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SXSW Notebook Dump: Jack White/Third Man Records Showcase
Note: This review was written by Lily Angelle, the junior member of our reporting team. AUSTIN – Friday’s official Third Man Records Texas Stand-Off showcase was surreal, something out of a music junkie’s fantasies.
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SXSW Day Three – Up Close and Way Too Personal
AUSTIN – Perhaps at this junction it might be helpful to briefly summarize the physical nature of the South by Southwest (SXSW) music festival, so it can serve as a road map of sorts
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New Music: Jack White, “Love Interruption”
From Jack’s just-announced solo debut Blunderbuss, due out in April. Listen to “Love Interruption” below
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Greatest Un-Hits: Electric Six’s “Danger! High Voltage” (2003)
Certain songs are so well-known that we assume they were hits, but their popularity is actually retroactive. “I Want Candy,” by Bow Wow Wow, for example, is a definitive ’80s pop song and often
Read More »A Fan’s Notes: Newport Folk Festival 2011
Ken Shane was back at the Newport Folk Festival this year -- but this time, he wasn't just there as a journalist
Read More »CD Review: Weird Al Yankovic, “Alpocalypse”
Every generation gets their Weird Al Yankovic. Popdose.com weighs in on this one's
Read More »DVD Review: The Rolling Stones, “Stones in Exile” — Win a Copy!
On May 18 of this year, the Rolling Stones released a remastered and expanded edition of what is arguably the greatest rock and roll album ever made, Exile On Main Street. You can read
Read More »Parlour to Parlour, Episode 2: Leopold and his Fiction
Michael Fortes drops in on Daniel James from the San Francisco-based trio Leopold and his Fiction as the Parlour to Parlour journey continues to cover the Bay Area
Read More »Mojo’s Cold Shot: Left Lane Cruiser
On one hand, Jon Spencer, in my book, has a lot to answer for. The half-baked, half-rehearsed stuff he sometimes releases is offensive to the people who work for a living for actual money
Read More »When Good Albums Happen to Bad People: Glenn Danzig, “Danzig II: Lucifuge”
Many artists put on emotional masks, and there are a multiplicity of reasons they do so. Some simply wish to distance the “real them” from the audience, in order to allow some semblance of
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