Posts Tagged ‘Go’

Exit Music (For a Film): No Doubt, “New”

Tuesday, April 8th, 2008 by Zack Dennis

Gwen StefaniLike many suburban teenagers, I was first introduced to world of ska by the plaid-clad, Boston-based, masters of merchandising the Mighty Mighty Bosstones. It was the first time I ever became part of a subculture, and even then it was only in a limited sense. I went to just about every show that I found out about, but I never started dressing like a mod or riding a scooter (an image so brilliant realized by Phil Daniels in Quadrophenia), and while I dreamily entertained the idea of starting my own band called “Boss Tweed,” I was never part of the scene as anything more than just another kid in the crowd.

But I learned the history as well as anyone literate enough to read the FAQs hosted at the Usenet group alt.music.ska, and it dawned on me pretty quickly that the Bosstones weren’t a pure ska band – they were “ska-core” and happily described themselves as such on their EP album Ska-core, the Devil, and More (1993). I was surprised to learn that ska originally emerged from Jamaica in the sixties, and was actually a predecessor to reggae. The genre went through three distinct generations, and the music I was swinging my elbows to was actually part of the third wave.

Even though I was never fully immersed in the ska scene, it never failed to infuriate me to see the media get hopelessly confused over what ska actually was. Bands were often described as “ska” simply because they included a brass instrument or two, or followed ska’s distinctive musical structure of emphasizing the “up” phase of a beat. Bands like Goldfinger (pop/punk) and Sublime (reggae/dub) were haphazardly thrown into the category without recognizing that all true ska bands a) had horn players and b) consisted of at least five people, and usually more. I remember flaming the hell out of Christopher John Farley when he wrote up a brief article on ska for Time, and actually getting a direct response. But nothing upon nothing fueled my ninety-pound keyboard commando rages more than hearing the Southern California rock band No Doubt described as a “ska band.”

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