week in 1992. I was convinced there were better weeks within the decade to be found. Let’s see if you agree — here’s the chart for the week ending August 18, 1990!

10. King of Wishful Thinking — Go West Amazon iTunes
9. Cradle of Love — Billy Idol Amazon iTunes
8. Have You Seen Her — M.C. Hammer Amazon iTunes
7. Do Me! — Bell Biv Devoe Amazon iTunes
6. Blaze of Glory — Jon Bon Jovi Amazon iTunes
5. Unskinny Bop — Poison Amazon iTunes
4. The Power — Snap! Amazon iTunes
3. If Wishes Came True — Sweet Sensation Amazon iTunes
2. Come Back to Me — Janet Jackson Amazon iTunes
1. Vision of Love — Mariah Carey Amazon iTunes

10. King of Wishful Thinking — Go West

I’m having a serious debate with myself right now. Do I admit to you that I really like this song a lot? That if it comes on the Lite-FM radio station, I totally won’t turn it off? And after that, do I admit to you that the first compact disc I ever owned was the Pretty Woman soundtrack, followed by Richard Marx’s Repeat Offender? Because if I tell you these things, you might think less of me, and I don’t want you to think less of me. So okay, I won’t tell you. Problem solved.

Go West, consisting of Richard Drummie and Peter Cox, was formed in England in 1982. Although they had a number of hits in their native country, the duo literally hovered around the Top 40 before 1990: “We Close Our Eyes” reached #41 (you can find out more about the single by checking out either Popdose series White Label Wednesday or Bottom Feeders) and “Don’t Look Down — The Sequel” reached #39, leading me to wonder how anybody hits the Top 40 with the word “sequel” in the title. (Only one other artist has done it — if you know who, shout it out in the comments!) It wasn’t until veteran A&R exec and producer Ron Fair included the song on the Pretty Woman soundtrack that Go West received their moment in the spotlight. “King” peaked at #8 and received an ASCAP award as well. You may recall one other Go West song, “Faithful,” aka “King of Wishful Thinking  — The Sequel,” which reached #14 in 1992. Both songs were written by Drummie and Cox in collaboration with Martin Page, the man behind “In the House of Stone and Light.” Go West are still together, although Peter Cox has released a few solo albums — including one that contains his cover of “What a Fool Believes.”

9. Cradle of Love — Billy Idol

If you were watching MTV in the early part of the decade, surely you remember the huge news of Billy Idol’s motorcycle accident: in February of 1990, Idol ran a red light while on his Harley and was hit by a car. He almost lost his right leg; he wound up having a steel rod inserted instead. Billy’s album, Charmed Life and the single, “Cradle of Love,” ended up serving as “comeback” releases for him. They might have been determined as such anyway, as he hadn’t released a truly new album since 1986’s Whiplash Smile and hadn’t released a single since 1987’s live version of “Mony Mony,” from the remix album Vital Idol. The hype surrounding his return to the industry, coupled with inclusion in an overrated movie (The Adventures of Ford Fairlaine) and a tremendously hot video (directed by David Fincher) all helped the song reach #2 in early August. Billy hasn’t reached the Top 40 since then.

Now here’s the bad news: Billy lost two movie roles as a result of his accident. You may have heard about the first one — his role in Oliver Stone’s The Doors was significantly reduced since he couldn’t really walk. But the second role he lost?

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I’m not kidding you. Billy Idol was James Cameron’s first choice to play T-1000 in Terminator 2. It’s totally true!

8. Have You Seen Her — M.C. Hammer

Okay, look. I understand that “U Can’t Touch This” was a huge hit. I’d even call it a deservedly huge hit. It’s awesome. The only thing wrong with it is that it gave Rick James more money for blow. But just because one song is a hit doesn’t automatically mean that every song after it should be given a free pass. This song is just terrible. Absolutely terrible. And even worse, it reached #4, beating “U Can’t Touch This” by four spots. How does “Have You Seen Her” beat “U Can’t Touch This”? This is bullshit. I’m glad he went broke.

I’m not just randomly bitching here. I can back this up.

Jason’s Top Three Reasons Why “Have You Seen Her” Sucks (more…)

Bottom Feeders: The Ass End of the ’80s, Part 37

This week we have a ginormous, gigantic, gargantuan post, as we finish up with the letter G on our trek through the bottom of Billboard’s Hot 100 charts during the ’80s.

Michael Gore
“Theme From ‘Terms of Endearment’” — 1984, #84 (download)

You know, it feels like every week here at Bottom Feeders starts with something completely bland or just plain douche-a-rific now. I guess if you’re listening to everything from top to bottom you can consider this your intro song. Or if you’re putting together a nice light-rock CD for grandma, you can make this your centerpiece. That’s it — grandma music.

Go West
“We Close Our Eyes” — 1985, #41 (download)
“Call Me” — 1985, #54 (download)
“Eye to Eye” — 1985, #73 (download)

If I didn’t collect ‘80s music I most certainly would have missed out on these gems and thought that “King of Wishful Thinking” (1990) was Go West’s first single and Indian Summer (1992) their first album. If you ever wanted to get into Go West for some reason, that album could easily be the place to start and stop. However, you’d be doing yourself a disservice by not going back and listening to their 1985 self-titled debut. The follow-up, 1987’s Dancing on the Couch, wasn’t quite as good as Go West, but it still contains some catchy-as-hell pop tunes. All three of the great songs featured here are from Go West, and though they sound dated today, if you think back to 1985 they actually sound a little too sophisticated for that era. Maybe that’s why none of them made an impact on the charts. Go West had one single in ‘87 barely crack the Top 40 — “Don’t Look Down (The Sequel)” hit #39, but it isn’t even included on the British version of Dancing on the Couch.

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Freshly Unwrapped: New Music Releases, 6/30/08

Alkaline Trio, Agony & Irony (Epic)
purchase this album (Amazon)

These Chicago-bred emo pioneers have been gradually sanding down the rough edges of their sound for years — and with their Epic debut, a glossy sheen is officially all that remains. Longtime fans are already grousing about Agony & Irony, but the album’s FM-ready sound is already yielding dividends for the band: Alkaline Trio was featured on an episode of The Hills in May. That won’t be of much comfort to those pissed-off purists, but it should give a pretty big boost to the band members’ bank statements. By their next album, their transformation into the emo version of the Goo Goo Dolls should be complete; in the meantime, they should get a semi-credible hit or two out of Lit-esque tracks like “Love Love Kiss Kiss.” (MySpace)

James Brown, Gravity (Volcano)
purchase this album (Amazon)

Not James’ finest hour, to be certain — but it does contain his last major Top 40 hit, the Rocky IV soundtrack anthem “Living in America,” and it probably represents his last more or less consistent album. It’s hard to decide which is more surprising: That Gravity was out of print, or that Volcano — the imprint that once was Scotti Brothers — is still in business. Those Survivor and “Weird Al” Yankovic royalties must be more lucrative than anyone could have imagined…

John Coltrane, Dakar (Prestige)
purchase this album (Amazon)

One of Coltrane’s earliest albums gets the Prestige reissue treatment here — no bonus tracks, but it’s remastered, and considering that these sessions were recorded in 1957, the difference is probably noticeable, to say the least. Coltrane’s foils for Dakar are Cecil Payne, Pepper Adams, Mal Waldron, Doug Watkins, and Art Taylor — and though Adams and Waldron contribute some solid songs, this isn’t one of Coltrane’s essential releases (check out the way his solo trips and falls down a flight of stairs on “Witches’ Pit”). For completists and jazz fanatics only. (more…)

White Label Friday: Go West, “We Close Our Eyes”

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No band wants their video legacy to trump their musical legacy, but in the case of Go West, chances are that when one of their songs comes on the radio (figuratively speaking of course, since radio stopped playing them years ago), the first thought the listener entertains will be one of bouncing numbers and wooden figurines. The Godley and Creme-directed clip was an eye-popper though one wonders what possessed them to feature singer Peter Cox in a wife beater while carrying a giant wrench and helped propel the song to within spitting distance of the Top 40, peaking at #41.

For 1985, the video holds up remarkably well, using some nifty split-screen panning. (The Russell Mulcahy-directed clip for the follow-up single, “Call Me,” is not so fortunate.) Likewise, this mix of the song (download), the B-side of “Call Me’s” U.S. 12″ single, has also held up well, perhaps because it seems aimed more at the home listener than the clubber. Is that a drum-free keyboard intro? And heavens, what is that thing in the middle? Is that … a guitar solo? Yesirree, and a mighty fine one at that. And to think, we thought that Richard Drummie carried that thing around with him in the videos just to give him something to do.

The band would go on to greater success years later thanks to a certain song from the Pretty Woman soundtrack (and, of all things, a rerecording of a song from their first album that wasn’t deemed worthy of a Stateside release the first time around), but for my money “We Close Our Eyes” is still the only Go West song that matters, and this is the only mix of that song that matters. What does it mean, though, to say that imagination never lets us take the blame? That sounds like one of those David Byrne, fill-the-space-with-words lyrics. God, did I just compare Go West to the Talking Heads? I think that’s my cue to walk away before I say anything really stupid. See you next week, kids.