However you choose to label “Spring”, this is an entertaining and thought provoking motion picture.
Newcomer Alexandra Essoe is just one reason to watch this instant cult classic.
Horror movies derive most of their power and enjoyment (you sicko) from a combination of novelty and surprise.The novelty: how the filmmakers will have this particular bad guy stalk and kill the good guys. The surprise: OHMYGODLOOKOUTBEHINDYOUDREWBARRYMORE! Nevertheless, because horror movies are eternally popular, Hollywood remakes the biggest ones, as they would any genre of film. However, horror movies also boast extremely devoted and defensive cult bases, so time will tell if this weekend’s Evil Dead reboot is as good as Sam Raimi’s original 1981 classic, despite Sam Raimi’s seal of approval and active involvement. Here then are 10 more notable horror remakes. Friday the 13th (2009) There was once a rumor that they were going to eventually make 13 Friday the 13th movies. But after sending camp drowning victim/supernatural hockey mask-wearing murderer Jason Vorhees to space, hell, and Freddy Krueger, the franchise ran out of steam at 11 movies. So in 2009 they rebooted the franchise by remaking the original 1980 film, set at the proven horror setting of a summer camp full of …
In part four of her horror-a-thon, Kelly watches a bunch of movies featuring creatures that live in the dark and want to fuck you up.
As with a full-fledged horror movie, a horror-based comedy doesn’t quite need to reinvent the wheel. It merely needs to appeal to horror nerds and comedy fans alike — a shockingly delicate balancing act to maintain. Look at perhaps the m…
In part two of her Horror Movie Marathon, Kelly watches a pair of Australian horror films that involve actors getting cut from their parts — literally.
For the third day of Halloween, we take a look at crippling fear and claustrophobia in Neil Marshall’s UK nail-biter “The Descent”.
Joss Whedon has his hand in a monster mash.
Clowns! Babies! Crab monsters! And more, from Attack the Block to Zombie.
Bailee Madison is going to need a bigger flashlight to scare off unwelcome houseguests in a shivery remake.
Solid craftsmanship disguises some rickety timber in The House of the Devil. Writer/director/editor Ti West says in one of the DVD’s two commentary tracks that he had Polanski and Kubrick in mind when he conceived the film, which is a more promising place to begin than the usual blood-soaked homage to Halloween or Friday the 13th. Though the movie recalls early 70s knockoffs of Rosemary’s Baby more than Polanski’s original, and could never be as obsessive as The Shining (or any Kubrick credit), I appreciate what West did with the place. Young filmmakers—West is 29—are fascinated by the 80s, so the film is set then, with The Fixx’s “One Thing Leads to Another” blasting from a “portable” Walkman the size of a toaster oven and clanking big phones hung on the kitchen walls. (How did those of us with longer memories ever survive?) It’s as detailed as a Jane Austen adaptation set 200 years ago. But West’s modus operandi skips Jason and Freddy and the rest of the Reagan horror funhouse to dwell on moody …
The Uninvited has recently come out on DVD, and if you choose to watch it, several other words with an “un-” prefix may wander into your mind. You’ll find the film Uninteresting, and the DVD will quickly become Unwanted and Unwelcome by you or anyone within your household. Viewing it, you’ll find yourself Unwilling to become involved in this very Unwatchable film. A bastardized remake of the Korean film A Tale of Two Sisters, The Uninvited stars Australian actress Emily Browning (Ghost Ship, Lemony Snicket’s A Series of Unfortunate Events) as American teen Anna, recently released from a sanitarium after she attempted suicide following her mother’s death in a tragic boathouse explosion (seriously). She returns home to find her older sister, Alex (Arielle Kebbel), still angered by Anna’s supposed “abandonment” — while kid sis was away, their dad, Steven (David Strathairn), started banging the hot live-in nanny, Rachael (Elizabeth Banks), to help cope with his grief.